Re: Character encoding / poor man's letterspacing

Am 11.03.19 um 23:40 schrieb David Kastrup: Urs Liska writes: Am 11.03.19 um 20:22 schrieb Aaron Hill: On 2019-03-11 11:30 am, David Kastrup wrote: Urs Liska writes: Hi, I've written a poor-man's implementation of a simple \letterspaced markup command: #(define-markup-command   (lette

Re: Character encoding / poor man's letterspacing

Am 12.03.19 um 01:14 schrieb Aaron Hill: On 2019-03-11 3:40 pm, David Kastrup wrote: Urs Liska writes: Am 11.03.19 um 20:22 schrieb Aaron Hill: On 2019-03-11 11:30 am, David Kastrup wrote: Urs Liska writes: Hi, I've written a poor-man's implementation of a simple \letterspaced markup c

Re: Character encoding / poor man's letterspacing

Am 2019-03-12 um 10:43 schrieb Urs Liska : >> Also, I should have been clear before. David's code should work for most >> cases. I was just being pedantic that /./ would not work if the input has >> combining characters. For instance, if you type U+0308 (Combining >> Diaeresis) after an 'a',

fret-diagram and barré with another finger on the same string

Hi folks I cannot find anything in the documentation. As far as I can see, the barré in fret-diagram commands must start and end on the same fret. It makes sense.. however, how can I represent a chord where another finger presses a different fret while the barré is active on the same string?

Re: Character encoding / poor man's letterspacing

Hi, On 12.03.19 10:43, Urs Liska wrote: Am 12.03.19 um 01:14 schrieb Aaron Hill: On 2019-03-11 3:40 pm, David Kastrup wrote: Urs Liska writes: [...] Also, I should have been clear before.  David's code should work for most cases.  I was just being pedantic that /./ would not work if the i

Re: Access the first/last line of a markup

Hi Aaron, thank you for this example. Am 11.03.19 um 17:20 schrieb Aaron Hill: On 2019-03-11 2:49 am, Urs Liska wrote: Hi, ... A *hack* using transparent glyphs to force alignment: \version "2.19.82" #(define-markup-command (ascender-descender-placeholder layout props) ()   (let* ((st

Re: fret-diagram and barré with another finger on the same string

On 3/12/19, 6:42 AM, "Federico Bruni" wrote: Hi folks I cannot find anything in the documentation. As far as I can see, the barré in fret-diagram commands must start and end on the same fret. It makes sense.. however, how can I represent a chord where another finger

Re: Character encoding / poor man's letterspacing

Hi Alexander, thank you for that pointer. This made my day! Am 12.03.19 um 14:54 schrieb Alexander Kobel: Hi, On 12.03.19 10:43, Urs Liska wrote: Am 12.03.19 um 01:14 schrieb Aaron Hill: On 2019-03-11 3:40 pm, David Kastrup wrote: Urs Liska writes: [...] Also, I should have been clear be

Re: Character encoding / poor man's letterspacing

On 2019-03-12 7:53 am, Urs Liska wrote: Hi Alexander, thank you for that pointer. This made my day! Am 12.03.19 um 14:54 schrieb Alexander Kobel: Hi, On 12.03.19 10:43, Urs Liska wrote: Am 12.03.19 um 01:14 schrieb Aaron Hill: On 2019-03-11 3:40 pm, David Kastrup wrote: Urs Liska writes:

Re: Character encoding / poor man's letterspacing

On 2019-03-12 8:32 am, Aaron Hill wrote: #(define (is-combining-mark? ucp) "Returns whether a code-point is a Unicode Combining Character." (or (<= #x0300 ucp #x03ff) (<= #x1ab0 ucp #x1aff) (<= #x1dc0 ucp #x1dff) (<= #x20d0 ucp #x20ff) (<= #xfe20 ucp #xfe2f))) Typo i

How to view the ("full") input that lilypond is engraving?

http://lilypond.org/doc/v2.19/Documentation/notation/file-structure (NR, section 3.1.5 "File structure") says: ...A file containing only "{ c'4 d' e'2 }" will be translated into: \book { \score { \new Staff { \new Voice { { c'4 d' e'2 } } } \layout { } } \pap

Ot Barrios-music

Music studied on lilypond scores created by myself with personalized fingering! https://www.youtube.com/watch?v=07JtgZRE658 -- oiram/bin/selom Da ognuno secondo le proprie capacità ad ognuno secondo i propri bisogni. MIB-kernellinux-tester Linux MIB

Re: How to view the ("full") input that lilypond is engraving?

Jaime T writes: > http://lilypond.org/doc/v2.19/Documentation/notation/file-structure > (NR, section 3.1.5 "File structure") says: > > ...A file containing only "{ c'4 d' e'2 }" will be translated into: > > \book { > \score { > \new Staff { > \new Voice { > { c'4 d' e'2 } >

Re: How to view the ("full") input that lilypond is engraving?

Hi Jaime, Is it actually \displayMusic that you are interested in? See Section 1.3.1 in the NR, 'Displaying music expressions'. Andrew On Wed, 13 Mar 2019 at 08:19, Jaime T wrote: > http://lilypond.org/doc/v2.19/Documentation/notation/file-structure > (NR, section 3.1.5 "File structure") says

Re: How to view the ("full") input that lilypond is engraving?

On 2019-03-12 4:33 pm, Andrew Bernard wrote: Hi Jaime, Is it actually \displayMusic that you are interested in? See Section 1.3.1 in the NR, 'Displaying music expressions'. Be aware that \displayMusic is only for "music". You cannot use it with higher-level things like \book, \bookpart, or

Re: Ot Barrios-music

Hi Mario, Nicely done. But of more interest to the group may be to show us your score, or any special techniques you have developed for engraving it. It's hard to tell from the video that you played from a lilypond engraved score. :-) Andrew ___ lilypon

Re: fret-diagram and barré with another finger on the same string

Il giorno mar 12 mar 2019 alle 15:28, Carl Sorensen ha scritto: In order to have two indications on the same string (the end of the barre plus another fret) you will need to use either the fret-diagram or the fret-diagram-verbose format. fret-diagram-terse only handles one indication per stri