Hi Brent,
Unless I am totally missing the point, this was discussed on the list a
couple of years ago, and a simple solution provided oin LSR 957. Is the
following not what you want?
Andrew
% LSR 957
#(define-markup-command (openBracket layout props heitgh) (number?)
(interpret-markup
Am 20.05.2018 um 21:00 schrieb crimsonsunr...@protonmail.com:
Currently using the latest stable version.
The subject pretty much says it. I'm dealing with a score in which parts are
combined as voices on single staves, but the conductor score has text that's
only relevant to the conductior a
Hi Helge.
I usually just draw this stuff as PostScript paths. Do you want me to do
you an example?
Andrew
On 21 May 2018 at 20:08, Helge Kruse wrote:
> I want to typeset a noisy part. It should give the impression of an
> explosion. The composer used a notation that reminds to glissandi but I
On 5/21/2018 6:08 AM, Helge Kruse wrote:
I want to typeset a noisy part. It should give the impression of an
explosion. The composer used a notation that reminds to glissandi but I
am convinced that this is just chaos on the strings...
I searched the Lilypond snippet repository and found the ide
Hi,
Using a TextSpanner, is there a way to change the text in the middle, so that
the new text appears at the next system break (whichever bar that is)?
\version "2.19.80"
\language "english"
\relative c' {
\override TextSpanner.bound-details.left.text = "abc"
c1 \startTextSpan
\repeat un
2018-05-21 12:28 GMT+02:00 James Harkins :
> Hi,
>
> Using a TextSpanner, is there a way to change the text in the middle, so that
> the new text appears at the next system break (whichever bar that is)?
>
> \version "2.19.80"
> \language "english"
>
> \relative c' {
> \override TextSpanner.boun
Hey Andrew,
Wow, this looks like exactly like my score! Thank you very much, I managed
to tweak the values of this code to get exactly the shape I needed.
On a side note, in my searches I noticed it's now possible to define
different barline types, and the bracket type looks like it would also do
2018-05-21 15:03 GMT+02:00 Brent Annable :
> Hey Andrew,
>
> Wow, this looks like exactly like my score! Thank you very much, I managed
> to tweak the values of this code to get exactly the shape I needed.
>
> On a side note, in my searches I noticed it's now possible to define
> different barline
2018-05-21 17:09 GMT+02:00 Thomas Morley :
> 2018-05-21 15:03 GMT+02:00 Brent Annable :
>> Hey Andrew,
>>
>> Wow, this looks like exactly like my score! Thank you very much, I managed
>> to tweak the values of this code to get exactly the shape I needed.
>>
>> On a side note, in my searches I notic
Am 21.05.2018 um 12:38 schrieb Ben:
> Hello,
>
> Maybe this code can help you?
> (see attached)
Ben,
thanks for reply. Unfortunately this works only for half and quarter
notes. If you have \quaver it's necessary to add "\omit Beam\omit Flag".
But the approach has a side effect. The next ordinary
Am 21.05.2018 um 12:35 schrieb Andrew Bernard:
> Hi Helge.
>
> I usually just draw this stuff as PostScript paths. Do you want me to do
> you an example?
That would be great.
Regards
Helge
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On 5/21/2018 11:29 AM, Helge Kruse wrote:
Am 21.05.2018 um 12:38 schrieb Ben:
Hello,
Maybe this code can help you?
(see attached)
Ben,
thanks for reply. Unfortunately this works only for half and quarter
notes. If you have \quaver it's necessary to add "\omit Beam\omit Flag".
But the approac
Thanks Hans!
JM
> Le 20 mai 2018 à 20:56, Hans Åberg a écrit :
>
> Here is a two-dimensional layout fitting into the staff system (use a
> monospace font to view). Pitches increase by moving up or to the right.
> Moving vertically corresponds to changing position on the staff; moving
> horiz
You are welcome. This pattern may be better for understanding the staff system
and how LilyPond works:
Currently, LilyPond uses the M and the # as generators, and the latter is put
on a rational number continuous variable, tied to E12, the 12-equal
tone-system. But no matter what rational value
On Mon, 21 May 2018 19:12:56 +0800 Thomas Morley
wrote
> \relative c' {
> \override TextSpanner.bound-details.left.text = "abc"
> \override TextSpanner.bound-details.left-broken.text = "foo"
> c1 \startTextSpan
> \repeat unfold 20 { c1 }
> c1\stopTextSpan
> }
>
Hi James,
> It's possible that I might have a spanner covering three or more systems,
> where the text might need to change twice (or more).
You should look at David N's incredible spanner-with-inner-texts (or similarly
named) — I'm pretty sure it’ll do all that (and more).
Hope this helps!
Ki
It would prove incredibly useful to be able to change the MIDI port of a
specific note, possibly using scheme code. Lots of other things can be done
via MIDI using scheme functions inside Lilypond -- for example, changing
tempo, etc.
So guessing it's possible to use a simple scheme function to ch
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