Re: split { {a b} {c' d'} {e' f'} } in multiple expression

On 16 May 2018 at 02:23, Andrew Bernard wrote: > Hi Gianmaria, > > From your posts I suspect you may find a use for Abjad. Have you looked > into it? > > Just a suggestion. > > Andrew > > Ciao Andrew, your suggestion is welcome! I had a look to Abjad when I discovered Lilypond, maybe a couple ye

Re: split { {a b} {c' d'} {e' f'} } in multiple expression

On 16 May 2018 at 09:04, Gianmaria Lari wrote: > > > On 16 May 2018 at 02:23, Andrew Bernard wrote: > >> Hi Gianmaria, >> >> From your posts I suspect you may find a use for Abjad. Have you looked >> into it? >> >> Just a suggestion. >> >> Andrew >> >> > Ciao Andrew, > > your suggestion is welco

Re: Re: split { {a b} {c' d'} {e' f'} } in multiple expression

> On 16 May 2018 at 09:04, Gianmaria Lari wrote: > > > > I forgot something. For me, a very difficult thing using scheme with lilypond > is correctly open/close the brackets. It's is extremely easy get lost and > error messages don't help that much. I imagine Frescobaldi is not the correct >

5/4 full measure rest

Hello folks, What is the best way to write such a length, that cannot be written with dots? I’m not sure about R1*5/4, and I thought R1 R4 would be OK for that, but: \version "2.19.80" \relative { \time 5/4 << \new Voice { a' b c d e | } \new Voice { R1 R4 | }

Re: 5/4 full measure rest

Dear Jacques, > I’m not sure about R1*5/4, and I thought R1 R4 would be OK for that, but: R1*5/4 is just fine. > R1 R4 | R1 means fill the duration of a whole note with a full measure rest. Naturally after a full measure rest, the measure should end. But here it does not. Therefore the ba

Re: 5/4 full measure rest

. > Success: compilation successfully completed > Completed successfully in 0.7 ?. > > Thanks for your help! > > JM > > -- next part -- > An HTML attachment was scrubbed... > URL: > <http://lists.gnu.org/archive/html/lilypond-user/attac

Re: 5/4 full measure rest

Am Mittwoch, den 16. Mai 2018 um 10:11:30 Uhr (+0200) schrieb Menu Jacques: > Hello folks, > > What is the best way to write such a length, that cannot be written with dots? > > I’m not sure about R1*5/4, and I thought R1 R4 would be OK for that, but: as a general rule: If a full measure rest is

Re: 5/4 full measure rest

Hello Joram, Orm and Karim, Thanks, it’s clear now! JM > Le 16 mai 2018 à 10:35, Orm Finnendahl > a écrit : > > Am Mittwoch, den 16. Mai 2018 um 10:11:30 Uhr (+0200) schrieb Menu Jacques: >> Hello folks, >> >> What is the best way to write such a length, that cannot be written with >> dots?

Is there a way to generate a QR code inside a \markup block?

Hi everybody, I’m making a huge manual for my group with dozens of pages full of QR codes pointing to examples on YouTube and whatnot. For the time being I’m inserting them via \epsfile, but then I have to generate, properly name and organize each one beforehand. It takes much longer than actua

Re: Is there a way to generate a QR code inside a \markup block?

Hi Vinicius, I did it once. I am on Linux so it is straightforward to install imagemagick, qrencode, potrace and idn. These are used to create an EPS-file to include in the markup. If you on a different OS with other tools to create the EPS then you have to adjust the commands. The base idea i

Maintaining font-size regardless of staff-size

At the moment I define variables for formatting title, composer etc. at the start of a score separately for each staff-size that I use. A simple question: is there a way of getting the same layout and font- sizes for the opening headings of, say, a part with 20-point staves and a full score with 1

Re: Maintaining font-size regardless of staff-size

David Sumbler writes: > At the moment I define variables for formatting title, composer etc. at > the start of a score separately for each staff-size that I use. > > A simple question: is there a way of getting the same layout and font- > sizes for the opening headings of, say, a part with 20-poi

Re: 5/4 full measure rest

On 16.05.2018 10:11, Menu Jacques wrote: I’m not sure about R1*5/4 With R, it’s completely irrelevant how you write the duration. R1*5/4*2 would be my favourite, but the following behave the same in every respect: R4*10 R16*40 R\breve*5/4 Just to illustrate the concept. Best, Simon __

tremolo

Trying to recreate this snippet. f-clef (bass), 12/8, A-major. I tried: \repeat tremolo 6 {a32\fermata a'\fermata} 8 r r r4 r8 Which failed. Then tried all combinations that could lead to the correct tremolo. I haven't even arrived at trying to ad the ties. Any help would be much appreciated

spacing of gracenote beams

Hello I'm currently working on an engraving project that involves the use of bagpipes. I am using the bagpipe.ly include. When using multipe gracenotes, the spacing of the stems within the beaming is not always even. The first note with three gracenotes looks the way I want. The second you can

Solution to have repeats with upbeat and different alternatives??

Howdy! What is the solution to having repeats with upbeats and different alternatives? As in Beethoven's opus 31 no4 the "Allegretto" This is the best that I can get with lilypond. There is a extraneous bar in the last second alternative of the last repeat??? http

Re: tremolo

Dear Ursus, this is how I would write it: \version "2.19.80" { \clef bass \key a \major \time 12/8 \set tieWaitForNote = ##t \override Beam.gap-count = 2 \repeat tremolo 12 {a,,32\fermata ~ a,\fermata ~ } 8 r r r4 r8 \bar "|." } You need 12 repetitions (12 times a 1/32 note is

Beam.gap-count

Hi, am I right, that setting Beam.gap-count is the way to turn this style of tremolos on? Why is it the number of gaps and not the number of beams connected to the stems that can be set? For different note durations, wouldn't it be more consistent to set that? I mean, isn't the style that usually

Re: tremolo

Joram, Your solution did work. I had to change the hights around, but it looks exactly as the original. Thanks -- Sent from: http://lilypond.1069038.n5.nabble.com/User-f3.html ___ lilypond-user mailing list lilypond-user@gnu.org https://lists.gnu.or

Re: spacing of gracenote beams

Hi Amy, You are not alone. My biggest - probably my only - gripe with lilypond is the uneven spacing of gracenote beams. I have attempted for a long time to solve this, or at least work around it, to no avail. There's a function David Nalesnik wrote called \spaceStemsEvenly, but it is very hit an

Re: Solution to have repeats with upbeat and different alternatives??

Hi Steve, Opus 31 has only three Sonatas, not four. What work are you referring to? Dare I say, don't you just have an extra note in the last second alternative? Perhaps if I could find the Allegretto you are referring to it would help see what you are actually asking. Let us know which Sonata.

Re: spacing of gracenote beams

Hi Andrew Thanks for that info. It’s a little aggravating because I feel it distracts from the really great looking engraving that is otherwise produced. I also think it’s probably something not many people run into as most classical music gracenoting is diatonic and adjacent notes. I’ll giv

Vertical space above ossia

I'm having trouble eliminating vertical space above an Ossia snippet. This is the example of the manual, augmented to extend over multiple lines: \version "2.19.32" \new Staff = "main" \relative { \repeat unfold 4 { c''4 b d c} \break \repeat unfold 4 { c4 b d c} << { c4 b d c } \new

lyluatex: captions and page breaks

Hi all As lyluatex does not support captions¹, so far I've used \header{piece="Caption"} in the lilypond snippet to display a title before the music fragment. I'm ok with the way it looks. The problem is that sometimes this title is put just before a page break, so caption and figure are separ