Just a bit more information.
The problem only occurs when I have two volta sections back to back.
Cheers, Bruce
On 31 March 2018 at 20:41, Bruce Daniel wrote:
> Hi Lilypond users,
>
> I've come across a recurring problem with strophic songs I'm working on.
> It seems that beyond a certain level
Hi!
I'm a new user of Lilypond and I'm trying to figure out if this software
could answer my needs in term of score engraving!
I'd like now to include the font bravura but I fear that I'm also stuck with
the same problems I read in this topic!
I also work with Windows 10, Lilypond 2.19.80 and F
Hi,
Just wondering if the following is possible or not, and am happy to be told
it's way too complex and not to bother.
Is it possible to extract the name of the first key signature in a piece
(single staff) after adjusting for any transposition to use in text markup?
(e.g. looking to get the phr
Am 31.03.2018 um 19:14 schrieb foxfanfare:
- Could someone please make a quick tutorial on how include the bravura
font?
Have a look at section 3.4.4 of the Notation Reference:
http://lilypond.org/doc/v2.19/Documentation/notation/replacing-the-notation-font.html
(this is the english version
Am 01.04.2018 um 06:37 schrieb Mark Stephen Mrotek:
I compiled
\version "2.19.80"
\relative c'' {
g2 (\pitchedTrill a) \startTrillSpan bes
r4\stopTrillSpan }
No warning! Check the version you are using.
I get the warning both with 2.19.80 and 2.19.81 (and with 2.18.2 and
current mas
2018-03-31 23:13 GMT+02:00 Bruce Daniel :
> Just a bit more information.
> The problem only occurs when I have two volta sections back to back.
> Cheers, Bruce
>
> On 31 March 2018 at 20:41, Bruce Daniel wrote:
>>
>> Hi Lilypond users,
>>
>> I've come across a recurring problem with strophic songs
2018-03-31 22:55 GMT+02:00 brob2684 :
> Hi,
>
> Just wondering if the following is possible or not, and am happy to be told
> it's way too complex and not to bother.
>
> Is it possible to extract the name of the first key signature in a piece
> (single staff) after adjusting for any transposition t
Dear all,
I have been transcribing some piano pieces, with two voices in each staff.
In the lower staff some of the notes reach down very far, and have many
auxiliary lines. For easier readability I have made a version with \ottava #-1
for the lowest notes in the lowest voice, voice 5.
But some
Am 01.04.2018 um 12:17 schrieb Robert Blackstone:
But something strange happened. This \ottava #-1 also changed the notes of
voice 4, the upper voice of the lower staff.
That’s not so strange … see my explanation below.
I have not been able to reproduce this effect in a ME, which works pe
Am 01.04.2018 um 12:54 schrieb Malte Meyn:
I would strongly suggest either to look for another possible notation
(f. e. use a third staff, put the upper voice in the upper staff, or
don’t use an ottava here because three ledger lines aren’t that much for
piano) or to add a “loco” sign at th
Hi Robert,
By tradition, an ottava mark affects all the voices. If you only want to
affect one - perfectly reasonable actually - Malte has show how to do it.
But it's well known and LSR has a snippet.
http://lsr.di.unimi.it/LSR/Item?id=875
I use that technique often. But it is a very good questi
Thank you for your quick answer! I allready read this notation reference
page, but I was confused with other articles wich refered to this
openLilyLib stuff...
When I applied your settings with #(set-global-staff-size 17) and later
#:factor (/ staff-height pt 20), I find the result a bit strange
Hi Andrew, Hi Malte,
Many thanks for your quick reply and for the help.
First of all my apologies for my "not-minimai"-example. I just copied and
pasted a bar from the real work, for sometimes my ME's do not show my problem.
A bit of laziness too, I confess.
But here my "not-minimai"-example
Hi foxfanfare,
First of all welcome to the Lilypond world! AFAIK you would create a
style-sheet by creating a file with a layout block that contains the
settings for your house-style, and then you include that file in all the
projects where that house-style is needed. That's the easy part. Filling
I need a custom articulation common in 18 c scores which is a short
vertical line above the note. I have the following code which works just
fine:
upline =
#(let ((m (make-articulation "stopped")))
(set! (ly:music-property m 'tweaks)
(acons 'font-size 3
(acons 'stencil (lamb
Thank you for your answer! It is also wonderful to see such an active
community!
I guess I'll have to learn a lot more by reading all the notation guide
before bothering everybody!
--
Sent from: http://lilypond.1069038.n5.nabble.com/User-f3.html
___
l
As a preliminary to getting back to Lilypond and embarking on a large
new project, I thought I would install the latest version. (My current
version is 2.19.48).
I visited http://lilypond.org/development.html only to find that none
of the links to binaries function as expected, e.g.
http://downlo
Hi @foxfanfare,
I feel sure somebody on the list has made a Henle piano music style sheet.
Kieran?
Amusingly, the thing I like most about lilypond is that out of the box with
no tweaking it looks nothing like Henle Verlag editions. :-)
But I understand people are fond of Henle - it's what they g
Am 01.04.2018 um 17:00 schrieb Andrew Bernard:
I cannot recall where I obtained this code from. But I want to have the
line thicker. I don't know how to modify this. Grepping the lilypond
installation I am unable to find the function make-draw-line-markup.
Where does that come from? Can I use
Am 01.04.2018 um 17:22 schrieb David Sumbler:
Is this a temporary blip, or should I use the earlier version?
I think it’s a known problem but you can download it from here:
http://lilypond.org/downloads/
http://lilypond.org/downloads/binaries/linux-64/lilypond-2.19.81-1.linux-64.sh
Am 01.04.2018 um 15:48 schrieb foxfanfare:
When I applied your settings with #(set-global-staff-size 17) and later
#:factor (/ staff-height pt 20), I find the result a bit strange as all the
music seems to be smaller. Is it the same to put something like :
#(set-global-staff-size 20) / #:fa
Hello to all,
yes, this archive.org is great. Many thanks. I just discovered a pdf
from Harald Vogel that explains why this Prelude is so contrasting
(Orfeo in music - according to the theory of affects). This makes it
even more interesting. Actually I am wirting much more than
publishing, since I
Hello everybody,
probably this is a very stupid question (the answer being "obviously
not"), but I'll try my luck nevertheless:
Petrucci library holds complete parts for Haydn's 13th symphony, typeset
by user ViolonisteAmateur using Lilypond 2.10.33 back in 2009, under CC
BY 3.0.
http://ims
Lukas-Fabian,
Looking at the site I saw that the PDF had been scanned. The score does not
appear, at least to me, to have been set with Lilypond.
Mark
From: lilypond-user [mailto:lilypond-user-bounces+carsonmark=ca.rr@gnu.org]
On Behalf Of Lukas-Fabian Moser
Sent: Sunday, April 01
Mark,
thanks for checking! I'm sorry, the link I gave was to the symphony's
main page (where you found the full score), not the tab containing the
Lilypond-made parts (I didn't know one could give this as a direct link):
http://imslp.org/wiki/Symphony_No.13_in_D_major,_Hob.I:13_(Haydn,_Joseph
2018-04-01 18:11 GMT+02:00 Malte Meyn :
>
>
> Am 01.04.2018 um 17:00 schrieb Andrew Bernard:
>>
>> I cannot recall where I obtained this code from. But I want to have the
>> line thicker. I don't know how to modify this. Grepping the lilypond
>> installation I am unable to find the function make-dr
Hi all!
I currently have a function that accesses some grobs through their
"containers"(NoteHeads/Accidentals in NoteColumns, Ties in TieColumns) and
lets me tweak properties (individually if needed) of each. This is done in
a single override so it works with the Edition Engraver. But I've come up
Thomas Morley-2 wrote
> 2018-03-31 22:55 GMT+02:00 brob2684 <
> bennrobertson@
> >:
>>
>> Is it possible to extract the name of the first key signature in a piece
>> (single staff) after adjusting for any transposition to use in text
>> markup?
>> (e.g. looking to get the phrase "C major" if ther
2018-04-01 22:25 GMT+02:00 brob2684 :
> Thomas Morley-2 wrote
>> 2018-03-31 22:55 GMT+02:00 brob2684 <
>
>> bennrobertson@
>
>> >:
>>>
>>> Is it possible to extract the name of the first key signature in a piece
>>> (single staff) after adjusting for any transposition to use in text
>>> markup?
>>>
Hi Malte and Thomas,
This is all really great and appreciated.
But where are these functions located, or, dare I ask, documented?
Andrew
On 2 April 2018 at 04:54, Thomas Morley wrote:
> 2018-04-01 18:11 GMT+02:00 Malte Meyn :
> >
> >
> > Am 01.04.2018 um 17:00 schrieb Andrew Bernard:
> >>
>
Hi Harm,
I hadn't really thought about no key signature as being an issue, but I can
certainly see how it can cause confusion.
I think you are correct in suggesting "no key signature present" would be
the appropriate output, although I'll admit I'm unlikely to ever come across
such a case in my u
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