> I just used \score inside a custom markup-command and set the size
> by \layout { #(layout-set-staff-size design_size) }
>
> It looks as if #(layout-set-staff-size) doesn't scale down all the
> distances.
I think this behaviour is correct – the idea is to have staves with
different sizes aligne
How is this done?
--
Mark Austin
--
For Whigs admit no force but argument
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Mark Austin writes:
> How is this done?
Like with basically any mailing list, letting the full headers of any
mail from it displayed will give you the links you need.
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David Kastrup
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Glassmenagerie wrote
> The Bb trumpet player would need to transpose
> up 7 intervals on the fly. There is no key signature. Quite a challenge
> for amateur players.
> I'd like the best way to arrive at the correct notes and key signature for
> the Bb trumpet.
Hi,
Traditionally, there are ce
Werner LEMBERG wrote
>> I just used \score inside a custom markup-command and set the size
>> by \layout { #(layout-set-staff-size design_size) }
>>
>> It looks as if #(layout-set-staff-size) doesn't scale down all the
>> distances.
>
> I think this behaviour is correct – the idea is to have stav
Torsten Hämmerle writes:
> Werner LEMBERG wrote
>>> I just used \score inside a custom markup-command and set the size
>>> by \layout { #(layout-set-staff-size design_size) }
>>>
>>> It looks as if #(layout-set-staff-size) doesn't scale down all the
>>> distances.
>>
>> I think this behaviour i
For my brass parts, I use the OpenLilyLib auto-transpose snippet, and \remove
Key_engraver.
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On 3/15/2018 3:12 AM, Mark Austin wrote:
How is this done?
Hi Mark,
I assume you mean changing your address / how it relates to this mailing
list?
https://lists.gnu.org/mailman/listinfo/lilypond-user
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On Thu 15 Mar 2018 at 07:12:35 (+), Mark Austin wrote:
> How is this done?
Subscribe with the new address (making sure you send to the
foo-request address and not foo itself), submit and
confirmations, wait for postings to arrive ok, then
unsubscribe the old address *from the old address* usin
Hi Stéfano,
I tested with the force-rebel-tie.ly file you sent earlier in this
thread. What I meant was that \tieDown still does have no effect, when
there is a \voiceOne statement - maybe hidden via << \\ >>. So the first
tie is not changed with the EE-mod in the demo.
Do you think the warni
It's strange, I tested with a project that had some "rebel ties", commented
out the previous fix and used \tieDown, and the ties went in the direction
I wanted them to... I'll have to look at it in more detail, but it must
surely be my fault, I must have missed something.
However in the example abo
Hi everyone,
I was trying to use the \displaceHeads function from snippet 861 [1] [2]
on an eight-note chord, but found that it completely removes the beam
for some reason. I reduced it down to the following code:
\version "2.18.2"
{
\tweak before-line-breaking #(lambda (grob)
Hi Urs,
I'll definitely write you a post for the Scores of Beauty page. I'll start
this weekend.
Thanks again for all your help. I appreciate it.
Craig
On 15 March 2018 at 08:10, Urs Liska wrote:
> Hi Craig,
>
> Am 14.03.2018 um 21:13 schrieb Craig Dabelstein:
>
> Hi all,
>
> I thought some
Hi Lucas,
all below under the condition 'if I understand correctly' ;)
2018-03-15 18:38 GMT+01:00 Lucas Werkmeister :
> Hi everyone,
>
> I was trying to use the \displaceHeads function from snippet 861 [1] [2] on
> an eight-note chord, but found that it completely removes the beam for some
> reas
Hi,
thanks a lot for looking into this and finding a better implementation!
On 15.03.2018 23:33, Thomas Morley wrote:
> Hi Lucas,
>
> all below under the condition 'if I understand correctly' ;)
>
> 2018-03-15 18:38 GMT+01:00 Lucas Werkmeister :
>> Hi everyone,
>>
>> I was trying to use the \disp
Hi Urs,
> If you do this I'll probably fire up Facebook again. I would specifically
> stress how the information in the critical report (measure, beat information,
> instrument, automatic detection of multiple entries in the same measure) is
> generated directly from the score.
It's done (with
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