Hi Torsten,
Thank you very much. This does help, or better, it neatly solves my problem. (I
had never used, or even read about, "baseline-skip" so this is also a very
useful contribution to my LilyPond education.)
In your PS you wrote that you don't know the original page layout. That is hard
On Tue 27 Feb 2018 at 10:13:18 (+0100), Robert Blackstone wrote:
> Hi Torsten,
>
> Thank you very much. This does help, or better, it neatly solves my problem.
> (I had never used, or even read about, "baseline-skip" so this is also a very
> useful contribution to my LilyPond education.)
>
> In
Hallo Torsten,
Many thanks anyway. I am now without lilypond on the road again, but I
will try it tonight
I wish a nice day for you and everybody here,
Francois
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Hello everyone!
I was wondering about how do you usually solve situations like the
following, where you have ties to chords and the accidentals cause the ties
to be too short (sometimes almost invisible).
\version "2.19.80"\language "english"
> %What tweaks do you apply to this situations?\relati
I would like to transpose a motif (using \modalTranspose) to a _set_ of
different pitches. At the moment this is what I do:
scale = {c d e f g a b}
motif = {c' e' g' c'}
{
\modalTranspose c e \scale \motif
\modalTranspose c g \scale \motif
\modalTranspose c a \scale \motif
}
How can I do so
Hi David,
I will send you a copy of that score, Poulenc's quatrième Nocturne. Do you want
a pdf only or also the .ly-file ?
I also transcribed Poulenc's third Novelette and his 5th Improvisation. Would
you also be interested in these nice pieces?
It may take a day or two to finish them.
Best r
This is what I came up with. It's kind of hacky, I would love to know a
more straightforward way. Basically, I deleted the stencil of the
Accidentals so that the Ties do not detect collisions with them, and I
"post processed" them in again after the Ties have been positioned. A
little scaling and s
2018-02-27 19:12 GMT+01:00 Sirius Barras :
> I would like to transpose a motif (using \modalTranspose) to a _set_ of
> different pitches. At the moment this is what I do:
>
> scale = {c d e f g a b}
> motif = {c' e' g' c'}
> {
> \modalTranspose c e \scale \motif
> \modalTranspose c g \scale \mo
Hi Stefano,
Am I missing something? If you set minimum tie length to say 4.5 or even
4.2 it looks fine to me.
\override Tie.minimum-length = #4.5
Using #4 is just too short, that's all.
Given that you have gone to great effort to elaborate this in Scheme, I
fear I must be missing something i
Hi Torsten,
done. Again many thanks, this works perfectly.
BTW: I will publish in imslp, this seems more interesting for
everybody, than mutopia.
Francois
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On 26 Feb 2018 12:28 p.m., "David Wright" wrote:
On Sun 25 Feb 2018 at 23:27:31 (+), J Martin Rushton wrote:
> The only slight niggle is whether I can persuade Lily to
> use the full instrument names at the start of the main section rather
> than the short names.
You can use \set to change s
Hi Andrew,
Of course there is nothing wrong with setting the minimum length around
4.5. In this example this setting results in the Ties ending halfway
between the Noteheads, which I feel as a "loss of continuity" (for lack of
better words), and this did not leave me fully satisfied. I am aware th
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