The following very simple code generate 4 scores: two layout scores and two
midi scores.
\version "2.19.81"
music = {\repeat percent 2 {c' d' e' f'}}
\score { \music \layout{}}
\score { \unfoldRepeats \music \midi{}}
music = {\repeat percent 2 {g c' c' c'}}
\score { \music \layout{}}
\score { \u
2018-02-24 3:45 GMT+01:00 Kieren MacMillan :
> Hi all,
>
> When a lyric syllable begins with a typographer’s single quote (e.g., ’cause,
> ’ll, etc.), the "ignore-punctuation" hack doesn't work. Any hints on how to
> fix this would be appreciated.
>
> Thanks,
> Kieren.
>
> %%% SNIPPET BEGINS
> \
Thomas Morley writes:
> 2018-02-24 3:45 GMT+01:00 Kieren MacMillan :
>> Hi all,
>>
>> When a lyric syllable begins with a typographer’s single quote
>> (e.g., ’cause, ’ll, etc.), the "ignore-punctuation" hack doesn't
>> work. Any hints on how to fix this would be appreciated.
>>
>> Thanks,
>> Kie
Thanks. This works. I apologize. I was putting the breathe command outside the
brackets for the beam, which caused an error. If I follow your example, the
result is perfect.
Thanks again
> On Feb 23, 2018, at 10:34 PM, Kieren MacMillan
> wrote:
>
> Hi Joe,
>
>> I am working on organ music.
On Sat 24 Feb 2018 at 11:06:20 (+0100), David Kastrup wrote:
> Thomas Morley writes:
>
> > 2018-02-24 3:45 GMT+01:00 Kieren MacMillan :
> >> Hi all,
> >>
> >> When a lyric syllable begins with a typographer’s single quote
> >> (e.g., ’cause, ’ll, etc.), the "ignore-punctuation" hack doesn't
> >>
David Wright writes:
> On Sat 24 Feb 2018 at 11:06:20 (+0100), David Kastrup wrote:
>> Thomas Morley writes:
>>
>> > 2018-02-24 3:45 GMT+01:00 Kieren MacMillan :
>> >> Hi all,
>> >>
>> >> When a lyric syllable begins with a typographer’s single quote
>> >> (e.g., ’cause, ’ll, etc.), the "ignore
Hi David(s),
>>> Doesn't really look like dealing sensibly with utf-8.
> I was talking about the code, not the string
There's no question it doesn’t handle UTF-8 sensibly: I had to avoid using it
for a score a few weeks ago in which I was using a Ukrainian glyph ("backwards
R").
I would very m
Hi David,
On Mon, Feb 19, 2018 at 08:17:38PM -0600, David Wright wrote:
One of the differences with the way I do psalms is that I make more of
the pointing characters into mnemonic "active" characters
Thanks. I didn't know about active characters but they seem like a good
way to make the inp
Hello,
how can I extract and print all the items ( \mp and slur) after the duration
parameter in the function below?Thanks.
%%%
identityFunction = #(define-music-function (parser location note) (ly:music?)
(let ((mypitch (ly:music-property note 'pitch '())) (myduration
(ly:music-pro
I'm trying to set a composition which starts with a single instrument
before bringing in the whole ensemble. I don't want to break it up into
multiple scores because I want the midi to play through as a single
performance.
I've tried many ways to do this with little success. The latest attempt
w
J Martin Rushton writes:
> I'm trying to set a composition which starts with a single instrument
> before bringing in the whole ensemble. I don't want to break it up into
> multiple scores because I want the midi to play through as a single
> performance.
>
> I've tried many ways to do this with
On 2/24/2018 5:05 PM, J Martin Rushton wrote:
I'm trying to set a composition which starts with a single instrument
before bringing in the whole ensemble. I don't want to break it up into
multiple scores because I want the midi to play through as a single
performance.
Does each instrument get
Hi David,
> One of the differences with the way I do psalms is that I make more of> the
> pointing characters into mnemonic "active" characters:> % * for a
breath.> % | for a barline.> % ¬ for a double barline.> % _ for a dot.>
% † for a (posh) dagger.> % ¶ for a paragraph mark (looks after the
s
On 2/24/2018 5:27 PM, Michael Gerdau wrote:
I have yet to convince myself that I want to use LaTeX though.
I've never yet done a major project with any sort of TeX. But I am
considering it. Here's the biggest selling point for me:
Donald Knuth, "The Future of TeX and METAFONT"
https://www.tu
>> What I haven't figured out is why there are two long dashes
As davidK pointed out, three dash forms are probably desired: the hyphen,
the N-dash, and the M-dash. It does look like an extra M-dash at the
beginning of your string (or is that some character code masquerading as a
dash?). The space
On Sat 24 Feb 2018 at 16:59:37 (+0100), David Kastrup wrote:
> David Wright writes:
>
> > On Sat 24 Feb 2018 at 11:06:20 (+0100), David Kastrup wrote:
> >> Thomas Morley writes:
> >>
> >> > 2018-02-24 3:45 GMT+01:00 Kieren MacMillan
> >> > :
> >> >> Hi all,
> >> >>
> >> >> When a lyric syllabl
On Sat 24 Feb 2018 at 20:27:58 (-0700), madMuze wrote:
> >> What I haven't figured out is why there are two long dashes
>
> As davidK pointed out, three dash forms are probably desired: the hyphen,
> the N-dash, and the M-dash.
I didn't see him mention the hyphen, but it's all present and correct
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