2018-02-02 3:55 GMT+01:00 Stefano Troncaro :
> @Thomas
> I was not aware that it was possible to write a function inside of a
> parameter of a grob, and that before-line-breaking and after-line-breaking
> served this purpose. The documentation describes them as booleans and "dummy
> properties" so
On 2/1/2018 4:22 PM, domini...@cazeaux.org wrote:
I want to download Lilypond, it is impossible, may be a problem ?
Try this one. http://lilypond.org/downloads/
Changes to servers have things disturbed at the moment.
--
Karlin High
Missouri, USA
___
- Original Message -
From: "domini...@cazeaux.org"
To:
Sent: Thursday, February 01, 2018 10:22 PM
Subject: Lilypond download from linux.audio
I want to download Lilypond, it is impossible, may be a problem ?
--
Dominique
We have had some problems upgrading he lilypond webserver.
Hi Dominique,
welcome to Lilypond! "linux.audio" doesn't even exist as a web address, so
I'm not sure how you got that. Lilypond's home is at http://lilypond.org/;
the download links are on the right.
Once you get settled, this list is an extremely helpful resource, so feel
free to ask with any q
I'm not sure if EE supports ApplyOutputEvents, but you could try something like
this:
⋘
\applyOutput Voice.Accidental
#(let ((n 1))
(lambda (grob ctx1 ctx2)
(if (= n 0)
(ly:grob-set-property! grob 'stencil #f))
(set! n (1- n
% Will omit the N-th ac
Trying to engrave a piece of piano music where the left hand starts in the
treble clef. The music I’m copying from has a bass clef at the start of the
piece, followed by a clef change immediately before the first note, which I
think was standard practice in the 19th century (but I'm willing to b
Hello Harm, Stéfano,
I always underestimate the usability of before/after-line-breaking ...
Based on Harms code I scratched a music-function to conditionally omit
the accidental. This one can be used with the EE.
It smells a bit hacky, but it seems to work and is extendable for other
use cases.
Hello,
For my men's choir I need to set a score that is mostly in unison and
only a few bars with multiple voices (TTB). I have set a few simple
scores with the help of frescobaldi, but I have no idea how to set this
score...
I would like to have only one staff for TTB where the music is in uniso
Hello,
For my men's choir I need to set a score that is mostly in unison and
only a few bars with multiple voices (TTB). I have set a few simple
scores with the help of frescobaldi, but I have no idea how to set this
score...
I would like to have only one staff for TTB where the music is in uniso
On Fri, Feb 2, 2018 at 7:40 AM, Dominique Cazeaux <
dominique.caze...@gmail.com> wrote:
> Yes i do, Ralph !
> Musician in orchestra, I need Lilypond to transcribe manuscripts and
> ancient scores in modern notation.
> Familiar with C, Perl, Php, Latex and many, I prefer text interface to
> wysywi
Well, to be fair the normal download site is http://download.linuxaudio.org/ so
the OP only added one spare full stop.
--
Phil Holmes
- Original Message -
From: N. Andrew Walsh
To: domini...@cazeaux.org
Cc: lilypond-user
Sent: Friday, February 02, 2018 5:13 AM
Subject: R
On Thu, Feb 1, 2018 at 5:22 PM, domini...@cazeaux.org <
dominique.caze...@gmail.com> wrote:
> I want to download Lilypond, it is impossible, may be a problem ?
Greetings, Dominique -
Are you aware that LilyPond does not play audio files? It's for
transcribing/printing music. If you're in doubt
Hello Harm, Stéfano,
I always underestimate the usability of before/after-line-breaking ...
Based on Harms code I scratched a music-function to conditionally omit
the accidental. This one can be used with the EE.
It smells a bit hacky, but it seems to work and is extendable for other
use cases.
Hello,
I have some trouble with alignment of text to notes:
\version "2.18.2"
\language "deutsch"
{ \clef bass \key fis \major \time 4/4
{ r2 r4 ais8. gis16 | fis4( cis8)
r16 cis'16 cis4( \> ais8.) \! fis16 | \tuplet 3/2 {fis8([ eis gis)]}
h4 }
\addlyrics { Va, pen -- sie~ro, sull' a~l
Hello Harm, Stéfano,
I always underestimate the usability of before/after-line-breaking ...
Based on Harms code I scratched a music-function to conditionally omit
the accidental. This one can be used with the EE.
It smells a bit hacky, but it seems to work and is extendable for other
use cases.
Peter Toye writes:
> Trying to engrave a piece of piano music where the left hand starts in the
> treble clef. The music I’m copying from has a bass clef at the start of the
> piece, followed by a clef change immediately before the first note, which I
> think was standard practice in the 19th
Hi Lilyponders,
Is there a way to put an articulation (a staccatissimo symbol) in square
brackets above a note, such as [ ! ], where ! = a staccatissimo
articulation? I've tried several different permutations with no success.
Thanks in advance,
Craig
--
*Craig Dabelstein*
Maxime's Music
craig
lyuser.theg...@spamgourmet.com writes:
> Hello,
>
> For my men's choir I need to set a score that is mostly in unison and
> only a few bars with multiple voices (TTB). I have set a few simple
> scores with the help of frescobaldi, but I have no idea how to set this
> score...
>
> I would like to h
Hello,
might be that I have found a bug:
\version "2.18.2"
{ { \relative c'' \tuplet 3/2 { r8( c8 d8) } e8 }
\addlyrics{ Bug? }
}
1) The text goes to the e while it should go to the tuplet
2) The e is not an e''
--
Markus Grunwald
http://www.the-grue.de/~markus/markus_grunwald.gpg
tuplet_
Am 02.02.2018 um 17:55 schrieb David Kastrup:
Jan-Peter Voigt writes:
Hello Harm, Stéfano,
I always underestimate the usability of before/after-line-breaking ...
Based on Harms code I scratched a music-function to conditionally omit
the accidental. This one can be used with the EE.
It smells
Hi Markus,
> How can I set the text so that it reads pen - sie - ro
> with the correct (and nice) dashes?
Slurs will, by default, trigger melismas (i.e., multiple notes to one syllable).
Either use phrasing slurs, or fiddle with the melisma properties (search the
docs/list/LSR for 'melisma').
H
Jan-Peter Voigt writes:
> Hello Harm, Stéfano,
>
> I always underestimate the usability of before/after-line-breaking ...
> Based on Harms code I scratched a music-function to conditionally omit
> the accidental. This one can be used with the EE.
> It smells a bit hacky, but it seems to work and
Hi Markus,
> For my men's choir I need to set a score that is mostly in unison and
> only a few bars with multiple voices (TTB). I have set a few simple
> scores with the help of frescobaldi, but I have no idea how to set this
> score...
>
> I would like to have only one staff for TTB where the m
Hi Markus,
you have a strange placement of { and }.
> \version "2.18.2"
>
> { { \relative c'' \tuplet 3/2 { r8( c8 d8) } e8 }
> \addlyrics{ Bug? }
> }
>
> 1) The text goes to the e while it should go to the tuplet
addlyrics tries to find the appropriate (closest?) voice to attach the
lyrics
1) Lilypond won't place lyrics on rests, and not on tied or slurred notes
(except the first). Since everything in the tuplet is disqualified by one of
those criteria, the lyric must go on the e.
2) \relative only affects the next music expression; in this case the tuplet.
Thus, the e isn't insid
There seems to be a bug in the placement of clef change signs at repeats. The
snippet below puts the bass clef sign before the repeat bar. It should be
after! The score as engraved implies that the change to bass clef is for the
repeated section, not the following bar. Very confusing for the sig
Hi David (et al.),
> I think it would make a whole lot more sense to teach the Edition
> Engraver how to mark/identify and tweak single items.
+1
At the risk of opening a serious can-o'-worms… I would love for you (David K.)
— who has the best Lilypond-fundamentals programming mind I know — to
Brian,
Thanks. I stand corrected. But once when presented with a piece I had to
sight-read in a hurry I played the whole first line in the wrong clef.
Not a happy experience.
Best regards,
Peter
mailto:lilyp...@ptoye.com
www.ptoye.com
-
Friday, February 2, 2018, 6:1
David,
Thanks. It appears that I am a century or so out of date, so will try to get
into the 21st century and withdraw my comment.
I see your comment about the bug - I think you're in a better position to put
it into the bug list than myself, unless you'd like me to do it.
Best regards,
Peter
I still occasionally run into situations where I think that an X-offset
should work, but it doesn't. Obviously, I'm not understanding something.
Can anyone tell me why the following source code doesn't move the "cresc"
text to the left and suggest a way to do it?
\version "2.19.80"
\fixed c' {
Please ignore my answer to question 1). Caagr98 has the right explanation.
Joram
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On 2018-02-01 10:38 PM, Craig Dabelstein wrote:
Hi Lilyponders,
Is there a way to put an articulation (a staccatissimo symbol) in
square brackets above a note, such as [ ! ], where ! = a staccatissimo
articulation? I've tried several different permutations with no success.
Thanks in advance,
Craig Dabelstein wrote:
Is there a way to put an articulation (a staccatissimo symbol) in square
brackets above a note, such as [ ! ], where ! = a staccatissimo
articulation?
Here is a quick hack, based on the brackets stencil of LSR564.
Warning: it sort of works with staccatissimo but that
2018-02-02 20:20 GMT+01:00 Knute Snortum :
> I still occasionally run into situations where I think that an X-offset
> should work, but it doesn't. Obviously, I'm not understanding something.
> Can anyone tell me why the following source code doesn't move the "cresc"
> text to the left and suggest
Am 01.02.2018 23:22, schrieb domini...@cazeaux.org:
I want to download Lilypond, it is impossible, may be a problem ?
http://lilypond.org/download.de.html
http://lilypond.org/development.de.html
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ht
2018-02-02 6:38 GMT+01:00 Craig Dabelstein :
> Hi Lilyponders,
>
> Is there a way to put an articulation (a staccatissimo symbol) in square
> brackets above a note, such as [ ! ], where ! = a staccatissimo
> articulation? I've tried several different permutations with no success.
>
> Thanks in adva
HI Ralph,
Yes, but the downloads have been kindly hosted by linuxaudio.org for a long
time. That's where he got the link from - the current download page points
there. Nothing to do with playing audio in our case.
Andrew
On 2 February 2018 at 23:14, Ralph Palmer wrote:
> On Thu, Feb 1, 2018 a
Thank you for your help everyone!
After a lot of stumbling around I finally managed to expand Jan-Peters'
function so that it can modify more than one note in a given chord. I
attached it so its available for anyone interested in using it.
On the other hand, I too think that the real solution wou
The following solve the caption subject. However how to make the “To” lower to
align with \coda OR the \coda up a little to align with “To”?
\version “2.19.80”
{ f'1^\markup { \halign #-4.4 \concat {"To " \musicglyph #"scripts.coda" } }
|\bar"||" \break }
Sent from Mail for Windows 10
From:
HI all,
Thanks for everyone's input. I think that bracket-stencil will do the trick
Harm. I'm getting a nice collection of scheme examples now. Hopefully I can
work it out myself next time.
All the best,
Craig
On 3 February 2018 at 08:32, Thomas Morley wrote:
> 2018-02-02 6:38 GMT+01:00 Crai
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