Hello,
I would like to use the "forget" accidental style, but also force
accidentals to appear after every tie.
It's a little ugly, but it's not my own score I'm typesetting!
Is it possible, maybe by setting the autoAccidentals property?
%%%
\version "2.19.80"
{
\accidentalStyle forget
I've described my method of determining a note name (see attachment).
Currently I'm reading the scheme git book
(https://scheme-book.ursliska.de/) which is very helpful.
Do I understand correctly that to determine the right note name with EH
and Sagittal notation that a ratio is checked agai
A six string bass has a tonal range that overlaps in part with the
guitar. Therefore it is convenient to write parts of a score in treble
clef. While writing sheet music with tabs I get a problem with the notes
for the strings of the TAB. I get it for every change of the clef again
and I get it wr
Am 28.12.2017 um 14:21 schrieb bb:
I attach an example code. (Sorry, my skills are just not developed
enough to shorten the code essential.)
Here is a much smaller example. It’s not minimal but near. How to build
such an example? Well, just leave everything out that has nothing to do
with t
Am 28.12.2017 um 15:22 schrieb Malte Meyn:
Set the clef stencil to ##f (\omit is a shorthand for that) and only set
the stencil for the first occurence.
As I realised some seconds after sending the message, this isn’t enough
if you want to have the clef at the beginning of each line. Then yo
Thank you for answering. Your code has exactly the problem I wanted to
overcome. There is a "cleftext" every time the clef changes!
I minimized my example code due to your expectations.
Regards
begin ##
\version "2.19.65"
D-Dorian = \relative c {
\clef "bass_8"
Am 28.12.2017 um 15:54 schrieb bb:
Thank you for answering. Your code has exactly the problem I wanted to
overcome. There is a "cleftext" every time the clef changes!
No it has not. Have a close look: I do
\omit Clef
\once \override Clef.stencil
You do
\override Clef.stencil
That’s diffe
As there got lost my original mail, I have to add that I only want
"cleftext" or "test" or whatever text defined in the code only once at
the beginning of every TAB line. NOT every time the clef changes!
Am 28.12.2017 um 15:54 schrieb bb:
> Thank you for answering. Your code has exactly the proble
OK. You sent two versions. I will check it. Thank you!
Am 28.12.2017 um 16:00 schrieb bb:
> As there got lost my original mail, I have to add that I only want
> "cleftext" or "test" or whatever text defined in the code only once at
> the beginning of every TAB line. NOT every time the clef changes
Thank you! My problem is solved!
Regards
Am 28.12.2017 um 16:02 schrieb bb:
> OK. You sent two versions. I will check it. Thank you!
>
> Am 28.12.2017 um 16:00 schrieb bb:
>> As there got lost my original mail, I have to add that I only want
>> "cleftext" or "test" or whatever text defined in the
1. I am typesetting some music which is in 2/1, and mark using a cut
time signature. How is it possible with Lilypond to put a ℂ symbol for
a 2/1 time ? (see attachment, line 1)
2. In virtually all orchestra scores I play the alphabetic marks skip
the letter J. However format-mark-box-letters skip
On 28/12/17 15:03, Jérôme Plût wrote:
> 2. In virtually all orchestra scores I play the alphabetic marks skip
> the letter J. However format-mark-box-letters skips the letter I. So
> at each rehearsal this confuses all my colleagues. Since they are
> obviously slow to learn that I == J, does there
Am 28.12.2017 um 16:03 schrieb Jérôme Plût:
1. I am typesetting some music which is in 2/1, and mark using a cut
time signature. How is it possible with Lilypond to put a ℂ symbol for
a 2/1 time ? (see attachment, line 1)
\time 2/1
\set Score.timeSignatureFraction = 2/2
2. In virtually
Am 28.12.2017 um 16:34 schrieb Malte Meyn:
Am 28.12.2017 um 16:03 schrieb Jérôme Plût:
1. I am typesetting some music which is in 2/1, and mark using a cut
time signature. How is it possible with Lilypond to put a ℂ symbol for
a 2/1 time ? (see attachment, line 1)
\time 2/1
\set Scor
On 28/12/17 15:37, Malte Meyn wrote:
>
>
> Am 28.12.2017 um 16:34 schrieb Malte Meyn:
>>
>>
>> Am 28.12.2017 um 16:03 schrieb Jérôme Plût:
>>> 1. I am typesetting some music which is in 2/1, and mark using a cut
>>> time signature. How is it possible with Lilypond to put a ℂ symbol for
>>> a 2/1
Am 28.12.2017 um 16:57 schrieb Wols Lists:
My reaction would be to take your version, and rewrite all the others to
call it. That way you don't break existing code, but you simplify lily
itself in that there is just one function.
That’s what I would do too. I just have to figure out, which fu
On 28/12/17 16:07, Malte Meyn wrote:
> Have a look at the PDF in the post linked above: The function can do
> both uppercase (AA) and mixedcase (Aa) (but not yet lowercase (aa)).
Sorry, I did look, but obviously missed it ... :-(
Cheers,
Wol
___
lilypo
Am 28.12.2017 um 17:11 schrieb Wols Lists:
On 28/12/17 16:07, Malte Meyn wrote:
Have a look at the PDF in the post linked above: The function can do
both uppercase (AA) and mixedcase (Aa) (but not yet lowercase (aa)).
Sorry, I did look, but obviously missed it ... :-(
No problem ;)
Mixed-
Sometimes when having a long section of staccato, it's a bit tedious to add -.
to all notes, so then it's useful to have a function which automatically adds
an articulation to all notes. I have one such function here:
addArticulation =
#(define-music-function (event music) (ly:event? ly:music?)
Hi,
On Thu, Dec 28, 2017 at 10:23 AM, Caagr98 wrote:
> Sometimes when having a long section of staccato, it's a bit tedious to add
> -. to all notes, so then it's useful to have a function which automatically
> adds an articulation to all notes. I have one such function here:
>
> addArticulatio
On Thu, Dec 28, 2017 at 11:11 AM, David Nalesnik
wrote:
>
> This works, but I'm guessing there's a better way:
>
> \version "2.19.65"
>
> addArticulation =
> #(define-music-function (event music) (ly:event? ly:music?)
>(define (add mus)
> (if (not (memq 'articulations ; Don't add staccat
Hi David,
>> This works, but I'm guessing there's a better way:
This is nice! Any way that it could take two (or more) articulations like
\addArticulation \tenuto \staccato { c d c' }
to avoid nesting or chaining like
\addArticulation \tenuto \addArticulation \staccato { c d c' }
which
Jérôme,
For the use of C for 2/1 see
https://www.mail-archive.com/lilypond-user@gnu.org/msg95169.html
Mark
-Original Message-
From: lilypond-user [mailto:lilypond-user-bounces+carsonmark=ca.rr@gnu.org]
On Behalf Of Jérôme Plût
Sent: Thursday, December 28, 2017 7:04 AM
To: lilypond-u
2017-12-28 14:11 GMT+01:00 Edward Neeman :
> Hello,
>
> I would like to use the "forget" accidental style, but also force
> accidentals to appear after every tie.
>
> It's a little ugly, but it's not my own score I'm typesetting!
>
> Is it possible, maybe by setting the autoAccidentals property?
>
It works! And I have no idea why...
Brilliant, thanks!
Edward
--
Dr. Edward Neeman
Adjunct Instructor, South Georgia State College
Collaborative Pianist, Valdosta State University, Georgia
Artist Faculty, ELMS Conservatory, Jakarta
edward.nee...@gmail.com
www.neemanpianoduo.com
On T
On Thu, Dec 28, 2017 at 12:25 PM, David Nalesnik
wrote:
> Hi Kieren,
>
> On Thu, Dec 28, 2017 at 11:29 AM, Kieren MacMillan
> wrote:
>> Hi David,
>>
This works, but I'm guessing there's a better way:
>>
>> This is nice! Any way that it could take two (or more) articulations like
>>
>> \add
thx Malte - perfect.
___
lilypond-user mailing list
lilypond-user@gnu.org
https://lists.gnu.org/mailman/listinfo/lilypond-user
thx Malte, works as wished.
___
lilypond-user mailing list
lilypond-user@gnu.org
https://lists.gnu.org/mailman/listinfo/lilypond-user
Hi David,
Wonderful work, as always!
>> it doesn't maintain direction of the specified articulations if they
>> are already there, but I suppose something could be done about that.
I think with that improvement, and maybe the addition of a parameter/option for
whether or not to replace any exis
2017-12-28 19:30 GMT+01:00 Edward Neeman :
> It works! And I have no idea why...
> On Thu, Dec 28, 2017 at 12:53 PM, Thomas Morley
>> {
>> \accidentalStyle forget
>> \override Accidental.after-line-breaking = #'()
>> gis'~ gis'~ gis'~ gis'
>> }
Per default `Accidental.after-line-breaking'
That function seems rather destructive: removes all properties on existing
articulations (including tweaks, direction, and midi stuff), and doesn't seem
to handle anything other than ArticulationEvents at all. Dynamics, slurs, ties,
etc are removed. Also, this version has no way to exclude a not
Hi,
On Thu, Dec 28, 2017 at 1:37 PM, Caagr98 wrote:
> That function seems rather destructive: removes all properties on existing
> articulations (including tweaks, direction, and midi stuff), and doesn't seem
> to handle anything other than ArticulationEvents at all. Dynamics, slurs,
> ties, e
I think this is as specific as I can make it:
\addArticulation \staccato {
a % a-. %% Plain notes should be articulated
% -. %% Chords should be articulated once
<> % <>%% Empty chords probably shouldn't be articulated
\foo a % a %
Dear Werner,
sadly, you are right. I had a closer look at what I thought to be an
''es'' but is a ''dis'',
Nevertheless, in my idea it should be the user who would choose
alternatives (historical (only sharps and b), my-way (flats, sharps
and even double-falts and d-sharps), and alternative.
I s
O.k. having gone in circles trying to figure out the whole bookpart
apparatus I discovered that the documentations statement that using
include is the same as copying and pasting the include into a document
is false if the include consists of a complete lilypond file. Is there
a way around that?
S
Shane,
Here is one possible way to approach this that I have used:
Use a standard template file that contains the structure for
\header,\score, etc. To create a score, use this sructural template in one
file (say File1) and \include a second file (say File2) that contains
*only* the "music" (e.g.
Sorry to bother but I'm unable to get out from this problem.
This code generate two scores:
\version "2.19.80"
\score {
\transpose c d {c' d' e'}
\layout{}
}
\score {
\transpose c e {c' d' e'}
\layout{}
}
I tried to write a scheme function doing something similar:
\version "2.19.80"
my
> sadly, you are right. I had a closer look at what I thought to be an
> ''es'' but is a ''dis'',
>
> Nevertheless, in my idea it should be the user who would choose
> alternatives (historical (only sharps and b), my-way (flats, sharps
> and even double-falts and d-sharps), and alternative.
???
38 matches
Mail list logo
