Slur on the last note of a staff

Hello Folks, Surely this question has arosen before, but I don’t seem to be able to find the answer. How can I get a slur on the last note of a staff, such as the attached? Thanks for your help! JM ___ lilypond-user mailing list lilypond-user@gnu.org

Re: Slur on the last note of a staff

Found this way: << { d4-1 } { s8 ( s8 ) } >> Maybe there are others… JM > Le 14 déc. 2017 à 10:50, Menu Jacques a écrit : > > Hello Folks, > > Surely this question has arosen before, but I don’t seem to be able to find > the answer. > > How can I get a slur on the last note of a staff, suc

Re: Slur on the last note of a staff

2017-12-14 10:50 GMT+01:00 Menu Jacques : > How can I get a slur on the last note of a staff, such as the attached? You can use \laissezVibrer and \shape: \version "2.18.2" { r2 r4 \shape #'((0 . 0) (0.5 . -0.1) (1 . -0.2) (1.5 . -0.2)) LaissezVibrerTie d'4\laissezVibrer } See http://lilyp

Re: Slur on the last note of a staff

Hello Davide, Thanks! Is there a way for this solution to apply to all \laissezVibrer occurrences, so as to put it in global variable? JM > laissezVibrer > Le 14 déc. 2017 à 11:01, Davide Liessi a écrit : > > 2017-12-14 10:50 GMT+01:00 Menu Jacques : >> How can I get a slur on the last note o

Re: Slur on the last note of a staff

Am 14.12.2017 um 11:19 schrieb Menu Jacques: Hello Davide, Thanks! Is there a way for this solution to apply to all \laissezVibrer occurrences, so as to put it in global variable? You can either store the \shape command as a macro or create a wrapper around the whole thing. But I'm not sur

Re: Gradual arrow with text at both ends

Thank you but I think that’s actually the code I used as a basis as well. The problem is there in your code as well, the arrow bumps into the text and the texts are not aligned. I wonder if there is a command that could alter these things? The workaround to write the end text as text markup works

Re: Gradual arrow with text at both ends

Hi Jorgen, While it is very nice and compact to have arrows all bundled up in a text spanner, I use separate arrows for more control of angle and a dozen other parameters and geometric and shape aspects of the arrow. I use a lot of arrows! I have my own scheme code to do them, and there is also so

Re: Gradual arrow with text at both ends

- Original Message - From: "Jhall" To: Sent: Thursday, December 14, 2017 10:29 AM Subject: Re: Gradual arrow with text at both ends Thank you but I think that’s actually the code I used as a basis as well. The problem is there in your code as well, the arrow bumps into the text and

Re: Slur on the last note of a staff

Thanks Urs, This fails to compile with 2.19.80, though: Starting lilypond 2.19.80 [Untitled]... Processing `/var/folders/jc/xrpy67_x6_vcjfzpzds_9_6mgn/T/frescobaldi-5ev0ysh2/tmp2gdtg16j/document.ly' Parsing... /var/folders/jc/xrpy67_x6_vcjfzpzds_9_6mgn/T/frescobaldi-5ev0ysh2/tmp2gdtg16j/

Re: Slur on the last note of a staff

Hi Jacques, Am 14.12.2017 um 12:06 schrieb Jacques Menu Muzhic: Thanks Urs, This fails to compile with 2.19.80, though: Starting lilypond 2.19.80 [Untitled]... Processing `/var/folders/jc/xrpy67_x6_vcjfzpzds_9_6mgn/T/frescobaldi-5ev0ysh2/tmp2gdtg16j/document.ly ' Pa

Re: Gradual arrow with text at both ends

Thank you! This might be the best option in a lot of cases. Regards, Jörgen 2017-12-14 11:56 GMT+01:00 Andrew Bernard : > Hi Jorgen, > > While it is very nice and compact to have arrows all bundled up in a text > spanner, I use separate arrows for more control of angle and a dozen other > parame

Re: Gradual arrow with text at both ends

Thank you Phil! This "hack" was probably what did it! I tried something along the line (no pun intended) of what you entered on stencil-align-dir-y but it never worked. Probably the space was the trick! Thank you again! Best regards, Jörgen 2017-12-14 12:00 GMT+01:00 Phil Holmes : > - Ori

Re: Gradual arrow with text at both ends

On 12/14/2017 6:00 AM, Phil Holmes wrote: - Original Message - From: "Jhall" To: Sent: Thursday, December 14, 2017 10:29 AM Subject: Re: Gradual arrow with text at both ends Thank you but I think that’s actually the code I used as a basis as well. The problem is there in your code as

Re: Any other Thunderbird users have messages never post? (WAS: Hide slur?)

Bob Proulx writes: > I have been reading the thread about lost emails to the list. Perhaps > I can help communicate the goings on that happens out of sight. This > message is a little long. If not interested in how email and mailing > lists work then please feel free to skip it. > > Karlin Hi

Re: Conditional paper block

Absent a way to make Frescobaldi apply the command-line argument, I came up with the following solution: To the lyluatex preamble I added a flag which indicated the use of lyluatex (similar to what lilypond-book does): #(define inside-lyluatex #t) This change has been merged into the

Re: Auto-transposition

Hi, > it's really hard to "cease bringing any questions about \relative to the > list" if one of the very the first > things you learn about Lilypond is \relative mode - it certainly was mine > experience with all the official > documentation. I agree 100%. Don't worry about your question(s) —

Multiple chord names?

Hello folks, MusicXML has the notion of multiple chord names, i.e.: 480 0 major 4 4

Re: Any other Thunderbird users have messages never post? (WAS: Hide slur?)

Ian Kelling wrote: > I looked into the missing mail, couldn't find it. Thanks for looking into this problem. > Please report any future missing emails. Usually we can figure it > out. Seconded. If you are having problems with any of the mailing lists please report it. There are 1,500+ mailing

Auto-beaming

I'm currently writing some sheet music in 2/4. I'd like measures containing four eights to be all beamed together, but everything except that should use Lilypond's default rules. How can I achieve this? ___ lilypond-user mailing list lilypond-user@gnu.

Re: Auto-beaming

On 12/14/2017 8:21 PM, Caagr98 wrote: I'm currently writing some sheet music in 2/4. I'd like measures containing four eights to be all beamed together, but everything except that should use Lilypond's default rules. How can I achieve this? ___ lilyp

Re: Auto-beaming

On 12/14/2017 8:21 PM, Caagr98 wrote: I'm currently writing some sheet music in 2/4. I'd like measures containing four eights to be all beamed together, but everything except that should use Lilypond's default rules. How can I achieve this? ___ lilyp

Re: Auto-beaming

I tried that at first, but it made *everything* beam together, including rest+three eights or stuff containing sixteenths. On 12/15/17 02:54, Ben wrote: > On 12/14/2017 8:21 PM, Caagr98 wrote: >> I'm currently writing some sheet music in 2/4. I'd like measures containing >> four eights to be all

Re: Auto-transposition

> -- Forwarded message -- > From: Neo Anderson > To: Lilypond-User Mailing List > Subject: Re: Auto-transposition > ... > >> For future list-readers: Using absolute and fixed entry modes allows > you to avoid the issues/effort described by David. > > If people would only cease b

Re: Auto-beaming

On 15 December 2017 at 12:58, Caagr98 wrote: > I tried that at first, but it made *everything* beam together, including > rest+three eights or stuff containing sixteenths. > > On 12/15/17 02:54, Ben wrote: > > On 12/14/2017 8:21 PM, Caagr98 wrote: > >> I'm currently writing some sheet music in 2/

Re: Auto-beaming

That gives exactly the same output as the baseMoment version. On 12/15/17 04:26, Vaughan McAlley wrote: > On 15 December 2017 at 12:58, Caagr98 > wrote: > > I tried that at first, but it made *everything* beam together, including > rest+three eights or stuff contai

Re: Auto-transposition

Reading your example, it seems to me that the "FAIL" is caused by the hypothetical user misunderstanding the semantics of relative mode. Using relative mode without explicitly defining what pitch the phrase is meant to be relative to is unreadable and prone to break. If it were written properly, it