Hi everybody!
Some years ago I published example code how to integrate lilypond code in latex
documents.
The attached file is an extended update, it might be used with pdflatex,
lualatex or xelatex, and
it demonstrates how to use the new command line options that replaced --bigpdf
in master.
At 09:41 on 06 Dec 2017, Knut Petersen wrote:
>Hi everybody!
>
>Some years ago I published example code how to integrate lilypond code
>in latex documents. The attached file is an extended update, it might
>be used with pdflatex, lualatex or xelatex, and it demonstrates how to
>use the new command
At 09:05 on 06 Dec 2017, Mark Knoop wrote:
>At 09:41 on 06 Dec 2017, Knut Petersen wrote:
>>Hi everybody!
>>
>>Some years ago I published example code how to integrate lilypond code
>>in latex documents. The attached file is an extended update, it might
>>be used with pdflatex, lualatex or xelatex,
Am 06.12.2017 um 10:20 schrieb Mark Knoop:
The file should be translated with either
* pdflatex --shell-escape lyInLatex
* lualatex --shell-escape lyInLatex
* pdflatex --shell-escape lyInLatex
Thanks for this Knut, very helpful. Presumably the 3rd of these should
be xelatex.
Yes.
Inter
How should I handle it?
Here's the "simple example":
|\version "2.18.2"
|
|\header {
|}
|
|global = {
| \time 4/4
| \key g \major
|}
|
|melody = \relative c {
| \global
|d'16\bar "||"%b00
|
*Scheme *(now known as *Racket *for some silly reason) is actually a
version of one of the oldest computer languages we have—*Lisp*. Google
around for its history, it's impressive. Regards your question of more like
a spreadsheet than run the answer is a good solid 'sorta'! Without getting
too deep
Hi,
certainly some of you know the great editions of Nicolas Sceaux. When I try to
compile them on my windows system I'm always in trouble how to either built my
folder structure accordingly or - to set the correct path information in
frescobaldi (where I only fins path settings for the hypena
On 12/5/2017 5:28 PM, Chris Jones wrote:
How should I handle it?
Here's the "simple example":
So it has to be something very basic that I must have missed while
reading the fine manual over the weekend... and I can't think of the
proper keywords to point me to the relevant documentat
Hi Hugh and Karlin,
That's not right - Racket is a different dialect. The name is a joke: a
scheme can be a type of plot and a racket is also. Scheme has not been
renamed Racket.To quote from he Racket home page: "Racket started life as a
Scheme implementation, but then grew into new areas."
http
Hi Johannes,
> certainly some of you know the great editions of Nicolas Sceaux. When I try
> to compile them on my windows system I'm always in trouble how to either
> built my folder structure accordingly or - to set the correct path
> information in frescobaldi (where I only fins path setting
On 12/6/2017 5:15 AM, Johannes Roeßler wrote:
Hi,
certainly some of you know the great editions of Nicolas Sceaux. When
I try to compile them on my windows system I'm always in trouble how
to either built my folder structure accordingly or - to set the
correct path information in frescobaldi
On 12/6/2017 5:15 AM, Johannes Roeßler wrote:
Hi,
certainly some of you know the great editions of Nicolas Sceaux. When
I try to compile them on my windows system I'm always in trouble how
to either built my folder structure accordingly or - to set the
correct path information in frescobald
On Wed, Dec 06, 2017 at 08:22:36AM EST, Ben wrote:
> On 12/5/2017 5:28 PM, Chris Jones wrote:
[..]
> I believe it's as easy as adding:
>
> \global
> \partial 16 d'16 \bar "||"
>
> See attached. Is this what you were after? :)
Yes indeed!
Thank you very much, Ben.
CJ
Karlin High writes:
> On Tue, Dec 5, 2017 at 6:39 PM, Chris Yate wrote:
>>
>> https://scheme-book.ursliska.de
>>
>> However, this is an area where Scheme is quite different from other
>> languages
>
> The times I've looked at Scheme, I got the impression that it works
> more like spreadsheet for
Flaming Hakama by Elaine writes:
> Here is an illustration of using tags for this purpose.
>
> Note that there are other approaches, even using tags.
> This approach uses the \keepWithTag within each \score
> to distinguish Part vs Score, PDF vs MIDI, the specific
> instrument, and each segment t
Hello,
Thank you very much for this : I hadn't ever understood all those
`\catcode` tricks.
Here is a modified version, that calls `lilypond` only when needed by
computing a md5 hash of the content. What about making a package out of
that and putting it on CTAN ? It would be more universal than ly
I am unsuccessfully trying to globally change the default text font that
is lilypond uses in its pdf output (title of the song, lyrics, etc.
I tried adding this statement at the top of my .ly input file
immediately after the version statement:
| \version "2.18.2"
|
| \paper {
|top-margin =
P. S.: I forgot to add that I modified it to make it compatible with
lilypond 2.18
2017-12-06 20:40 GMT+01:00 Jacques Peron :
> Hello,
>
> Thank you very much for this : I hadn't ever understood all those
> `\catcode` tricks.
> Here is a modified version, that calls `lilypond` only when needed by
On 12/6/2017 3:25 PM, Chris Jones wrote:
I am unsuccessfully trying to globally change the default text font that
is lilypond uses in its pdf output (title of the song, lyrics, etc.
|
| \paper {
|#(define fonts
| (make-pango-font-tree "TeXGyreSchola"
|"TeXG
I've been enjoying using Frescobaldi for creating Lilypond scores, it
makes many things much easier.
I've been setting vocal pieces with German lyrics, and trying to use
Tools| Special Characters to find things like a and u with Umlauts,
and the double-s character that looks like a Beta.
I find i
On 12/6/2017 3:36 PM, Tim Slattery wrote:
I've been enjoying using Frescobaldi for creating Lilypond scores, it
makes many things much easier.
I've been setting vocal pieces with German lyrics, and trying to use
Tools| Special Characters to find things like a and u with Umlauts,
and the double-s
On 12/6/2017 3:36 PM, Tim Slattery wrote:
I've been enjoying using Frescobaldi for creating Lilypond scores, it
makes many things much easier.
I've been setting vocal pieces with German lyrics, and trying to use
Tools| Special Characters to find things like a and u with Umlauts,
and the double-s
On Wed, 06 Dec 2017 15:36:42 -0500, Tim Slattery wrote:
> I've been setting vocal pieces with German lyrics, and trying to use
> Tools| Special Characters to find things like a and u with Umlauts,
> and the double-s character that looks like a Beta.
I would strongly advise to look into a differe
Tim,
>From Frescobaldi menu: Tools | Special Characters -- my install has all
three of the characters you mention (highlighted in the screen shot). This
is the default view shown me when I select this Tool.
Depending on our OS you may find alternatives more useful. If you have a
Windows computer,
I'm trying to insert a bit of Japanese text in some markup. Putting the text
itself works fine, but as soon as I try adding furigana (small kana above the
kanji), it looks terrible. Is there anything I can do about that?
——
\version "2.19.80"
#(define-markup-command (furi layout props kanj
> -- Forwarded message --
> From: Urs Liska
> To: lilypond-user@gnu.org
> Cc:
> Bcc:
> Date: Tue, 31 Oct 2017 23:31:25 +0100
> Subject: Re: LilyPond blog
>
> Hi David,
>
> Am 31.10.2017 um 23:07 schrieb Flaming Hakama by Elaine:
>
>
> From: Urs Liska
>> To: lilypond-user
>> Subje
%{
>From http://lilypond.org/doc/v2.19/Documentation/changes-big-page.html
Context properties named in the ‘alternativeRestores’ property are restored
to their value at the start of the first alternative in all subsequent
alternatives.
Currently the default set restores ‘current meter’, ‘measure
Windows Vista!!! 😱
The ALT-Keypad sequence should remain viable for you. You can also create
some snippets in Frescobaldi for those you use most freqently and assign a
key-sequence for them, e.g., create a snippet for an ellipse … using
Alt-0133 and assign, say, Ctrl-Alt-. as its key sequence. Fra
On 12/6/17, 2:00 PM, "Caagr98" wrote:
I'm trying to insert a bit of Japanese text in some markup. Putting the
text itself works fine, but as soon as I try adding furigana (small kana above
the kanji), it looks terrible. Is there anything I can do about that?
Since the kanji should b
On 6 Dec 2017 at 14:49, Guy Stalnaker wrote:
>
> Tim,
>
> From Frescobaldi menu: Tools | Special Characters -- my install has all three
> of the characters
> you mention (highlighted in the screen shot). This is the default view shown
> me when I select this
> Tool.
I'm using Windows Vista
On 6 Dec 2017 at 14:49, Guy Stalnaker wrote:
>
> Tim,
>
> From Frescobaldi menu: Tools | Special Characters -- my install has all three
> of the characters
> you mention (highlighted in the screen shot). This is the default view shown
> me when I select this
> Tool.
I take it back, somewhat
On 06.12.2017 21:45, Ben wrote:
One more thing, if you want (and are on Windows), you could also just
use the wicked handy cheat sheet numpad shortcuts :) That's an option
as well. I have done that in the past. Alt + 0203 = *Ë, *for example.
In my experience, that’s such a hassle that it’s a
That works for that particular example, yes. Doesn't work for anything other
than exactly two kana per kanji, though.
On 12/06/17 23:50, Carl Sorensen wrote:
>
>
> On 12/6/17, 2:00 PM, "Caagr98" wrote:
>
> I'm trying to insert a bit of Japanese text in some markup. Putting the
> text its
Hello!
I have some questions about horizontal spacing:
— How to reduce the proportional notation?
— How can I control (I need to increase) the space between the bar line and the
following note (or lyrics syllable)?
example.ly
Description: Binary data
example.pdf
Description: Adobe PDF document
On Wed, Dec 6, 2017 at 8:33 AM, David Kastrup wrote:
> Flaming Hakama by Elaine writes:
>
> > Here is an illustration of using tags for this purpose.
> >
> > Note that there are other approaches, even using tags.
> > This approach uses the \keepWithTag within each \score
> > to distinguish Part
thanks joram, they're excellent references!
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