Hello David and Carl,
Thanks for the news, I’m eager to have Charles’ contribution available in LP!
JM
> Le 12 sept. 2017 à 22:48, Carl Sorensen a écrit :
>
> On 9/12/17 10:50 AM, "David Kastrup" wrote:
>
>> Menu Jacques writes:
>>
>>> Pushing things further, I found that the removed third
Hello folks,
MusicXML supports neapolitan, italian, german, french and tristan chords, i.e.:
C
Neapolitan
I’ve found information about neapolitan, but nothing about the others.
What is the structure of those?
Thanks!
JM
_
hm, my answer is a bit out of lilypond scope, but if I understand your question
correctly, you want to understand what these chords are?
they are three different pre-dominant chords that are taught to American
undergrads in a sophomore theory course.
in E major:
Italian = C E A#
French = C E F#
Hello Mike,
Excellent, thanks!
JM
> Le 13 sept. 2017 à 10:27, Mike Solomon a écrit :
>
> hm, my answer is a bit out of lilypond scope, but if I understand your
> question correctly, you want to understand what these chords are?
>
> they are three different pre-dominant chords that are taught
Hi Harm,
> Well, it's a sketch of an idea.
> Elaborating it will blow up the amount of needed code again.
> Right now, predicting any performance of a possible final state is not
> possible.
Understood.
> At least I'd expect no need for string searching/selection
> and at least less list-select
I have this score:
\version "2.18.2"
\language "english"
global = {
\key b \minor
\time 4/4
}
right = \relative c'' {
\global
% Music follows here.
<<{ a1\> fs2\p r2 s1} \\ {f1 r8 fs->( d b) e->( cs a) \slurUp d->(
\change Staff = left \stemUp b8 g) cs^>( a fs) b^>( g e)} >>
}
left =
Giampaolo Orrigo wrote
> \score {
> \new PianoStaff \with {
> instrumentName = "Piano"
> } <<
> \new Staff = "right" \right
> \new Staff = "left" { \clef bass \left }
> >>
> \layout { }
> }
>
> For some unknown reason I cannot get the dynamics centered in the middle
> of
> the
