I took the example from the Documentation of 2.19: 2.1.3 stanza with
different rhythm
However, It does correctly work in the last line within the repeat. The
problem is in measure 13: the German version has three quarter note and
two bin eighth notes while the french version is correctly indicat
Am 20.07.2017 um 12:16 schrieb Bernhard Kleine:
> However, It does correctly work in the last line within the repeat. The
> problem is in measure 13: the German version has three quarter note and
> two bin eighth notes while the french version is correctly indicated
> then the following is compile
This would be much easier to look at if you followed
http://lilypond.org/tiny-examples.html
However, in one line you have:
d8 [(d ]) c4 [(c8])
Are you really intending to beam to a crochet?
--
Phil Holmes
- Original Message -
From: "Bernhard Kleine"
To:
Sent: Thursday, July 20,
Hi lilyponders,
I'm looking to find a way to transpile code to lilypond, I know how to
generate an ast like this
((context . 0) (class . CreateContext) (unique . 1) (ops) (type . Score)
(id . "\\new"))
((context . 1) (class . CreateContext) (unique . 2) (ops) (type .
StaffGroup) (id . "\\new"))
(
Hlöðver Sigurðsson writes:
> Hi lilyponders,
>
> I'm looking to find a way to transpile code to lilypond, I know how to
> generate an ast like this
>
> ((context . 0) (class . CreateContext) (unique . 1) (ops) (type . Score)
> (id . "\\new"))
> ((context . 1) (class . CreateContext) (unique . 2)
Yes, that's why I wanted to experiment with boycutting the .ly->scheme-ast
transformation step. I'm a much better lisper than c, so it's bit unclear
to me what's going on (i've done parsers tough in the past). Are these
public functions here maybe what I'm after
https://github.com/lilypond/lilypond
Hlöðver Sigurðsson writes:
> Yes, that's why I wanted to experiment with boycutting the .ly->scheme-ast
> transformation step. I'm a much better lisper than c, so it's bit unclear
> to me what's going on (i've done parsers tough in the past). Are these
> public functions here maybe what I'm after
Hello Michael,
Does:
The Lord shall bless His peo -- ple
do what you’re after?
JM
> Le 29 juin 2017 à 08:07, Michael Dykes a écrit :
>
> \version "2.18.0"
> \include "english.ly"
> \include "gregorian.ly"
>
> \layout {
> \context{
>\Score \override SpacingSpanner.packed-spacing = ##f \
I have no idea what that specific AST comes from (did you invent it
yourself?), but I think you're looking for (make-music) expressions,
which are what is created from music expressions before being passed to
the engravers. Check out \displayScheme (or (display-scheme-music)
(talking about lisp
On Thu 20 Jul 2017 at 12:16:17 (+0200), Bernhard Kleine wrote:
> I took the example from the Documentation of 2.19: 2.1.3 stanza with
> different rhythm
Please state which document.
> However, It does correctly work in the last line within the repeat. The
> problem is in measure 13: the German
I sent the answer it to Phil only, now on the list:
I have found the solution. There was a missunderstanding what should be
ignored and what not. The [] are totally unnessary and if you want I
could make the full song available.
Sorry for the noise
Thanks for understanding
Bernhard
Am 20.07.2
(sorry for spamming but I forgot to do "reply all" and post to the list
itself)
An essay by Erik Sandberg had confused me (at closer look I was only
confused not that the thesis was confusing),
the word I should be using is not ast but music streams. Reading an older
thread:
http://lilypond.10690
Hlöðver Sigurðsson writes:
> (sorry for spamming but I forgot to do "reply all" and post to the list
> itself)
>
> An essay by Erik Sandberg had confused me (at closer look I was only
> confused not that the thesis was confusing),
>
> the word I should be using is not ast but music streams.
They
We are compiling several hundred melody and rhythm examples. Each example
references the same .ily file where global settings and formatting are
handled. Is there code for setting automatic behavior of beams that we can
put in the .ily file (not within a \relative { } block) to resolve the
issue?
Have you read and understood
http://lilypond.org/doc/v2.19/Documentation/notation/beams#setting-automatic-beam-behavior
?
If so, and you have further questions, please ask.
--
Phil Holmes
- Original Message -
From: Reilly Farrell
To: lilypond-user@gnu.org
Sent: Thursday, Ju
On Thu 20 Jul 2017 at 11:24:25 (-0700), Reilly Farrell wrote:
> We are compiling several hundred melody and rhythm examples. Each example
> references the same .ily file where global settings and formatting are
> handled. Is there code for setting automatic behavior of beams that we can
> put in th
For editing and consistency purposes, can anyone tell me what font LilyPond
uses to print title information in its pdfs by default? Based on the
documentation, I'm wondering if it might be New Century Schoolbook in the
roman (serif) font family - is this correct?
Thank you!
__
According to `strings whatever.pdf|grep FontName`, the only fonts in the
output PDF are Emmentaler and Tex Gyre Schola. Since Emmentaler is for
music symbols, it's probably Tex Gyre Schola (bold, in the case of titles).
On 07/20/2017 08:56 PM, Reilly Farrell wrote:
For editing and consistency p
On Thu 20 Jul 2017 at 18:35:27 (+0200), Bernhard Kleine wrote:
> I sent the answer it to Phil only, now on the list:
No problem. _We_ all see it just the once.
> I have found the solution. There was a missunderstanding what should be
> ignored and what not. The [] are totally unnessary and if you
On Thu 20 Jul 2017 at 21:03:29 (+0200), caag...@gmail.com wrote:
> According to `strings whatever.pdf|grep FontName`, the only fonts in
> the output PDF are Emmentaler and Tex Gyre Schola. Since Emmentaler
> is for music symbols, it's probably Tex Gyre Schola (bold, in the
> case of titles).
https
Thank you both!
Best,
Reilly
On Thu, Jul 20, 2017 at 12:30 PM, David Wright
wrote:
> On Thu 20 Jul 2017 at 21:03:29 (+0200), caag...@gmail.com wrote:
> > According to `strings whatever.pdf|grep FontName`, the only fonts in
> > the output PDF are Emmentaler and Tex Gyre Schola. Since Emmentaler
Err! I've never really sorted out the cconcept of contexts. I've just
copied them when they looked OK Then fiddled.
I've got the immediate problem solved thanks to you both & I am now
trying to research cotenxts in a more formal way.
Many thanks
Steve
On Wed, Jul 19, 2017 at 02:25:06PM -0700,
Hi all,
I just wanted to let you know that I will substantially reduce my
LilyPond-related activities for some time, I expect between a few months
and half a year. This basically means I will not monitor the LilyPond
lists and will not engage in any ambitious projects like the
long-desired (at lea
Am 2017-07-20 um 20:56 schrieb Reilly Farrell :
> For editing and consistency purposes, can anyone tell me what font LilyPond
> uses to print title information in its pdfs by default? Based on the
> documentation, I'm wondering if it might be New Century Schoolbook in the
> roman (serif) font
I am typesetting a multi-movement work. I want the paper output to be
in a single file (say work.pdf) and the MIDI output to be in separate
files (work-1.pdf, work-2.pdf). Is there a simple and local way to do
this?
I can do it in a not-simple-enough way:
first = \relative { c'4 c c c }
second =
I did just that a while ago. Here's the script I used (I had a few
additional parameters, though):
```
#(define (movement title suffix music)
(list
#{\bookpart {
\header { title = #title }
\score { \removeWithTag midi $music \layout {} }
}#}
#{\book {
\header { ti
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