Jacques Menu Muzhic writes:
> Hello folks,
>
> This subject comes from time to time : maybe \transposeMidi would be a
> better name?
It doesn't actually _transpose_ a given music sequence but sets the
relation between printed and concert pitch from the moment it is
written. This relation is use
On Thu, Jun 01, 2017 at 07:50:28AM +0200, Jacques Menu Muzhic wrote:
> Hello folks,
>
> This subject comes from time to time : maybe \transposeMidi would be a better
> name?
No. It also set transpositions for quoteDuring and cueDuring irrelevant of
MIDI.
Paul
>
> JM
>
> > Le 31 mai 2017 à 1
On Wed, 31 May 2017 23:31:53 +0200, Robert Blackstone
wrote:
> write b8 \rest instead of r b8.
Nifty...
Thanks Robert and Trevor.
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Hallo Jonathan,
>
> I would like to typeset a certain type of notation, which can be found
> in liturgical context. I have an example image attached. (Ignore the
> lyrics written in Fraktur). I have two questions:
>
>1. How is this notation called?
>2. How can I (eas
Date: Wed, 31 May 2017 18:29:51 +0100
From: Brian Barker
To: lilypond user group
Cc: Sam Frybyte
Subject: Re: beaming with cadenzaOn
Message-ID: <58f7952b048a4...@rgout06.bt.lon5.cpcloud.co.uk> (added by
postmas...@btinternet.com)
Content-Type: text/plain; charset="us-ascii"; format=flow
- Original Message -
From: "Sam Frybyte"
To: "lilypond user group" ;
Sent: Thursday, June 01, 2017 11:47 AM
Subject: RE;re; beaming with cadenzaOn
Date: Wed, 31 May 2017 18:29:51 +0100
From: Brian Barker
To: lilypond user group
Cc: Sam Frybyte
Subject: Re: beaming with cadenzaOn
Hi all,
> I don't really like \transposeMidi . \concertPitch might be better
+1
Kieren.
Kieren MacMillan, composer
‣ website: www.kierenmacmillan.info
‣ email: i...@kierenmacmillan.info
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On Thu 01 Jun 2017 at 11:52:31 (+0200), Michael Gerdau wrote:
> cis \offsetChord { b b } a \breathe a d d cis \breathe \bar "" \break
> a\breve*1/4
> […] zet wür -- de.
> und je -- der -- mann
> \once \override LyricText.self-alignment-X = #LEFT "ging, daß er sich"
I get a programming e
On Thu 01 Jun 2017 at 09:06:11 (+0200), David Kastrup wrote:
> Jacques Menu Muzhic writes:
>
> > Hello folks,
> >
> > This subject comes from time to time : maybe \transposeMidi would be a
> > better name?
>
> It doesn't actually _transpose_ a given music sequence but sets the
> relation between
Travelling right now I'd suspect a problem related to errorneous line breaks in
the code copied from email. If you can't find the problem I'll resend the code
as attachment later tonight.
Kind regards,
Michael
Am 1. Juni 2017 15:48:50 MESZ schrieb David Wright :
>On Thu 01 Jun 2017 at 11:52:3
On Thu, Jun 01, 2017 at 07:33:33AM -0400, Kieren MacMillan wrote:
> Hi all,
>
> > I don't really like \transposeMidi . \concertPitch might be better
>
> +1
>
> Kieren.
+1
Paul
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Le 01/06/2017 à 03:01, Hwaen Ch'uqi a écrit :
Greetings Kieren,
Yes, I had considered that but had hoped that there would be a
smoother solution that would not then require me to change
shortInstrumentName for each part to reflect the desired abbreviations
to follow.
You can type
\once \set
Dear all,
I have a probably not so difficult question, but cannot find the
solution by myself:
How to get a second clef at the beginning of a piece?
See attached...
Thank you all,
musicus___
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forgot the attachement...
Dear all,
I have a probably not so difficult question, but cannot find the
solution by myself:
How to get a second clef at the beginning of a piece?
See attached...
Thank you all,
musicus<>
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Hi, musicus!
On Thu, Jun 1, 2017 at 12:31 PM, musicus [via Lilypond] <
ml+s1069038n203540...@n5.nabble.com> wrote:
> forgot the attachement...
>
>
> Dear all,
>
> I have a probably not so difficult question, but cannot find the solution
> by myself:
>
> How to get a second clef at the beginning o
2017-06-01 11:52 GMT+02:00 Michael Gerdau :
> Hallo Jonathan,
>
>
> I would like to typeset a certain type of notation, which can be found
> in liturgical context. I have an example image attached. (Ignore the
> lyrics written in Fraktur). I have two questions:
>
> How is this notation called?
> Ho
Hi musicus,
musicus wrote
> How to get a second clef at the beginning of a piece?
Here's another workaround, inspired by lsr.di.unimi.it/LSR/Item?id=956:
%
\new PianoStaff {
<<
\new Staff {
\partial 2
s4*1/200
e''4*199/200 f''4
}
At 03:47 01/06/2017 -0700, Sam Frybyte wrote:
Date: Wed, 31 May 2017 18:29:51 +0100
From: Brian Barker
Just as you would beam any other notes: follow the a8 with a left
bracket "a8[" and the ges8 with a right bracket "ges8]".
It doesn't work.
It does for me - and clearly also for Mr Holmes.
Sam,
Perhaps
http://lilypond.org/doc/v2.18/Documentation/notation/beams
Mark
-Original Message-
From: lilypond-user
[mailto:lilypond-user-bounces+carsonmark=ca.rr@gnu.org] On Behalf Of Sam
Frybyte
Sent: Wednesday, May 31, 2017 10:16 AM
To: lilypond user group
Subject: beaming with c
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