On Mon, 20 Mar 2017, Trevor wrote:
It's not hard to hit LilyBin from the command line, but the interface isn't
great. Try curl -X POST -H "Content-Type:application/json"
https://7icpm9qr6a.execute-api.us-west-2.amazonaws.com/prod/prepare_preview/stable
-d '{"code": "% LilyBin\n\\score{
Jacques Menu Muzhic writes:
> Hello Have,
>
> I don’t understand what you mean by square characters: can you make that more
> clear?
Character pairs. TTY dimensions mean that they occupy an almost square
area.
In an old video game I wrote, I used this kind of representation for
pregenerating g
Am 21.03.2017 um 08:40 schrieb Martin Tarenskeen:
>
> On Mon, 20 Mar 2017, Trevor wrote:
>
>> It's not hard to hit LilyBin from the command line, but the
>> interface isn't
>> great. Try curl -X POST -H "Content-Type:application/json"
>>
>> https://7icpm9qr6a.execute-api.us-west-2.amazonaws
2017-03-21 9:40 GMT+02:00 Martin Tarenskeen :
> Thanks. That's a good start. I have tried it, and it works. But yes, it
> looks ugly :-)
>
> I am trying to put this idea in a working bash or python script now.
> I am not really a virtuoso with grep and regular expressions, but I guess I
> could use
writes:
>> On Mon, Mar 20, 2017 at 7:45 PM, have@anti.capital wrote:
>> > Viral Anticapital will get back to you shortly.
>> >
>> > If this is a throwaway email account, that's fine if unnecessary -
>> > please remember to keep checking it, though!
>>
>> Seriously?
>
> Woah, I forgot abou
On Tue, 21 Mar 2017, Urs Liska wrote:
But this is a JSON string, so you'll be conveniently able to extract
this with https://docs.python.org/2/library/json.html or
https://docs.python.org/3/library/json.html
Good, that will help. Also thanks Dmytro for pointing me to jq.
--
MT
___
Am 21.03.2017 um 06:46 schrieb have@anti.capital:
> A composer who uses an irrational tuplet is a composer who is going out of
> his way to exclude his music from comfortable notation.
Oh, I think that these irrational tuplets are comfortable to write easy
to understand if you use traditional n
> On 21 Mar 2017, at 00:40, Werner LEMBERG wrote:
>
>> As an example of what David is mentioning, have a look at the attached
>> png image (taken from Chopin's prelude op. 28/24) and try to notate
>> this.
>
> Oops, wrong image. Here's the right one.
The whole piece, with score, is at:
http
Am 21.03.2017 um 10:18 schrieb Hans Åberg:
>
>> On 21 Mar 2017, at 00:40, Werner LEMBERG wrote:
>>
>>> As an example of what David is mentioning, have a look at the attached
>>> png image (taken from Chopin's prelude op. 28/24) and try to notate
>>> this.
>>
>> Oops, wrong image. Here's the ri
Am 21.03.2017 um 10:46 schrieb Malte Meyn:
> (By the way: I think that the way LilyPond handles it (using “grace” and
> “real time”) is pretty good but not perfect. \grace only needs grace
> time but \afterGrace needs real time for vertical alignment (but not for
> input of the notes)—it would be
Am 21.03.2017 um 11:04 schrieb Urs Liska:
>
> Am 21.03.2017 um 10:46 schrieb Malte Meyn:
>> (By the way: I think that the way LilyPond handles it (using “grace” and
>> “real time”) is pretty good but not perfect. \grace only needs grace
>> time but \afterGrace needs real time for vertical alignme
Am 20.03.2017 um 22:48 schrieb have@anti.capital:
> I have invented the perfect plaintext file format for premusic.
I think the bottom line is that all text-based music notation systems have
shortcomings when it comes to readability, writability, maintainability
etc. From all imperfect systems we
Am 21.03.2017 um 11:04 schrieb Urs Liska:
>
>
> Am 21.03.2017 um 10:46 schrieb Malte Meyn:
>> (By the way: I think that the way LilyPond handles it (using “grace” and
>> “real time”) is pretty good but not perfect. \grace only needs grace
>> time but \afterGrace needs real time for vertical ali
Am 21.03.2017 um 11:44 schrieb Malte Meyn:
> Or if you don’t want variants for all \grace variants (i. e. \grace,
> \slashedGrace, \appoggiatura, \acciaccatura, \afterGrace), just make a
> function that takes a music expression and scales it to 1. Maybe this
> could also be nice for cadenza-like
Am 21.03.2017 um 12:05 schrieb Malte Meyn:
>
> Am 21.03.2017 um 11:44 schrieb Malte Meyn:
>> Or if you don’t want variants for all \grace variants (i. e. \grace,
>> \slashedGrace, \appoggiatura, \acciaccatura, \afterGrace), just make a
>> function that takes a music expression and scales it to 1.
On Mon, Mar 20, 2017 at 7:13 PM, Urs Liska wrote:
>
>
> Am 20.03.2017 um 23:31 schrieb Ralph Palmer:
>
> Greetings -
>
> I'm running LilyPond 2.19.50 under Windows 7 and Frescobaldi.
>
> I'd like to increase the spacing between two notes, to accommodate a fall.
> I've checked "spacing" issues in
On Mon, Mar 20, 2017 at 8:46 PM, Simon Albrecht
wrote:
> Am 20.03.2017 um 23:31 schrieb Ralph Palmer:
>
>> I'd like to increase the spacing between two notes, to accommodate a fall.
>>
>
> Maybe you can use
> \override BendAfter.springs-and-rods = #ly:spanner::set-spacing-rods
> d4-\tweak minimum
> Cool. We should definitely discuss the proper set of options and
> include that to LilyPond (or if that's for some reason not desired
> to openLilyLib).
Definitely!
Werner
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lilypond-user@gnu.org
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On Mon, Mar 20, 2017 at 6:31 PM, Ralph Palmer
wrote:
> I'd like to increase the spacing between two notes, to accommodate a fall.
> I've checked "spacing" issues in the Notation Reference and in the snippet
> repository, but can't find anything that will increase the distance between
> just two n
Here's a simple solution in PHP to upload a Lilypond file to lilybin
and download the result after execution.
--->>> snip lilybin <<<---
#!/usr/bin/env php
https://s3-us-west-2.amazonaws.com/lilybin-scores/' . $files[0];
$file = fopen($files[0], 'w');
do_curl($url, array(CURLOPT_FILE => $f
Hey Harm,
Am 17.03.2017 um 00:34 schrieb Thomas Morley:
> Probably:
>
> {
> c'1( \break
> \override NoteColumn.after-line-breaking =
> #(lambda (nc)
> (ly:grob-translate-axis! (ly:grob-parent nc X) 5 X)
> ;; uncomment for viewing
> ;(ly:grob-set-property!
> ; (ly:grob
>
> 1. Parallel Square Premusic (have@anti.capital)
>
> --
>
> Date: Sun, 19 Mar 2017 18:11:42 -0700
> From:
> To: lilypond-user@gnu.org
> Subject: Parallel Square Premusic
> Message-ID:
>
> <20170319181142.561b4d246c
I think that I should append a disclaimer to my format: I don't intend it to
be more comfortably sight-read than sheet music is and will be. I simply intend
to create an analogue of .txt where there is only .docx and .odt. It is
perfectly legible for simple pieces, and perhaps an environment li
Hi,
I am working compiling a document located at:
/Users/Jeffery/work/scholarly/doc/source/examples/annotate/min.ly
I can cd all the way into `examples`, and run lily fine (and get all
the correct outputs) with:
lilypond -I "/Users/Jeffery/work" -dclip-systems annotate/min.ly
But if I go one
Am 21.03.2017 um 17:33 schrieb Jeffery Shivers:
> Hi,
>
> I am working compiling a document located at:
> /Users/Jeffery/work/scholarly/doc/source/examples/annotate/min.ly
>
> I can cd all the way into `examples`, and run lily fine (and get all
> the correct outputs) with:
> lilypond -I "/Use
Am 21.03.2017 um 17:08 schrieb Urs Liska:
> Hey Harm,
>
>
> Am 17.03.2017 um 00:34 schrieb Thomas Morley:
>> Probably:
>>
>> {
>> c'1( \break
>> \override NoteColumn.after-line-breaking =
>> #(lambda (nc)
>> (ly:grob-translate-axis! (ly:grob-parent nc X) 5 X)
>> ;; uncomment for
On Tue, Mar 21, 2017 at 12:51 PM, Urs Liska wrote:
>
> Just to clarify before anyone is getting confused: This is most surely
> not a general issue with LilyPond but with the module loading code in
> the "scholarly" package. "input-file" here is a list split from the
> (*location*) string.
Thanks
Am 21. März 2017 18:13:58 MEZ schrieb Jeffery Shivers
:
>On Tue, Mar 21, 2017 at 12:51 PM, Urs Liska wrote:
>>
>> Just to clarify before anyone is getting confused: This is most
>surely
>> not a general issue with LilyPond but with the module loading code in
>> the "scholarly" package. "input-f
On Tue, Mar 21, 2017 at 1:18 PM, Urs Liska wrote:
>>The problem was subtracting 2 from (length input-file) for `ctx`:
>> (input-file (string-split (car (ly:input-file-line-char-column
>>(*location*))) #\/ ))
>> (ctx (list-tail input-file (- (length input-file) 2)))
>>
>>This corrects th
Am 21. März 2017 18:28:07 MEZ schrieb Jeffery Shivers
:
>On Tue, Mar 21, 2017 at 1:18 PM, Urs Liska wrote:
>>>The problem was subtracting 2 from (length input-file) for `ctx`:
>>> (input-file (string-split (car (ly:input-file-line-char-column
>>>(*location*))) #\/ ))
>>> (ctx (list-t
On Tue, Mar 21, 2017 at 1:28 PM, Jeffery Shivers
wrote:
> On Tue, Mar 21, 2017 at 1:18 PM, Urs Liska wrote:
>>>The problem was subtracting 2 from (length input-file) for `ctx`:
>>> (input-file (string-split (car (ly:input-file-line-char-column
>>>(*location*))) #\/ ))
>>> (ctx (list-ta
On Tue, Mar 21, 2017 at 1:41 PM, Jeffery Shivers
wrote:
> On Tue, Mar 21, 2017 at 1:28 PM, Jeffery Shivers
> wrote:
>> On Tue, Mar 21, 2017 at 1:18 PM, Urs Liska wrote:
The problem was subtracting 2 from (length input-file) for `ctx`:
(input-file (string-split (car (ly:input-file-
On Tue 21 Mar 2017 at 09:21:43 (-0700), have@anti.capital wrote:
> I think that I should append a disclaimer to my format: I don't intend it to
> be more comfortably sight-read than sheet music is and will be. I simply
> intend to create an analogue of .txt where there is only .docx and .odt. It
On Tue 21 Mar 2017 at 13:13:58 (-0400), Jeffery Shivers wrote:
> On Tue, Mar 21, 2017 at 12:51 PM, Urs Liska wrote:
> >
> > Just to clarify before anyone is getting confused: This is most surely
> > not a general issue with LilyPond but with the module loading code in
> > the "scholarly" package.
writes:
> I think that I should append a disclaimer to my format: I don't
> intend it to be more comfortably sight-read than sheet music is and
> will be. I simply intend to create an analogue of .txt where there is
> only .docx and .odt. It is perfectly legible for simple pieces, and
> perh
On 3/21/17 4:35 AM, Malte Meyn wrote:
Am 21.03.2017 um 06:46 schrieb have@anti.capital:
A composer who uses an irrational tuplet is a composer who is going out of his
way to exclude his music from comfortable notation.
Oh, I think that these irrational tuplets are comfortable to write easy
to
Hi Jan-Peter,
> I am going to add key-sigs to the EE, so that they can be added as
> editionMods.
Thanks!
Kieren.
Kieren MacMillan, composer
‣ website: www.kierenmacmillan.info
‣ email: i...@kierenmacmillan.info
___
Hi all (and especially Jan-Peter),
Has anyone used the edition-engraver with polymetric music?
I’m having difficulty figuring out how to “anchor” mods, since the measure
numbers are non-synchronized across the various staves.
Thanks,
Kieren.
Kieren MacMillan, co
Hello everyone,
I’m working on a score with large time signatures. I’ve created a specific
context for this purpose. However, overriding TimeSignature.break-align-symbol
causes problems with full length tuplets at breaks. Please compare bars 3 and
4 in the following example. The bracket shou
I download and install lilypond v2.19.57; but when I try to make lilypond
version to use in Lilypound Preference of Frecobaldi v3.0.0 and I got the
following error.
Is any one download lilypond v2.19.57 have any problem? I am running with
window 10
Ming_
2017-03-21 22:12 GMT+01:00 Juan Cristóbal Cerrillo :
> Hello everyone,
>
> I’m working on a score with large time signatures. I’ve created a specific
> context for this purpose. However, overriding
> TimeSignature.break-align-symbol causes problems with full length tuplets at
> breaks. Please
Subject: Re: What can Premusic do that others can't?
> On 3/21/17 4:35 AM, Malte Meyn wrote:
>
>>
>> Am 21.03.2017 um 06:46 schrieb have@anti.capital:
>>
>>> A composer who uses an irrational tuplet is a composer who is going out
>>> of his way to exclude his music from comfortable notation.
>>>
>>
On Tue, 21 Mar 2017, Sven Axelsson wrote:
Here's a simple solution in PHP to upload a Lilypond file to lilybin
and download the result after execution.
I am getting this error message:
PHP Warning: getopt() expects at most 2 parameters, 3 given in lilybin
on line 14
I really app
On Tue, 21 Mar 2017, Flaming Hakama by Elaine wrote:
> The only time I've even seen an attempt at irrational durations was in the
> one other thread on this list that was actually more annoying, more
> aggressive and differently clueless. I believe the intended durations were
> 1/sqrt(71) or somet
You're very wrong. I have considered all of those things. My Parallel Square
format is perfectly vertically extensible. The examples already given show off
the most important part of the premusic, but it is with little imagination that
everything you mention is accounted for.
On 3/21/17 8:52 PM, msk...@ansuz.sooke.bc.ca wrote:
FWIW, I've written algorithmically-generated music with irrational
durations by a process described at
http://ansuz.sooke.bc.ca/professional/music/notes-on-notes-on-the-plane.pdf
and I think it came out pretty well. It's not deliberately writ
Yes, many thanks!
I had to add a definition for item-gel-column as it is not defined in 2.18.2
I substituted with this (found on openlilylib)
#(define (get-paper-column grob)
"Return the paper column of a given grob.
This property knows about the rhyhmic position in a score"
(cond
(
Please always reply to the messages you are actually quoting/referring
to so mail clients and archives put the mails in the thread in correct
order.
Am 22.03.2017 um 02:10 schrieb have@anti.capital:
> I'm not sure how the octave of a pitch is ambiguous?? Scientific pitch
> notation is pretty well
-- Forwarded message --
From: Cal
Date: Tue, Mar 21, 2017 at 9:25 PM
Subject: Re: Decrease space between header and staff
To: Kieren MacMillan
Thank you! That helps LOTS more. I've looked through the
//ly files, and I think I understand why, too. Thank
you, again.
On Mon, Mar 2
Hello everyone. The question is in the subject, example code:
\version "2.19.53"
\layout {
\context {
\Score
\override RehearsalMark.self-alignment-X = #LEFT
\override TextSpanner.to-barline = ##t
}
}
\score {
\new Staff {
\relative c' {
\override TextSpanner.bound-de
Hi Stefano,
When you say aligned, do you mean having the baseline of the texts aligned?
Andrew
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"Trevor Daniels" writes:
> Also, David's method of entering bars of irregular length causes the
> bar numbering to be incorrect, although the bar lines appear in the
> correct positions.
Yes, I think something like a scorewide
\set Timing.measureLength = #100
is needed connected with somet
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