Exited with return code -1073741819.

2016-10-30 Thread MING TSANG
hi, lilyponders: (1).  What is the meaning of the following error message?I have SATB + piano score of 100 bars. Each SATB+pianoRH coded with 100 bars. I started to code piano-LH and it was all compilable upto bar  45 (no error). But after coded bar 46, I got the error. (2)  Window 10 generate t

Re: pitched rests in TabStaff !?

2016-10-30 Thread Thomas Morley
2016-10-30 2:15 GMT+02:00 Thomas Morley : > Hi, > > is it really true we have no viable method to use pitched rests in TabStaff? > Or am I overlooking something? > > Some code to play with: > > \version "2.19.49" > > ps = { e,4 f, g, a, b, c d e f g a b c' d' e' f' g' a' b' c'' } > > << > \new Ta

search term

2016-10-30 Thread Mark Stephen Mrotek
Hello All: Lilypond has a command to indicate in Piano Score left hand to play note(s) - something like - and right hand - like L. What search term should I use to it locate in LSR or mail-archive? Thank you for your kind attention. Mark __

Re: search term

2016-10-30 Thread Phil Holmes
I don't think I've ever noted that notation in LilyPond. The closest I can think of is http://lsr.di.unimi.it/LSR/Item?id=466 -- Phil Holmes - Original Message - From: Mark Stephen Mrotek To: lilypond-user@gnu.org Sent: Sunday, October 30, 2016 5:21 PM Subject: search term

Re: search term

2016-10-30 Thread Bernhard Kleine
Arpeggio Bracket is the search word. Regards Bernhard Am 30.10.2016 um 18:38 schrieb Phil Holmes: > I don't think I've ever noted that notation in LilyPond. The closest > I can think of is http://lsr.di.unimi.it/LSR/Item?id=466 > > -- > Phil Holmes > > > > - Original Message - >

Re: search term

2016-10-30 Thread Jacques Menu Muzhic
Hello Mark, Maybe you can take ideas from the following. JM — \version "2.19.44" underscorePath = #'( (rlineto 0 -1.0) (moveto 0 0) (rlineto 6.0 0) (closepath)) Tutti = ^\markup{ \column { "[Tutti]" \vspace #-0.75 \path #0.25 #underscorePath } } Soli = ^\mark

Question for a FLOSS licensing session

2016-10-30 Thread Urs Liska
Hi all, I'm right now at the GSoC mentors summit and already had a bunch of interesting sessions. One specific one that is to come this afternoon is a Q&A session about FLOSS licensing, done by a FSF lawyer. I want to take the opportunity to raise a question that in some way or another pops up ar

RE: search term

2016-10-30 Thread Mark Stephen Mrotek
Phil, Thank you for your response and the reference. It could work. Mark From: Phil Holmes [mailto:m...@philholmes.net] Sent: Sunday, October 30, 2016 10:39 AM To: Mark Stephen Mrotek ; lilypond-user@gnu.org Subject: Re: search term I don't think I've ever noted that notation in L

RE: search term

2016-10-30 Thread Mark Stephen Mrotek
Jacques Menu, Thank you for your response and the snippet. That would work well for “hand over” and “hand under.” Mark From: lilypond-user [mailto:lilypond-user-bounces+carsonmark=ca.rr@gnu.org] On Behalf Of Jacques Menu Muzhic Sent: Sunday, October 30, 2016 11:30 AM To: Bernhard

search term

2016-10-30 Thread Mark Stephen Mrotek
Hello All Found it! "thumbBracket.ily" by Robin Bannister in users archives. Mark ___ lilypond-user mailing list lilypond-user@gnu.org https://lists.gnu.org/mailman/listinfo/lilypond-user

Re: Question for a FLOSS licensing session

2016-10-30 Thread Edward Ardzinski
Does this matter to the average user? Probably not. But some here use LP for more than I do. But I'm not sure why the programming should be separated from the output? From my perspective the programming IS the music, be it a PDF score or the MIDI files I use to make my MP3 demos. Certainly

Re: Question for a FLOSS licensing session

2016-10-30 Thread Urs Liska
Am 30.10.2016 um 20:26 schrieb Edward Ardzinski: > Does this matter to the average user? Probably not. But some here use LP > for more than I do. > > But I'm not sure why the programming should be separated from the output? Because that might lead to the situation that the license applying t

Drawing an Oval around a group of notes

2016-10-30 Thread John Zeweniuk
Can anybody give me some suggestions of how I would draw an oval around a group of notes on the staff? thanks, John ___ lilypond-user mailing list lilypond-user@gnu.org https://lists.gnu.org/mailman/listinfo/lilypond-user

Re: Drawing an Oval around a group of notes

2016-10-30 Thread Thomas Morley
2016-10-30 22:13 GMT+01:00 John Zeweniuk : > Can anybody give me some suggestions of how I would draw an oval around a > group of notes on the staff? > > thanks, > > John Hi John, there's no out of the box function for this. You can use TextScript and adjust it manually: { \override TextS

Re: Drawing an Oval around a group of notes

2016-10-30 Thread Robin Bannister
John Zeweniuk wrote: Can anybody give me some suggestions of how I would draw an oval around a group of notes on the staff? For the special case of a single chord, see the german thread http://www.lilypondforum.de/index.php?topic=378 The 2.18 version of this would read %% kringel =

Re: Question for a FLOSS licensing session

2016-10-30 Thread David Kastrup
Urs Liska writes: > Hi all, > > I'm right now at the GSoC mentors summit and already had a bunch of > interesting sessions. > > One specific one that is to come this afternoon is a Q&A session about > FLOSS licensing, done by a FSF lawyer. I want to take the opportunity to > raise a question that

Shape note font failures

2016-10-30 Thread Jim Duke
I'm typesetting some A Capella music for congregational singing the uses the 7-note (Aiken) shape note system. I've found that based on the system size some of the half note heads for RE (d in the example) are indistinguishable from quarter notes. Basically the interior of the note head is fil

Re: Question for a FLOSS licensing session

2016-10-30 Thread Carl Sorensen
On 10/30/16 5:40 AM, "Urs Liska" wrote: > > >Am 30.10.2016 um 20:26 schrieb Edward Ardzinski: >> Does this matter to the average user? Probably not. But some here use >>LP for more than I do. >> >> But I'm not sure why the programming should be separated from the >>output? > >Because that mi

Re: Changing voice order...

2016-10-30 Thread Dan Eble
On Oct 28, 2016, at 05:01 , David Kastrup wrote: > > Well, there is still the question of what 1/2/3 should _mean_. > Currently they are connected with \voiceOne, \voiceTwo, > \voiceThree... and the meaning of those is "topmost", "lowest", "below > topmost" ... > > I find this both disturbing an

Making a Hairpin end close to the end of a Score

2016-10-30 Thread Christopher Heckman
I stumbled on this hack, and it doesn't appear to be anywhere online. As is, you can't have a hairpin run until the very end of a score; it will stop before the last note. You also can't add \! to a \bar; Lilypond complains that it is not a musical event. The idea is to use \afterGrace, with an i

Re: Making a Hairpin end close to the end of a Score

2016-10-30 Thread Jay Anderson
On Sun, Oct 30, 2016 at 5:35 PM, Christopher Heckman wrote: > I stumbled on this hack, and it doesn't appear to be anywhere online. > > As is, you can't have a hairpin run until the very end of a score; it > will stop before the last note. You also can't add \! to a \bar; > Lilypond complains that

Pango warning

2016-10-30 Thread Andrew Bernard
Any idea what this may mean? As per usual, no line numbers or location info given in the message. Preprocessing graphical objects... (lilypond.exe:9308): Pango-WARNING **: Invalid UTF-8 string passed to pango_layout_set_text() (lilypond.exe:9308): Pango-WARNING **: Invalid UTF-8 string

Re: Pango warning

2016-10-30 Thread Jean Brefort
Le lundi 31 octobre 2016 à 17:16 +1100, Andrew Bernard a écrit : > Any idea what this may mean? >   > As per usual, no line numbers or location info given in the message. >   > Preprocessing graphical objects... > (lilypond.exe:9308): Pango-WARNING **: Invalid UTF-8 string passed to > pango_layout_