Hi folks
I've searched the archives but couldn't find an answer to this problem.
I have a file.lytex file which contains these lines:
%%
\documentclass[a4paper]{article}
\usepackage[utf8]{inputenc}
\begin{document}
\lilypondfile[noindent,lin
Hi Erik,
This is a use for a text spanner with centred text that I had been
asking about on the list for some time, Eventually I wrote a function
to do it with the kind help of Thomas Morley also. Very useful - I
always said so!
Have a look at this - it may do what you require.
Andrew
== snip
Hi list,
I’m setting Sriabin’s “Vers la flamme” in LilyPond. This piece in 9/8
contains tuplets where 5 quarter notes replace 9 eights, or 4 and a half
quarters. But of course I cannot write \tuplet 5/4½ or \tuplet 5/(9/2).
\tuplet 10/9 won’t help because it prints the numerator 10.
I could
Hi Malte,
So they are tuplet 10/9. Can you not simply set the tuplet numbers accordingly?
\once \override TupletNumber.text = ""
What does Scriabin put for the tuplet number?
I have to use this technique extensively for the New Complexity scores
I engrave, where it gets a lot weirder than this.
Am 25.07.2016 um 11:44 schrieb Andrew Bernard:
So they are tuplet 10/9. Can you not simply set the tuplet numbers accordingly?
\once \override TupletNumber.text = ""
I could. But like my solutions with scaled durations, the input doesn’t
really reflect the output. And when you have many of
Hi Malte,
Does the input have to match the output? Does it have to be ‘real’? I never
thought of lilypond that way.
I have to do hundreds of these sorts of mods also. Can’t you just write a
function and say something like:
\tn 5
[And live with the ‘inelegance’?]
Andrew
On 25/07/2016, 8:00
Am 25.07.2016 um 12:00 schrieb Malte Meyn:
>
>
> Am 25.07.2016 um 11:44 schrieb Andrew Bernard:
>> So they are tuplet 10/9. Can you not simply set the tuplet numbers
>> accordingly?
>>
>> \once \override TupletNumber.text = ""
>
> I could. But like my solutions with scaled durations, the input
>
Thanks a lot, I'll check it out!
Erik
- Ursprungligt meddelande -
Från: "Andrew Bernard"
Till:"lilypond-user Mailinglist"
Kopia:
Skickat:Mon, 25 Jul 2016 19:23:40 +1000
Ämne:Re: bis
Hi Erik,
This is a use for a text spanner with centred text that I had been
asking about on the lis
On Mon, Jul 25, 2016 at 6:54 AM, wrote:
>
> Thanks a lot, I'll check it out!
>
> Erik
>
>
> - Ursprungligt meddelande -
> Från:
> "Andrew Bernard"
>
> Till:
> "lilypond-user Mailinglist"
> Kopia:
>
> Skickat:
> Mon, 25 Jul 2016 19:23:40 +1000
> Ämne:
> Re: bis
>
>
>
> Hi Erik,
>
> This
Hi, Simon
It helped a lot. I confess that page is very difficult to understand. At
least for me :-)
Your suggestion worked great, but now I have almost no space between
different line scores (getting the upper voice upper lyrics glues to the
lower voice lower lyrics).
I tried setting
\overri
Hi all,
in the ScholarLY package we're attaching a (newly defined) property
'input-annotation to a grob, either through an implicit \once \override
or a \tweak, depending on the invocation syntax:
The attached file
annotate.ly
shows both ways, first the override, then the tweak. Today I final
Urs Liska writes:
> Hi all,
>
> in the ScholarLY package we're attaching a (newly defined) property
> 'input-annotation to a grob, either through an implicit \once \override
> or a \tweak, depending on the invocation syntax:
>
> The attached file
> annotate.ly
> shows both ways, first the ove
David Kastrup writes:
> Don't do that. The acknowledger is the place for _setting_
> properties, and of course a first acknowledger has no chance to see
> properties set by a second acknowledger. Instead, use the
> acknowledger to _record_ the grobs. Then you use the
> process-acknowledged hoo
https://www.youtube.com/watch?v=20LtiaBra7M--
/oiram/bin/selom/
/Da ognuno secondo le proprie capacità ad ognuno secondo i propri
bisogni./
/MIB-kernellinux-tester/
http://mariomoles.altervista.org/[1]
Linux[2]
MIB[3] Lilypond[4] Frescobaldi[5] Rosegarden[6]
[1] http://mariomoles.alt
2016-07-24 15:53 GMT+02:00 Robert Edge :
> So there is a snippet here: http://lsr.di.unimi.it/LSR/Item?id=1032
>
> That gets pretty close.
>
> I am assuming that no one writes that much scheme code unless the
> functionality is broken in Lilypond proper. I'll prepare a bug report.
It happens tha
I like being able to type \time 2,2,2,2 8/8
but is there a way to specify the same beaming pattern
as briefly when it's really 4/4, so I don't get groups
of four quavers?
Cheers,
David.
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David Wright writes:
> I like being able to type \time 2,2,2,2 8/8
> but is there a way to specify the same beaming pattern
> as briefly when it's really 4/4, so I don't get groups
> of four quavers?
I have no idea what you mean with "when it's really 4/4". Is the meter
printed as 4/4? Or as
>
> So I'd say this part of the code is not broken but works as it should,
> it's just not like you'd expect it should be.
>
>
I'm not sure where you are seeing charts drawn like that.
I'm used to seeing this:
http://www.saxuet.qc.ca/TheSaxyPage/Realbook%20C/Four.jpg
or this: http://www.ejazzline
I’ve found lots of various ways to make a multi measure rest longer, but I’d
like to make one shorter. I’m trying to typeset a piece with a cadenza, and
the standard \cadenzaOn and Off have some issues I haven’t figured out how to
work around yet (specifically, bar lines in the cadenza keep sho
2016-07-25 22:45 GMT+02:00 Robert Edge :
>
>>
>> So I'd say this part of the code is not broken but works as it should,
>> it's just not like you'd expect it should be.
>>
>
> I'm not sure where you are seeing charts drawn like that.
I did not say having seen such behaviour for multi-stave-scores.
> And now I'm pissed, maybe I should revert this part of the code.
>
Okay, you do whatever you want man.
We'll just say it works as intended by the developer. Or doesn't, but is
too hard to fix. Or whatever. There will be no bug report. Got it.
___
2016-07-25 22:45 GMT+02:00 Steven Weber :
> I’ve found lots of various ways to make a multi measure rest longer, but I’d
> like to make one shorter. I’m trying to typeset a piece with a cadenza, and
> the standard \cadenzaOn and Off have some issues I haven’t figured out how
> to work around yet (
On Mon 25 Jul 2016 at 21:21:26 (+0200), David Kastrup wrote:
> David Wright writes:
>
> > I like being able to type \time 2,2,2,2 8/8
> > but is there a way to specify the same beaming pattern
> > as briefly when it's really 4/4, so I don't get groups
> > of four quavers?
>
> I have no idea wh
On 7/25/16, 3:26 PM, "Thomas Morley" wrote:
2016-07-25 22:45 GMT+02:00 Steven Weber :
> I’ve found lots of various ways to make a multi measure rest longer, but
I’d
> like to make one shorter. I’m trying to typeset a piece with a cadenza,
and
> the standard \cadenzaOn and Off h
Hi,
I have a Scheme function that returns a music expression. Unfortunately,
the expression returned depends on the properties of the context it's
evaluated in. I.e., based on the current setting of
Staff.dynamicAbsoluteVolumeFunction it will return a different number of
events in the music expres
Hi,
I haven't a working solution, but some thoughts:
The \applyContext is one event in time, so you can set context-properties
*once*.
This might be a case for a midi-performer. This is an engraver inside the
midi-block, so it should be possible to create a scheme-performer to set the
midiExpre
Am 24.07.2016 um 18:10 schrieb David Kastrup:
[...]
Well, accolades are nice and everything, but if we are talking about
frequently desired functionality, it makes sense that enough hooks are
in LilyPond itself that a custom layout can then be called upon with one
rather than 20 pages of Scheme c
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