Re: Default text fonts change CenturySchL to Tex Gyre Schola?

2016-03-12 Thread Malte Meyn
Am 11.03.2016 um 19:49 schrieb Thomas Scharkowski: Only recently I noticed the change of the default text fonts in LilyPond. When did this take place and why? When: In August 2015 (LilyPond 2.19.26). Why: I don’t know, probably you can find the reason in the discussion of issue 4552 (https:

Re: Slurs and augmentation dots

2016-03-12 Thread Sharon Rosner
After some digging around I found a way to fix this: \override Dots.avoid-slur = #'ignore Sharon -- View this message in context: http://lilypond.1069038.n5.nabble.com/Slurs-and-augmentation-dots-tp188448p188463.html Sent from the User mailing list archive at Nabble.com. __

Re: Text spanner associated start and end notes

2016-03-12 Thread Thomas Morley
2016-03-09 11:18 GMT+01:00 Andrew Bernard : [...] > The NR Snippets > section has this topic "Centering markup on note heads automatically”. If > you compile this under 2.19.37 the markup is certainly not aligned in the > centre. Why is that? It appears to be correct at 2.18.2. See http://lilypond

Re: Voices and Edition Engraver

2016-03-12 Thread Graham King
Great news! thanks -- Graham On Sat, 2016-03-12 at 08:44 +0100, Jan-Peter Voigt wrote: > ... I wrote an engraver, that displays the currentBarNumber for the > current Staff. I once used that as an interim solution to get the > needed timing info. > I am going to send it after the weekend. > >

Re: creating chords like F/A(D/F#) with \chordmode { }

2016-03-12 Thread Tim McNamara
On Mar 12, 2016, at 8:25 AM, Eby Mani wrote: > > How do i create chords like - B flat(G) or F/A(D/F#) with \chordmode { } ?. It would help if you would explain what you are trying to do a bit more fully. What is the chord "B flat(G)"? Or "F/A(D/F#)"? If I saw that on a lead sheet I would no

Re: Voices and Edition Engraver

2016-03-12 Thread David Kastrup
Jan-Peter Voigt writes: > Hi Samuel, > > I am aware of this issue and hope to find a solution, while rewriting > the EE. Most times, I can address the Staff context to apply the > tweak. > It seems, that the "start-timestep" slot is not called in some circumstances. Implicitly started contexts m

Bar Lines and Compound Time Signature

2016-03-12 Thread Edward Ardzinski
I'm working on a piece that alternates between 9/8 and 4/4. The compound time signature is great. Where in my original piece I had the time changes in the fragmentary 2 bar music variables, with the compound time signature I removed the time changes and forced a bar line after the 9/8 "measure".

Re: creating chords like F/A(D/F#) with \chordmode { }

2016-03-12 Thread Klaus Blum
It looks like the goal is to create alternative chords in a different key, e.g for a guitar with a capo on the 3rd fret. A function to put chordnames into parentheses (better than \parenthesize) can be found here: http://www.lilypondforum.de/index.php?action=profile;area=showposts;u=54 Here is wh

Re: creating chords like F/A(D/F#) with \chordmode { }

2016-03-12 Thread Tim McNamara
On Mar 12, 2016, at 11:24 AM, Eby Mani wrote: > > Here it is. > >> On Sat, 12/3/16, Tim McNamara wrote: >> >> If you could point to an >> existing example out on the web that looks like what you >> want, it would be really easy to see what it is and

Re: Bar Lines and Compound Time Signature

2016-03-12 Thread Thomas Morley
2016-03-12 17:36 GMT+01:00 Edward Ardzinski : > I'm working on a piece that alternates between 9/8 and 4/4. The compound > time signature is great. Where in my original piece I had the time changes > in the fragmentary 2 bar music variables, with the compound time signature I > removed the time c

Re: Bar Lines and Compound Time Signature

2016-03-12 Thread Edward Ardzinski
compound_time_signature_bar_line_issue.pdf compound_time_signature_bar_line_issue.ly I would like the

Re: Bar Lines and Compound Time Signature

2016-03-12 Thread Malte Meyn
Am 12.03.2016 um 19:32 schrieb Edward Ardzinski: I would like the bar number on the second line to be 9, not 5, counting each bar of 17 as 1 bar of 9 and another of 8...then have 18 on the beginning of the 3rd line in the pdf You could use an extra voice for the changing measure lengths (ins

Re: Bar Lines and Compound Time Signature

2016-03-12 Thread Edward Ardzinski
Worked like a charm. Thanks! -- View this message in context: http://lilypond.1069038.n5.nabble.com/Bar-Lines-and-Compound-Time-Signature-tp188471p188479.html Sent from the User mailing list archive at Nabble.com. ___ lilypond-user mailing list lily

Re: creating chords like F/A(D/F#) with \chordmode { }

2016-03-12 Thread Thomas Morley
2016-03-12 18:30 GMT+01:00 Klaus Blum : > It looks like the goal is to create alternative chords in a different key, > e.g for a guitar with a capo on the 3rd fret. > > A function to put chordnames into parentheses (better than \parenthesize) > can be found here: > http://www.lilypondforum.de/index