layout scope

In the added example I want to have one noteline with bar lines the second noteline without bar lines. How can I restrict the scope of \layout{} to only one \score{}? \version "2.18.0" #(set-global-staff-size 30) a-pent = { \relative c { \clef bass

Fwd: layout scope correction

Forwarded Message Subject:layout scope Date: Tue, 8 Mar 2016 13:53:30 +0100 From: BB To: lilypond-user Mailinglist In the added example I want to have one noteline with bar lines the second noteline without bar lines. How can I restrict the scope of \la

Re: layout scope

Am 08.03.2016 um 13:53 schrieb BB: How can I restrict the scope of \layout{} to only one \score{}? Just put the \layout block into the \score block. Same for \midi: \score { [MUSIC] \layout { […] } \midi { […] } } ___ lilypond-user mailing lis

Re: layout scope

Hi BB, Section 4.2.1 on the \layout block in the NR explains this. Andrew On 8/03/2016, 23:53, "BB" wrote: How can I restrict the scope of \layout{} to only one \score{}? ___ lilypond-user mailing list lilypond-user@gnu.org https://lists.gnu.org

Re: MIDI "volume"

Hi all, Heikki Tauriainen wrote > I've observed that LilyPond actually emits CC#7 events to a generated > MIDI file on dynamic (MIDI velocity) changes created by the > Dynamic_performer, but these CC#7 changes seem to always just set the > MIDI volume to 100 (in the range from 0 to 127). To me t

Re: layout scope

Thank you, works! On 08.03.2016 14:03, Malte Meyn wrote: Am 08.03.2016 um 13:53 schrieb BB: How can I restrict the scope of \layout{} to only one \score{}? Just put the \layout block into the \score block. Same for \midi: \score { [MUSIC] \layout { […] } \midi { […] } } __

Re: Help with fonts from a blind user

This assumes one has a file manager that is a GUI (it's hard to do this in say midnight commander or xterm) for those without you can cd to your lilypond directory and put the fonts there. I use cd /usr/local/lilypond-current/lilypond/usr/share/lilypond/current/fonts/ ls otf svg HTH ST

Re: Help with fonts from a blind user

that said i don't even have icons so. Stephen ___ lilypond-user mailing list lilypond-user@gnu.org https://lists.gnu.org/mailman/listinfo/lilypond-user

music patterns and octave

Suppose you have this: [image: Inline image 2] This is something like \fragment d d \fragment c e \fragment e c So, more precisely I would write: \version "2.19.35" pattern = { c16 d e f g a b c } \relative c' { \pattern d4 d4 \pattern c4 e4 \pattern e4 c4 } But the previous code

Re: Piece/instrument names choice

Hello Simon, Thanks for pinpointing the use of bookTitleMarkup, which I had overlooked. The main problem though is that I have to assign the instrument name to « poet », and the piece name to « instrumentName ». That’s what seems not too clean to me… JM > Le 7 mars 2016 à 14:46, Simon Albrech

Re: music patterns and octave

pattern = \relative c' { { c16 d e f g a b c } } \relative c' { \pattern d'4 d4 \pattern c4 e4 \pattern e4 c4 } On 08.03.2016 17:45, Gianmaria Lari wrote: Suppose you have this: Inline image 2 This is something like \fragment d d

Re: Piece/instrument names choice

Hi Jacques, > I have to assign the instrument name to « poet », and the piece name to « > instrumentName ». > That’s what seems not too clean to me… You don’t HAVE to assign those that way… You can simply redefine bookTitleMarkup (or scoreTitleMarkup, as you wish) to reflect exactly what you w

Re: music patterns and octave

On Tue 08 Mar 2016 at 17:45:35 (+0100), Gianmaria Lari wrote: >[...] >So, more precisely I would write: > > \version "2.19.35" > pattern = > { >    c16 d e f g a b c > } > \relative c'  > { >   \pattern d4 d4 >   \pattern c4 e4 >   \pattern

I'm not smart enough to figure out the math for this.

I'm trying to make a snippet for students with intentional mistakes for them to correct. I want the time signature to say 4/3, but for the music to actually be in 3/4. Should I use "scaleDurations", and what should the ratio be? Or is there a better way to do this? \version "2.19.24" \relative c'

Re: I'm not smart enough to figure out the math for this.

Hi Michael, > I want the time signature to say 4/3, but for the music to actually be in 3/4. In this case, you can simply override the fraction and ignore the error: \version "2.19.24" \relative c' { \time 3/4 \set Staff.timeSignatureFraction = 4/3 c4 c c | c c c } Hope that helps! Kiere

Re: I'm not smart enough to figure out the math for this.

> On 08 Mar 2016, at 22:00, Michael Rivers wrote: > > I'm trying to make a snippet for students with intentional mistakes for them > to correct. I want the time signature to say 4/3, but for the music to > actually be in 3/4. Should I use "scaleDurations", and what should the ratio > be? Or is t

Re: I'm not smart enough to figure out the math for this.

Michael Rivers writes: > I'm trying to make a snippet for students with intentional mistakes for them > to correct. I want the time signature to say 4/3, but for the music to > actually be in 3/4. Should I use "scaleDurations", and what should the ratio > be? Or is there a better way to do this?

Re: I'm not smart enough to figure out the math for this.

May be you need some private coaching in waltz math ? Here iot is: \relative c' { \time 3/4 c4 c c | c c c } Am 08.03.2016 21:00, schrieb Michael Rivers: I'm trying to make a snippet for students with intentional mistakes for them to correct. I want the time signature to say 4/3,

Re: I'm not smart enough to figure out the math for this.

On 08.03.2016 21:19, Blöchl Bernhard wrote: May be you need some private coaching in waltz math ? Here it is: \relative c' { \time 3/4 c4 c c | c c c } Bernhard, what the heck do you think you’re up to? Please _read_ others’ posts before sneering at them, or better just quit th

Re: I'm not smart enough to figure out the math for this.

Thanks for the solutions. I'm OK with an error message! -- View this message in context: http://lilypond.1069038.n5.nabble.com/I-m-not-smart-enough-to-figure-out-the-math-for-this-tp188290p188297.html Sent from the User mailing list archive at Nabble.com. __

Re: MIDI "volume"

On Tuesday, 2016-03-08 at 06:35 -0700, Gilberto Agostinho wrote: > Hi all, > > > Heikki Tauriainen wrote > > I've observed that LilyPond actually emits CC#7 events to a > > generated > > MIDI file on dynamic (MIDI velocity) changes created by the > > Dynamic_performer, but these CC#7 changes seem

Re: Generation of Notation Videos with Lilypond Tool Chain

Dear Joram, dear Richard, thanks for the hints and for your nice comments! It seems that a lot has improved since my first attempt in 2006 with lilypond, timidity and avisynth. I wrote: > > [video rendering from lilypond has some limitations] > > Another disadvantage is that tempo changes must

Re: music patterns and octave

2016-03-08 17:45 GMT+01:00 Gianmaria Lari : > Suppose you have this: > > [image: Inline image 2] > > This is something like > > \fragment d d > \fragment c e > \fragment e c > > > So, more precisely I would write: > > \version "2.19.35" > > pattern = > { >c16 d e f g a b c > } > > \relative c'

reduce the beam width

Hi all How can I (slightly) reduce the beam width in the attached example? \version "2.19.37" myMusic = \relative { cis'8\3\glissando \hideNotes \grace a \unHideNotes e' s1*3 } \score { \new StaffGroup << \new Staff { \clef "treble_8" \myMusic } \new TabStaff { \clef "moderntab" \new

Re: I'm not smart enough to figure out the math for this.

On 08.03.2016 22:06, Michael Rivers wrote: Thanks for the solutions. I'm OK with an error message! Or you can insert #(ly:expect-warning "strange") in your source. Best, Simon ___ lilypond-user mailing list lilypond-user@gnu.org https://lists.gnu.

Re: I'm not smart enough to figure out the math for this.

Do not understand the signification to break the rules as you immediately get an error response of lilypond. But for education purposes ... I hope Michael Rivers and the list will accept my apology. Am 08.03.2016 21:41, schrieb Simon Albrecht: On 08.03.2016 21:19, Blöchl Bernhard wrote: M

Re: MIDI "volume"

Hi Heikki, Heikki Tauriainen wrote > You may be interested to know that there was an attempt to improve this > behavior just a few months ago, see issues/issues/4730/>.  The fix has been included in the unstable > releases since 2.19.36. I just tested it and

Re: reduce the beam width

Hi Federico, > How can I (slightly) reduce the beam width in the attached example? I guess what you are looking for is the beam thickness: \override Beam.beam-thickness = 0.3 % default is somewhere near 0.5 In your example: \version "2.19.37" myMusic = \relative { cis'8\3\glissando \hideNo

Re: reduce the beam width

> somewhere near 0.5 By the help of this nice function [1]: The default beam-thickness is 0.48. [1]: http://permalink.gmane.org/gmane.comp.gnu.lilypond.general/109563 ___ lilypond-user mailing list lilypond-user@gnu.org https://lists.gnu.org/mailman/li

Re: reduce the beam width

Hi Federico, Do you actually mean the thickness of the beam, or the length of the beam? If the latter, use ragged-right = ##t to see what is happening. Andrew On 9/03/2016, 08:37, "Federico Bruni" wrote: Hi all How can I (slightly) reduce the beam width in the attached example? _

Re: music patterns and octave

Ciao David, let's put it in another way. Have a look to the attached image and please suggest me how you would write the code to generate it. Then please have a look to the code I *would* like to write to obtain it. Do you know if does exist anything similar to "\setOctave"? Do you see any logica

Re: music patterns and octave

Ciao Thomas, thank you for your suggestion about inline-images etc. "changePitch" is an external function. This is a link to it: http://gillesth.free.fr/Lilypond/changePitch/ Regarding you function setOtherPitchOctave, this is similar to what I was thinking except that the parameter is not the "

Consist engraver within loop

Hi all, I want to write a wrapper function to "install" an engraver in a number of contexts. It works pretty well, but I want to make it better. This is what I have so far. \version "2.19.38" install = #(define-scheme-function (contexts)(symbol-list?) (if (member 'Score contexts) #

Re: music patterns and octave

On 3/8/16 5:20 PM, "Gianmaria Lari" wrote: >Ciao Thomas, >thank you for your suggestion about inline-images etc. > >"changePitch" is an external function. This is a link to it: >http://gillesth.free.fr/Lilypond/changePitch/ > >Regarding you function setOtherPitchOctave, this is similar to what I

Wide spacing after extremely long syllable

After an extremely long syllable in the lyrics, the next measure's spacing is quite wide, even with ragged-right. In the tiny example below, the problematic measure (of two eighth notes) comprises the word, "shine". Before each of its eighth notes, I tried the following commands, but they didn't

Re: music patterns and octave

> \ > Message: 2 > Date: Wed, 9 Mar 2016 01:20:47 +0100 > From: Gianmaria Lari > To: Thomas Morley > Cc: lilypond-user > Subject: Re: music patterns and octave > > Do you know if does exist something to set > the absolute "octave"? > g. %%% How about: pattern = { c16 d e f g a b c

Re: scale durations

Sorry gents, here is one more I can't work out. The piece is in 9/8 but I need one instrument to play in 4/4. I have no idea how to work out that fraction: \set Staff.timeSignatureFraction = 4/4 \scaleDurations ???/??? Craig On 8 March 2016 at 08:47, Simon Albrecht wrote: > On 07.03.2016 2

scale durations, another case

Hi lilyponders, Please consider the following code which is supposed to match the attached excerpt from Debussy's 'Images'. I am getting a bar check warning, as I am having a bit of a struggle with fitting seven 32nd notes under the second 'quarter' note in the tuplet. Any help would be highly

Re: scale durations, another case

Hi Zoran, Any reason you don’t just use the built-in tuplet function, e.g., \tuplet 7/6 { d[ g b d \rh \stemDown g b d] } or, if you don’t want to see the tuplet number, \once \omit TupletNumber \tuplet 7/6 { d[ g b d \rh \stemDown g b d] } ?? Hope this helps! Kieren. _

Re: scale durations, another case

Hi Kieren, Why? Because such a simple, elegant solution simply did not occur to me :) Thanks a lot, works very well. Out of curiosity (and maybe for some possible future, more complicated scenarios), is there a solution using \scaleDurations instead? Thanks, Zoran -- View this message in con

Re: scale durations

Am 09.03.2016 um 03:54 schrieb Craig Dabelstein: Sorry gents, here is one more I can't work out. The piece is in 9/8 but I need one instrument to play in 4/4. I have no idea how to work out that fraction: \set Staff.timeSignatureFraction = 4/4 \scaleDurations 8/9 because (4/4)/(9/8) = 8/9

Re: scale durations, another case

Am 09.03.2016 um 05:13 schrieb zzk: Out of curiosity (and maybe for some possible future, more complicated scenarios), is there a solution using \scaleDurations instead? A tuplet 7/6 without tuplet number is the same as \scaleDurations with factor 6/7. Or, even simpler, you can scale a dura

Re: Wide spacing after extremely long syllable

This looks like a bug to me. I can't find any workaround for v2.19. With v2.18, not nice but works: \version "2.18.2" \paper { left-margin = 5\mm right-margin = 5\mm ragged-right = ##t } \layout { \context { \Staff \remove "Time_signature_engraver" } } theLyrics = \lyricmode {

Re: reduce the beam width

Il giorno mar 8 mar 2016 alle 23:59, Andrew Bernard ha scritto: Do you actually mean the thickness of the beam, or the length of the beam? If the latter, use ragged-right = ##t to see what is happening. I mean the width of the beam. Changing ragged-right helps in the minimal example but not i