Am 22.02.2016 um 08:51 schrieb Carl-Henrik Buschmann:
> Hi again,
>
> I try to do this dymanic acrobatic:
>
> *"sfz > pp <"*
>
> In my mind i figured that nothing can come from nothing, so i tried
> the following:
>
> <<
> {a2}
> \\
> {s4\sfz\> s4\pp\<}
> >>
which is very well t
On 22-02-16 04:05, David Wright wrote:
On Sun 21 Feb 2016 at 22:12:51 (+0100), Malte Meyn wrote:
Am 21.02.2016 um 22:02 schrieb David Wright:
On Sun 21 Feb 2016 at 19:10:29 (+0100), Peter O'Doherty wrote:
Thanks a lot. Sorted now using sudo sh lilypond...
I can't help wondering what the ... s
Carl,
Like Urs said, the <<{}\\{}>> syntax implicitly creates multiple voices,
but if you just take out the two back slashes <<{}{}>>, no new voices are
created and you will remain in the main voice (i.e., the stem will be point
in the correct, non-forced direction--down) and the dynamics will be
Carl-Henrik Buschmann writes:
> Hi again,
>
> I try to do this dymanic acrobatic:
>
> "sfz > pp <"
> *
>
> In my mind i figured that nothing can come from nothing, so i tried the
> following:
>
> <<
> {a2}
> \\
> {s4\sfz\> s4\pp\<}
>>>
Almost good but the \\ needs to go. It creates separated a
On 22.02.2016 02:04, David Kastrup wrote:
Simon Albrecht writes:
*location* is a procedure (used for accessing the fluid %location local
to the guile module), not a location. So call it.
OK, that’s one thing. But with (*location*) I still get the same error
message that it be of the wrong ty
Hello David,
On 22.02.2016 05:09, David Wright wrote:
Having recently fixed a similar problem with bar numbering by moving
the Mark_engraver and adding Staff_collecting_engraver at Staff level,
I've run into the following: my bar numbers are running along the
skyline of my lyrics, as shown in th
On 22.02.2016 08:51, Carl-Henrik Buschmann wrote:
In my mind i figured that nothing can come from nothing, so i tried
the following:
<<
{a2}
\\
{s4\sfz\> s4\pp\<}
>>
But this produces only the top voice with the stem the wrong way (of
course). Any ideas?
As Urs wrote you’re
Simon Albrecht writes:
> On 22.02.2016 02:04, David Kastrup wrote:
>> Simon Albrecht writes:
>>
*location* is a procedure (used for accessing the fluid %location local
to the guile module), not a location. So call it.
>>> OK, that’s one thing. But with (*location*) I still get the sam
On 22.02.2016 12:20, David Kastrup wrote:
You probably want to use ly:input-warning instead of ly:warning-located.
Thanks, that does it.
Best, Simon
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With a test-snippet I investigated the Turkish notation:
#(set-global-staff-size 27)
\include "makam.ly"
\relative c' {
\set Staff.keyAlterations = #`(
(0 . ,(- EKSIK-IKI))
(1 . ,(- EKSIK-UC))
(2 . ,KOMA)
(3 . ,(- KOMA))
(4 . ,BAKIYE)
(5 . ,KUCUK)
(6 . ,BUYUKMUCENNEB)
)
%(7 . ,(- BUYU
Please correct the cebtence to
The Turkish terms define the steps in a full tone interval in fractals
of 200 cents.
(200 cent represent a full tone step.)
or to
The Turkish terms define the steps in fractals of a full tone interval.
On 22.02.2016 13:23, BB wrote:
The Turkish terms define the st
> On 22 Feb 2016, at 13:23, BB wrote:
> one full tonal step divided into 9 comma, in my opinion this is only of
> interest for classical/historical Turkish music, or for geographic intonation
> differences of folk music for field studies.
> In the today music practice notation is similar to t
> On 22 Feb 2016, at 13:23, BB wrote:
> one full tonal step divided into 9 comma, in my opinion this is only of
> interest for classical/historical Turkish music, or for geographic intonation
> differences of folk music for field studies.
> In the today music practice notation is similar to t
I don't understand why the following snippet doesn't generate a 3-page
pdf. It would seem that either page-count=3 or systems-per-page=8 would
accomplish that, but I always get a two-page pdf with 12 systems/page
with any combination of the above two settings.
\version "2.19.35"
\paper { rag
Il giorno lun 22 feb 2016 alle 17:40, Patrick Karl
ha scritto:
I don't understand why the following snippet doesn't generate a
3-page pdf. It would seem that either page-count=3 or
systems-per-page=8 would accomplish that, but I always get a two-page
pdf with 12 systems/page with any combinat
Hi Jonathan,
maybe this thread could be interesting:
http://lilypond.1069038.n5.nabble.com/Creating-cut-away-or-scrapbook-scores-in-LilyPond-td177436.html
In the documentation, you could look for "ossia" staves and the techniques
to produce them.
In your ME, I took your "secondVoice" and inse
I have a piano score in which there are three systems per A4 landscape page,
and then it shifts to 2 systems, and the back to three. [There are musical
reasons for this which need not detain us.] The pages with two systems page
show very wide stave to stave spacing, compared to the rest of the s
While trying to concoct a minimal example for my question about staff-staff
spacing, I find I am confused. In the attached example, why are the bass notes
spaced apart by the number of spacers in the voice for line breaking? I woild
have thought they would be consecutive.
Furthermore, if I put
Hi, lily ponders:
There is lilypond-windows.exc and lilypond.exc in \usr\bin. What is the
difference? I have window 10 - which one should I use?
Immanuel,Ming___
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I have a jazz piece with a repeating solo section. The number of times it
repeats is indefinite. How do I notate this and then have a final measure
which is the "last time" through that section.
I played with the \set Score.repeatCommands commands, but I cannot quite get
it right.
Below is what I
Hi Stan,
How to do that is exactly described in the NR, Section 1.4.1 Manual repeats,
with an example of volta ad lib.
Andrew
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Something like this?
\version "2.19.36"
voltaAdLib = \markup { 1. 2. 3... \text \italic { ad lib. } }
voltaLast = \markup { \text "last" }
\relative {
\set Score.repeatCommands = #(list(list 'volta voltaAdLib) 'start-repeat)
s1*8
s1*8
s1*8
s1*7
\set Score.repeatCommands = #(list (list
Andrew Bernard gmail.com> writes:
>
> Something like this?
>
> \version "2.19.36"
>
> voltaAdLib = \markup { 1. 2. 3... \text \italic { ad lib. } }
> voltaLast = \markup { \text "last" }
> \relative {
> \set Score.repeatCommands = #(list(list 'volta voltaAdLib) 'start-repeat)
> s1*8
> s1
On Tue 23 Feb 2016 at 12:55:05 (+1100), Andrew Bernard wrote:
> While trying to concoct a minimal example for my question about staff-staff
> spacing, I find I am confused. In the attached example, why are the bass notes
> spaced apart by the number of spacers in the voice for line breaking? I woil
On Tue 23 Feb 2016 at 03:25:04 (+), Stan Mulder wrote:
> Andrew Bernard gmail.com> writes:
> > Something like this?
> >
> > \version "2.19.36"
> >
> > voltaAdLib = \markup { 1. 2. 3... \text \italic { ad lib. } }
> > voltaLast = \markup { \text "last" }
> > \relative {
> > \set Score.repea
Andrew,
The last duration in the treble staff is 4*16 i.e. four whole notes
with a quarter note head.
The first note in the next voice (in the bass staff) inherits this length.
Use this:
bass = {
\clef bass
\time 4/4
c1 % set duration explicitly
c c
}
Regards
Helge
2016-02-23
There is lilypond.exe and lilypond-windows.exe in the Lilypond edition
for Microsoft Windows.
You use lilypond.exe when you want to capture the output of the
program, e.g. error messages.
lilypond-windows.exe opens a new window, outputs the messages in this
windows and closes it finally.I usually m
David Wright lionunicorn.co.uk> writes:
> Perhaps this is more to your liking:
Thanks David. You got it!
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On Tue 23 Feb 2016 at 05:49:28 (+0100), Helge Kruse wrote:
> Andrew,
>
> The last duration in the treble staff is 4*16 i.e. four whole notes
> with a quarter note head.
> The first note in the next voice (in the bass staff) inherits this length.
>
> Use this:
>
> bass = {
> \clef bass
>
Hi Andrew,
> Is there a way to reduce this staff-staff spacing temporarily, for just
> a couple of pages? Do I need to post an example?
I don't know, but you can find settings which work for both 2 and 3
staff pages. Just ask yourself where you want the space to go. As 2
staves need less space th
Hi Joram,
Right indeed. But if I adjust stretchability, it affects the rest of my score
adversely, and I cannot find a good compromise that leaves the main score
relatively wide spaced with respect to staff-staff spacing, and then a
particular page with fewer systems closely spaced. I suppose I
I have a very similar problem (my use case is wanting to space staves more
or less distant from each other on a per-system basis), and the solution I
got at the time was something like "insert invisible boxes or \hideNotes
expressions into a simultaneous voice to force specific spacing." That
seems
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