On Thu, 11 Feb 2016 14:48:18 +0100
BB wrote:
> That works, but the long note sequence has to be repeated - exactly
> that's what I would like to avoid.
If entering the notes is the problem, you can put them in a variable.
___
lilypond-user mailing li
Hi David
I would just like to point out that in guitar music, the capo now acts as
the open position. Therefore we write as if there was no capo at all. This
makes it easy for sight reading. As a professional guitarist I have only
came across a few scores written in what I would say an incorrect w
On Fri, 12 Feb 2016 12:29:47 +0100
BB wrote:
> The input of the notes is not the problem, one could easily copy/paste.
> I try to shorten the sheet and make it more overseeable.
I've once wished for something like
\repeat volta 2 { AAA \alternative{{ BB1 }{ BB2 }} CCC }
There is no (officia
Greetings -
Soon, I shall be visiting a music school which almost certainly has
computers but which probably has little internet access. I would like to
give them a thumb drive with all the files they would need for setup,
learning, and running LilyPond. The biggest catch, probably, is that it
wou
Denemo version 2.0.2 has been released.
Denemo is a program for inputting music notation. http://www.denemo.org
The music is displayed as music notation while typing or playing in and
simultaneously it can be typeset via LilyPond. It can also be played via
internal synthesizer. Demo videos are at
Hello all. I am writing to inform everyone that I received a solution to my
problem. See the thread if you may have similar questions regarding the same
subject. Take care.
David Landt
On Fri, Feb 12, 2016 at 3:23 AM -0800, "Stephen MacNeil"
wrote:
Hi David
I would just like
Hello,
My name is Shane w. Dittmar, and I am a blind composer from North
Carolina. I've recently gotten into Lilypond, as it's a fantastic tool
for blind composers, as it gives ultimate and accessible control over
what appears on the page. I write what is, by notation standards,
fairly simple musi
I'm trying to duplicate the following measure:
My attempt:
\version "2.19.32"
{
\new Staff <<
\time 3/4
\new Voice { \oneVoice r4 r \voiceOne g' }
\new Voice { \voiceTwo s4 c'2 }
>>
}
This works fine for everything but the second quarter-rest, which is
positio
Try
On 12/02/16 17:34, Patrick Karl wrote:
{
\new Staff <<
\time 3/4
<< { \oneVoice r4 r \voiceOne g' }
\new Voice { \voiceTwo s4 c'2 } >>
>>
}
HTH
ambs
___
lilypond-user mailing list
lilypond-user@gnu.org
h
Hi all, I continue learning Lilypond and very impressed with its capabilities.
This time I'm learning to use fretboards and chords for my guitar lessons.
There is one thing I'm unable to do and I'd like to know if it is possible.
With this code I get the finger-code inside dots
\version "2.19.3
This works for me.
\version "2.19.32"
{
\new Staff <<
\time 3/4
\new Voice {
\override Rest #'staff-position = #0
\voiceOne r4 r4 g' }
\new Voice { \voiceTwo s4 c'2 }
>>
}
> On Feb 12, 2016, at 12:34 PM, Patrick Karl wrote:
>
> I'm trying to
On 12.02.2016, at 18:37, Francis Perea wrote:
> Hi all, I continue learning Lilypond and very impressed with its capabilities.
>
> This time I'm learning to use fretboards and chords for my guitar lessons.
>
> There is one thing I'm unable to do and I'd like to know if it is possible.
>
> Wi
Hello Shane,
I’ll be happy to help you, hoping that I’m good enough at judging scores
quality (I’m an amateur bassoonist).
How many scores/pages do you have in mind, and at what rate/frequency?
Money is not to come into the equation, though.
Send me a first score so as to see what kind of work
Patrick,
The location of the rest can be “pitch” specified.
Change the third line to:
\new Voice { \oneVoice r4 b’\rest \voiceOne g' }
Mark
From: lilypond-user-bounces+carsonmark=ca.rr@gnu.org
[mailto:lilypond-user-bounces+carsonmark=ca.rr@gnu.org] On Behalf Of
Patri
Dear Patrick,
the problem with your code is that your code says the second rest is in
\oneVoice (this means there are no other simultaneous voices around).
But there is the c' at the same time in \voiceTwo and that confuses
LilyPond. If you mark the voices correctly, you will get this:
\version "
Hi pls,
Thanks a lot for your fast reply. That was exactly what I needed.
I'm impressed with Lilypond's capabilities but also with its community
support.
Thaks again, you saved my day
--
View this message in context:
http://lilypond.1069038.n5.nabble.com/finger-code-with-powerchords-tp18711
All,
Code below produces perplexing results."\once \override
NoteColumn.X-offset" works in two situations, but not a third, and
shifts the wrong notes on a fourth. I do not understand why. Why does
the .X-offset work for ExampleTwo and ExampleFour, but not when set in
the polyphonic context E
In the following three-beat example, I am trying to tie the upper-voice note
in the second beat with the lower-voice note of the third beat.
My example seems to work somewhat, but the notes of the upper and lower
voices of the second and third beats do not align vertically as they should.
C
On 2016-02-12 15:37, Joseph N. Srednicki wrote:
In the following three-beat example, I am trying to tie the
upper-voice note in the second beat with the lower-voice note of the
third beat.
My example seems to work somewhat, but the notes of the upper and
lower voices of the second and third beat
Excuse my replying to the wrong posting, but I can't reply to a
posting that seems to be missing from the thread.
On Fri 12 Feb 2016 at 09:48:23 (+0100), Johan Vromans wrote:
> On Thu, 11 Feb 2016 14:48:18 +0100 BB wrote:
>
> > That works, but the long note sequence has to be repeated - exactly
20 matches
Mail list logo
