Menu Jacques writes:
> Hello folks,
>
> In the following, from Poulenc, I added a CueVoice to help the bassonnist
> (i.e.
> myself). The example is a bit long, sorry for that.
>
> The critial point is on the second beat of the bar at the « 1 » rehearsal
> mark:
> the clef change to « bass » for
On Sat, 2015-11-07 at 23:36 +0100, Simon Albrecht wrote:
> On 07.11.2015 11:54, Richard Shann wrote:
> > In some circumstances LilyPond leaves a glissando invisible:
> >
> > \version "2.19.25"
> >
> > {
> > d'' 4\glissando cis'' 4 c'' b' }
> >
> > I looked up the issues list and found thi
Thomas Morley writes:
> Hi Patrick,
>
> I did some experiments, result attached.
>
> Please test. There is a README in it.
>
> Please be aware it's experimental code, not ready yet to put up a
> patch, although it compiles as far as I tested...
> (some debugging code is still present, most of it
On 08.11.2015 11:36, Richard Shann wrote:
On Sat, 2015-11-07 at 23:36 +0100, Simon Albrecht wrote:
On 07.11.2015 11:54, Richard Shann wrote:
In some circumstances LilyPond leaves a glissando invisible:
\version "2.19.25"
{
d'' 4\glissando cis'' 4 c'' b' }
I looked up the issues l
2015-11-08 12:23 GMT+01:00 pls :
> Thomas Morley writes:
>
>> Hi Patrick,
>>
>> I did some experiments, result attached.
>>
>> Please test. There is a README in it.
>>
>> Please be aware it's experimental code, not ready yet to put up a
>> patch, although it compiles as far as I tested...
>> (some
Thomas Morley writes:
> 2015-11-08 12:23 GMT+01:00 pls :
>> Hi Harm,
>>
>> I finally managed to test your code and I really, really like it! I
>> especially like the option to
>> turn the annotations on and off.
>
> Glad you like it.
>
> Ofcourse it's not in the source atm.
> And there's the (l
I just tried your code but get a different PDF result? See attachement.
I get a warning in German:
Warnung: staff-affinities sollten nur abnehmen
Might mean something like
staff-affinities should always decrease
On 08.11.2015 12:23, pls wrote:
Thomas Morley writes:
Hi Patrick,
I did some e
Hello
I have a melody where, somewhere, there is a bes
a little later, the is a bes'
then a b'
and later a b
this last b has a natural mark (like the previous one) because (I think)
it is in a different pitch.
Nevertheless I would like to "remove" (hide) it.
What is the easiest way?
THank yo
THank you :)
On 05/11/15 21:14, H. S. Teoh wrote:
On Thu, Nov 05, 2015 at 09:00:26PM +, Alberto Simões wrote:
Hello
Probably this is in the manual, but I did not find it.
Is it possible to change the tempo (playing speed) in a specific zone
of the music?
[...]
Usually what I do is to in
\once \omit Accidental
Best,
Abraham
On Sunday, November 8, 2015, Alberto Simões-2 [via Lilypond] <
ml-node+s1069038n183251...@n5.nabble.com> wrote:
> Hello
>
> I have a melody where, somewhere, there is a bes
> a little later, the is a bes'
> then a b'
> and later a b
> this last b has a natura
On 08/11/15 18:16, tisimst wrote:
\once \omit Accidental
Like a charm.
Thank you!
Alberto
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Hello,
I like to use slashes and percent - repeaters
but without a note in the beginning, I found
\version "2.18.2"
makePercent =
#(define-music-function (parser location note) (ly:music?)
"Make a percent repeat the same length as NOTE."
(make-music 'PercentEvent
'length (
Hello Peter,
On 08.11.2015 22:54, Peter Berlau wrote:
Hello,
I like to use slashes and percent - repeaters
but without a note in the beginning,
The question likely is: For what purpose do you want that? Since
obviously, if you really want a percent repeat (that is an abbreviated
notation t
Hello Simon,
thanks for fast answer.
I use this also, but in this case I need no first note written,
I like to use the percent and slashes as we call in german 'faulenzer'.
It is for an "arrangement" for jazz ensemble.
I have to create sheets for C-, Bb-, Eb- and Bass-Clef-C-Instruments
so I use
Hi Lilyponders,
I have a score where all key changes, tempo changes etc are in a global
variable, IN CONCERT PITCH.
The first clarinet part has to change halfway through from Clarinet in Bb
to Clarinet in Eb. These notes are entered in WRITTEN not SOUNDING pitch.
Is there anyway to get the globa
Craig Dabelstein writes:
> Hi Lilyponders,
>
> I have a score where all key changes, tempo changes etc are in a global
> variable, IN CONCERT PITCH.
>
> The first clarinet part has to change halfway through from Clarinet in Bb
> to Clarinet in Eb. These notes are entered in WRITTEN not SOUNDING p
Hello Peter,
On 09.11.2015 00:09, Peter Berlau wrote:
Hello Simon,
thanks for fast answer.
I use this also, but in this case I need no first note written,
I like to use the percent and slashes as we call in german 'faulenzer'.
It is for an "arrangement" for jazz ensemble.
I have to create sheet
2015-11-08 14:52 GMT+01:00 pls :
> Thomas Morley writes:
>
>> 2015-11-08 12:23 GMT+01:00 pls :
>
>>> Hi Harm,
>>>
>>> I finally managed to test your code and I really, really like it! I
>>> especially like the option to
>>> turn the annotations on and off.
>>
>> Glad you like it.
>>
>> Ofcourse i
2015-11-08 16:15 GMT+01:00 BB :
> I just tried your code but get a different PDF result? See attachement.
> I get a warning in German:
>
> Warnung: staff-affinities sollten nur abnehmen
>
> Might mean something like
> staff-affinities should always decrease
>
Did you use my test-file or other cod
> 1+ for Sublime Text. I am very happy with a Sublime Text / Frescobaldi
combo.
>
> One of my favorite features with Sublime Text is multiple selections. It
is
> a time saver when it comes to selecting and changing the name for a number
> of note, variable, or function instances.
>
> Zoran
Interes
Thanks David. I never would have worked that one out on my own!
Craig
On Mon, 9 Nov 2015 at 09:26 David Kastrup wrote:
> Craig Dabelstein writes:
>
> > Hi Lilyponders,
> >
> > I have a score where all key changes, tempo changes etc are in a global
> > variable, IN CONCERT PITCH.
> >
> > The f
Hi David,
I just realised that if "\partial 8" is added to the start of the global
variable that the build fails (see attached). Any ideas?
Craig
On Mon, 9 Nov 2015 at 11:45 Craig Dabelstein
wrote:
> Thanks David. I never would have worked that one out on my own!
>
> Craig
>
>
> On Mon, 9 Nov
Craig Dabelstein writes:
> Hi David,
>
> I just realised that if "\partial 8" is added to the start of the global
> variable that the build fails (see attached). Any ideas?
There is no \partial 8 anywhere.
--
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Apologies -- try this one.
On Mon, 9 Nov 2015 at 12:14 David Kastrup wrote:
> Craig Dabelstein writes:
>
> > Hi David,
> >
> > I just realised that if "\partial 8" is added to the start of the global
> > variable that the build fails (see attached). Any ideas?
>
> There is no \partial 8 anywher
Lilyponders,
It appears that in this file the part is not inheriting the time signature
and partial measure from the global variable. I've changed the time sig to
6/8 in the global but it still appears as common time in the output.
Craig
On Mon, 9 Nov 2015 at 12:30 Brian Barker wrote:
> At 02
While perusing the main LilyPond website, in the announcements section, I
only just discovered the online software Scorio that acts as a GUI front
end to LilyPond 2.16. Does anyone on this list actually use it? I don't
think I ever will for a number of reasons, but I was just curious if anyone
else
On Sun, 8 Nov 2015, Abraham Lee wrote:
While perusing the main LilyPond website, in the announcements section, I
only just discovered the online software Scorio that acts as a GUI front
end to LilyPond 2.16. Does anyone on this list actually use it? I don't
think I ever will for a number of re
It looks like I deleted some lines in my reply. It should start like
this:
I subscribed for a free account on the Scorio website long ago. But I
forgot all about it until I read your post. I guess that shows clearly how
much I have used it ;-)
--
MT
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