Re: Naming convention brainstorming

Hi all, thank you for your feedback. I've got the following suggestions: * Content mode (as opposed to presentation) * Entry mode * Working mode * Crafting mode * Sandbox * Debug-structure When collecting that list I realized that "entry mode" got three "votes" - while I had already deci

Re: Naming convention brainstorming

Hello folks, I’d use « data entry mode », as opposed to « presentation fine-tuning ». JM > Le 2 févr. 2015 à 09:04, Urs Liska a écrit : > > Hi all, > > thank you for your feedback. I've got the following suggestions: > Content mode (as opposed to presentation) > Entry mode > Working mode > Cr

Re: Naming convention brainstorming

Hi Jacques, nice suggestion. I like the notion of "data" as a neutral replacement to "content" vs. representation. Urs Am 02.02.2015 um 11:25 schrieb Jacques Menu: Hello folks, I’d use « data entry mode », as opposed to « presentation fine-tuning ». JM Le 2 févr. 2015 à 09:04, Urs Liska <

Re: Hungarian Gregorian

Dear Sister Judit, 2015-02-02 15:43 GMT+01:00 Rita Composer : > lots of people started to be glad, and they are happy with us that we can > creat such type of music. > Great! > For example, one of the professional musition (not such beginer like me) > now they noticed that the connection betw

Re: Hungarian Gregorian

Hi Sister Judit, I slightly changed 'modernGregorian.ily' so that you could typset in any langage note you'd like. I also added a '\versus' and '\responsum' option. Cheers, Pierre 2015-02-01 14:31 GMT+01:00 Pierre Perol-Schneider < pierre.schneider.pa...@gmail.com>: > And ragged-right = ##f is

Re: Hungarian Gregorian

2015-02-02 15:49 GMT+01:00 Pierre Perol-Schneider < pierre.schneider.pa...@gmail.com>: > > >> Another proble happened with the dots I attached an example. >> > > Ok, I'll take a look at tonight. > Ok, that was easy (not sure if some strange issues will occur though...) Please try the attached fi

Re: Get current file

i don't have the complete answer but just to get you started. May be this will help. currentWorkingDir.ly -- View this message in context: http://lilypond.1069038.n5.nabble.com/Get-current-file-tp171234p171344.html Sen

Re: ScholarLY - introduction and call for collaboration

Am 31.01.2015 um 18:23 schrieb Urs Liska: Am 31. Januar 2015 18:14:23 MEZ, schrieb Craig Dabelstein : Urs, Another question ... Is there a reason why "main.init.ily", "part-init.ily" and "score-init.ily" can't be in the same folder? If I put "part" and "score" in a sub folder they can locat

Variables when compiling a book

I am compiling a collection of bagpipe tunes and am having a problem when the individual files are to be compiled into a book. Many of the tunes have sections of music defined in variables - these definitions lie outside the \score context and are causing errors when I try to compile the book. I h

Re: Variables when compiling a book

> On 2 Feb 2015, at 21:34, John McWilliam wrote: > > I am compiling a collection of bagpipe tunes and am having a problem when the > individual files are to be compiled into a book. Many of the tunes have > sections of music defined in variables - these definitions lie outside the > \score conte

Re: Variables when compiling a book

On 02/02/2015 02:34 PM, John McWilliam wrote: > I am compiling a collection of bagpipe tunes and am having a problem > when the individual files are to be compiled into a book. Many of the > tunes have sections of music defined in variables - these definitions > lie outside the \score context and a

Re: Hungarian Gregorian

2015-02-02 15:49 GMT+01:00 Pierre Perol-Schneider < pierre.schneider.pa...@gmail.com>: > > 2015-02-02 15:43 GMT+01:00 Rita Composer : > > Another proble happened with the dots I attached an example. >> > > Ok, I'll take a look at tonight. > As promised, see attached files. This is more or less a

Re: ScholarLY - introduction and call for collaboration

Hi Craig, it's like I expected (and not related to \anntoate): Am 03.02.2015 um 00:00 schrieb Craig Dabelstein: Hi Urs, Here is a zip of the complete project. There are 2 issues: [1] If I put "part-init.ily" and "score-init.ily" in the top-most folder (the same folder as "main-init.ily"), li

Re: Get current file

Am 02.02.2015 um 18:46 schrieb MarcM: i don't have the complete answer but just to get you started. May be this will help. currentWorkingDir.ly unfortunately this doesn't help, it will only print the directory of the

Re: ScholarLY - introduction and call for collaboration

Dear Urs, Thanks so much for your advice. I tried both methods you suggest and neither one worked, but this did ... Originally I had \include "part-init.ily" \include "../Notes/flute.ily" On Tue Feb 03 2015 at 9:51:03 AM Urs Liska wrote: > Hi Craig, > > it's like I expected (and not related

Re: ScholarLY - introduction and call for collaboration

Dear Urs, Thanks so much for your advice. I tried both methods you suggest and neither one worked, but this did ... Originally I had: \include "../Notes/flute.ily" \include "part-init.ily" I reversed the order of these two lines and now it works perfectly. \include "part-init.ily" \include "../N

Re: ScholarLY - introduction and call for collaboration

Am 03.02.2015 um 01:55 schrieb Craig Dabelstein: Dear Urs, Thanks so much for your advice. I tried both methods you suggest and neither one worked, but this did ... Originally I had: \include "../Notes/flute.ily" \include "part-init.ily" I reversed the order of these two lines and now it wo

\sustainOff\sustainOn produces inconsistent MIDI results

Hi All, I'm having some trouble with the MIDI output from lilypond for a new piano composition. I have a lot of \sustainOff\sustainOn sequences in the music, and while they show up fine on the score, the MIDI file appears to sometimes turn off sustain completely instead, instead of turning off pre

Re: Get current file

Nice. PS: your files indicates \version "2.19.16". Are you working on the DEV version? -- View this message in context: http://lilypond.1069038.n5.nabble.com/Get-current-file-tp171234p171357.html Sent from the User mailing list archive at Nabble.com. _

Re: ScholarLY - introduction and call for collaboration

It is now working ABSOLUTELY BRILLIANTLY! Thanks for all your help. Craig On Tue Feb 03 2015 at 11:15:18 AM Urs Liska wrote: > > Am 03.02.2015 um 01:55 schrieb Craig Dabelstein: > > Dear Urs, > > Thanks so much for your advice. I tried both methods you suggest and > neither one worked, but th

Re: Naming convention brainstorming

> From: Urs Liska > To: lilypond-user > Subject: Naming convention brainstorming > > Hi all, > > for quite some time now I've been using a concept that is very useful, > but finally I'd like to give it an authoritative name to be used in > different places. > > I'm talking about the working, thin

Re: \sustainOff\sustainOn produces inconsistent MIDI results

On Mon, Feb 02, 2015 at 05:34:56PM -0800, H. S. Teoh wrote: > Hi All, > > I'm having some trouble with the MIDI output from lilypond for a new > piano composition. I have a lot of \sustainOff\sustainOn sequences in > the music, and while they show up fine on the score, the MIDI file > appears to s

Re: \sustainOff\sustainOn produces inconsistent MIDI results

On Mon, Feb 02, 2015 at 09:27:44PM -0800, H. S. Teoh wrote: [...] > So, I decided to try the latest git version of lilypond (2.19.16) to > see if this glitch still exists, and I'm happy to report that it's now > fixed!! [...] Oops, I spoke too soon. :-( The glitch still exists, just in a differen

Re: Hungarian Gregorian

Dear Pierre! I can't believe my eyes, it's beautiful! It is better than I suspected this curve connection between noteheads is elegant. Great job! When it will be completed I will forward this notation to church music department of Hungary to use lilypond. Unfortunately I haven't got enough time t

Re: Hungarian Gregorian

> I can't believe my eyes, it's beautiful! Indeed! Well done, Pierre. However, I have one minor nitpick: For my taste the stems are too long in general. I guess this is something that can be easily adjusted in case other people think the same. Werner

RE: Nachschlag - Passing Appoggiatura - hook?

-Original Message- From: Hans Aberg >> On 29 Nov 2014, at 23:19, Javier Ruiz-Alma wrote: >> >> I'm typesetting BWV 1055, which includes these so-called nachschlags >> (or passing appoggiaturas, accents) They can appear coming down or up to the >> following note (see attached). >> >>