Hi Kieren,
no answer but I'm extremely interested in the topic too as I'm very soon going
to tackle the choir parts of our Fried score.
Urs
Am 25. Dezember 2014 03:23:01 MEZ, schrieb Kieren MacMillan
:
>Hello all!
>
>I’m about to dive in to [re]engraving a choral piece.
>
>Like many choral wor
On 12/24/2014 11:15 PM, I wrote:
> I’m trying to figure out a generic way to do a *shallow* copy of
> heterogeneous structures (i.e., to traverse and copy unmodified as a
> starting point, before introducing the few small modifications I want
> to make). Searching hasn’t turned up anything other
This version detects major/minor key by counting the accidentals from
'pitch-alist and the tonic from 'tonic.
\version "2.18.2"
%{ P Gentry 25December 2014 12:36
;; Modified version of the LilyPond snippet enharmonic.ly (probably better as
enharmonic.ily)
;; This script will enharmonically spel
I went trolling about the web this morning looking for public-domain scores
of some of the pieces on the Boston Camerata's excellent album /A Baroque
Christmas/. Most of them are too obscure to have made it onto IMSLP, except
Marc-Antoine Charpentier's breezy and charming /Messe de minuit sur de
I've got a bit of music that repeats -- except there's an arpeggio
that's only there the first time. I've defined a music variable thus:
barsSixToEight = {
<< \new Voice { \voiceOne
d'8 cs d fs4->\arpeggio e8 |
d8 cs b cs4->
Hi Joel,
> As indicated, I do not want the arpeggio in the second repetition.
> Is there a way to achieve what I'm trying to do?
Something along the lines of
\barsSixToEight
\override Arpeggio.stencil = ##f \barsSixToEight \revert Arpeggio.stencil
(or some similar variant) should work.
H
On Dec 25, 2014, at 10:50 AM, Kieren MacMillan
wrote:
> \override Arpeggio.stencil = ##f \barsSixToEight \revert Arpeggio.stencil
This will prevent it showing up in the output, but it'll still show up in the
midi, won't it?
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Hi,
On Thu, Dec 25, 2014 at 10:01 AM, Ted Lemon wrote:
> On Dec 25, 2014, at 10:50 AM, Kieren MacMillan <
> kieren_macmil...@sympatico.ca> wrote:
> > \override Arpeggio.stencil = ##f \barsSixToEight \revert
> Arpeggio.stencil
>
> This will prevent it showing up in the output, but it'll still s
On 12/25/2014 10:50 AM, Kieren MacMillan wrote:
>> As indicated, I do not want the arpeggio in the second repetition.
>> Is there a way to achieve what I'm trying to do?
>
> Something along the lines of
>
>\barsSixToEight
>\override Arpeggio.stencil = ##f \barsSixToEight \revert Arpeggio.
Hi,
> This will prevent it showing up in the output, but it'll still show up in the
> midi, won't it?
Hmmm… I think it probably will. So maybe use tags instead? e.g. (warning:
UNTESTED CODE!):
barsSixToEight = {
<< \new Voice { \voiceOne
d'8 cs d fs4->-\tag #’first
On Thu, Dec 25, 2014 at 11:37 AM, David Nalesnik
wrote:
> This should do the trick then:
>
> \version "2.19.15"
That worked; thank you.
--Joel
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On Thu, Dec 25, 2014 at 10:49 AM, Kieren MacMillan <
kieren_macmil...@sympatico.ca> wrote:
> Hi,
>
> > This will prevent it showing up in the output, but it'll still show up
> in the midi, won't it?
>
> Hmmm… I think it probably will. So maybe use tags instead? e.g. (warning:
> UNTESTED CODE!):
>
Joel.
On Thu, Dec 25, 2014 at 12:06 PM, David Nalesnik
wrote:
>
>
>
> I can't test it with the example the OP has given, since it doesn't
> compile.
>
Ah, I see the note about changing the language of the example on GitHub.
--David
___
lilypond-user
On 25 December 2014 at 13:23, Kieren MacMillan
wrote:
> Hello all!
>
> I’m about to dive in to [re]engraving a choral piece.
>
> Like many choral works, it regularly alternates between “choral unison”
> (which can effectively be displayed using a single staff), homophonic
> sections (which requi
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