To many colliding ...

-BEGIN PGP SIGNED MESSAGE- Hash: SHA1 I get this warning: c:/users/bk/appdata/local/temp/frescobaldi-d7v7tg/tmp6zpsvg/Messe in C_Gloria.ly:118:65: Warnung: zu viele kollidierende Notenspalten werden ignoriert c,4 ( \stemDown g' e c |f) < b cis, >^. < a d, >^. d,4\rest | a'1~ | a4 g a a^

Re: To many colliding ...

Dr. Bernhard Kleine wrote Tuesday, October 28, 2014 8:15 AM > I get this warning: > > c:/users/bk/appdata/local/temp/frescobaldi-d7v7tg/tmp6zpsvg/Messe in > C_Gloria.ly:118:65: > Warnung: zu viele kollidierende Notenspalten werden ignoriert > c,4 ( \stemDown g' e c |f) < b cis, >^. < a d, >^. d

AW: To many colliding ...

-BEGIN PGP SIGNED MESSAGE- Hash: SHA1 - -Ursprüngliche Nachricht- Von: Trevor Daniels [mailto:t.dani...@treda.co.uk] Gesendet: Dienstag, 28. Oktober 2014 10:24 An: Dr. Bernhard Kleine; lilypond-user@gnu.org Betreff: Re: To many colliding ... Dr. Bernhard Kleine wrote Tuesday, Oc

Re: Slur and acciaccatura in chords

On Mon, 27 Oct 2014 14:31:46 -0700 (PDT) tisimst wrote: > This is an interesting problem... It begs the question, "Can > slurs be made to start/end on arbitrary chord notes?" It > appears that they cannot, but can they be made to do so? I > don't think I'd personally have too much use for the > f

Re: To many colliding ...

- Original Message - From: "Dr. Bernhard Kleine" I have added a file which shows the warning. It compiles but I would like to know about the warning. Bernhard GNU LilyPond 2.19.14 Processing `test_colliding.ly' Parsing... Interpreting music... Preprocessing graphical objects... In

Re: To many colliding ...

Am 28.10.2014 13:22, schrieb Phil Holmes: - Original Message - From: "Dr. Bernhard Kleine" I have added a file which shows the warning. It compiles but I would like to know about the warning. Bernhard GNU LilyPond 2.19.14 Processing `test_colliding.ly' Parsing... Interpreting mu

Re: To many colliding ...

Dr. Bernhard Kleine wrote Tuesday, October 28, 2014 12:05 PM > I have added a file which shows the warning. It compiles but I would like to > know about the warning. It's due to the use of \stemUp and \stemDown commands. These commands are not a substitute to the correct use of voices, and sh

Re: tie and slur problem

Am 28.10.2014 09:42, schrieb Dr. Bernhard Kleine: -BEGIN PGP SIGNED MESSAGE- Hash: SHA1 There should be a tie between the two c and a slur from e to f. and a slur from g over b(bes) to a in the right hand. The upper g and b and a are in a separate voice and no problem. But how to cod

Re:Slur and acciaccatura in chords

Hi Abraham and Rale, thanks for the reply. As a classical guitarist I can say the function that Abraham mentions (Can slurs be made to start/end on arbitrary chord notes?), would be ideal. perhaps a work around on the tie function. Something like this would also work. I think. \acciaccatura d'8 c

Re:tie and slur problem

Good pint Urs however that only works for outside notes, also I wanted the direction to be opposite the stem as in traditional classical guitar. So it doesn't work. also what happens when the slur is to a note in the middle? as in the examples I just sent. here is a quick example http://d29ci68

Re:tie and slur problem

Sorry Urs I thought that was to me as the tittle is similar. my apologies ___ lilypond-user mailing list lilypond-user@gnu.org https://lists.gnu.org/mailman/listinfo/lilypond-user

Re:tie and slur problem

Stephen, You should realize that there are two ways to add grace-style notes to your music (sorry, this also relates to the other thread "Slur and acciaccatura in chords"): 1. \grace (no slur) & \appogiatura (automatic slur) 2. \slashedGrace (no slur) & \acciaccatura (automatic slur) If you ne

[no subject]

I understand that however you still can not control what note it goes to. \slashedGrace b8_( 4 ) How would I indicate to have the slur attach to the 'a' note? >And, until there is a >better solution, you may have to tweak the shape of the slur to go to >the correct note (say you wanted to go t

Re: (no subject)

Stephen, On Tue, Oct 28, 2014 at 11:33 AM, Stephen MacNeil [via Lilypond] wrote: > I understand that however you still can not control what note it goes > to. > > \slashedGrace b8_( 4 ) > > How would I indicate to have the slur attach to the 'a' note? Sorry. That's just the way it works for

Re: tie and slur problem

The following code works for me. It depends on two voices having the same predicate \voiceTwo. Note that you will probably want to tune the shape of the voiceTwo slur, it is wider than in your original. \new Score { \new Staff << \new Voice \relative c' { \voiceOne

Re: Big Music Font Update

Il giorno mar 28 ott 2014 alle 0:04, tisimst ha scritto: Hey, Everyone! I just thought I'd let you know that I've been busy with some more font work. Head on over to fonts.openlilylib.org to see what's new! Here are the *highlights*: - All fonts now have *WO

Re: Big Music Font Update

Federico, On Tue, Oct 28, 2014 at 4:11 PM, Federico Bruni [via Lilypond] wrote: > > Hey Abraham, wonderful work! > > I didn't have the time to try your fonts so far. I'm trying now but I > can't find any minimal example in the website. All I have to do is > adding a proper \paper block or th

Re: Big Music Font Update

Il giorno mar 28 ott 2014 alle 23:29, tisimst ha scritto: You need to do two things: 1. Install the fonts in the correct LILYPOND font directory (NOT the system font directory)--see my instructions on the main page at fonts.openlilylib.org. Which is the lilypond font directory? I though tha

Re: Big Music Font Update

Yes, impressive work! If using Frescobaldi (I can only speak for the Mac version), one can install the fonts in the System/Library/Fonts file and access them by setting the path in Frescobaldi's Preferences. This works around the need to reinstall when updating LilyPond to a new version. At l

Re: Big Music Font Update

Federico, Sorry for the confusion, but I'm pretty sure I said, "look on the MAIN page" (emphasis added). There are definitely installation instructions there. Just scroll down the page until you see it. I didn't feel like it would be necessary to repeat the instructions on every font page, but

Updated to LilyPond 2.18.02

I just updated to LilyPond 2.18.02 and also installed the LilyJAZZ fonts. Abraham's documentation on how to install new fonts was a great help. Now to start engraving my new "Jazz" arrangements using LilyJAZZ. Thanks, Keith Luke ___ lilypond-user mail

Re: Updated to LilyPond 2.18.02

Keith, Sounds awesome! When you've got something done, please let me know so I can showcase it on the website! Happy Engraving, Abraham Sent from my iPhone > On Oct 28, 2014, at 6:21 PM, keith Luke [via Lilypond] > wrote: > > I just updated to LilyPond 2.18.02 and also installed the LilyJAZ

Re: To many colliding ...

> From: "Dr. Bernhard Kleine" gmx.net> > I have added a file which shows the warning. It compiles but I would like > to know about the warning. LilyPond complains when two voices have the same stem direction and no indication of which note-head to shift horizontally (in the style of Bach-era

Re: Big Music Font Update

Il giorno mer 29 ott 2014 alle 0:50, tisimst ha scritto: Sorry for the confusion, but I'm pretty sure I said, "look on the MAIN page" (emphasis added). There are definitely installation instructions there. Just scroll down the page until you see it. I didn't feel like it would be necessary to