automatic fingering annotation

hi- i'm writing some software that generates .ly files and want to offer the option to automatically add (woodwind) fingering chart annotations to the engraving. the project is in haskell and i'd rather not learn scheme or lilypond internals. the problem is determining the octave -- i want to su

Re: recorder diagram and some woodwind-diagram bugs

Erik, On 12/10/14 04:05, erik flister wrote: > hi there- > sorry for cross posting to all the lists, i'd rather not subscribe and > this post seems to apply to all three. > > attached is a recorder diagram patch, would love for feedback and for > it to be incorporated. hopefully it's ok it's not

How to get the total length of Sequential Music

Hello, I am relatively new to Lilypond. I try to check the total length of a SequentialMusic part, i.e. my_score_part = { c'4 d e f } I want to get the result 4 quarters (or any other numerical representation) and for my_score_part2 = { c'4 d e f g8} should deliver 4 quarter and 1 eighth.

Re: relative music inside music functions explodes when used twice

Thanks David and Paul - that's helpful. However, while the situation improved the output is still not what i want: \version "2.19.13" voiceDivisi = #(define-music-function (parser location m1 m2) (ly:music? ly:music?) #{ \tag divI { $m1 } \tag divII { $m2 } \tag together << { \d

Re: Double clef (canon)

Hi Pierre, I guess your suggestion should better the note spacing. I have to experiment on it though. Thank you, Andrea -- View this message in context: http://lilypond.1069038.n5.nabble.com/Double-clef-canon-tp167389p167447.html Sent from the User mailing list archive at Nabble.com. ___

Re: relative music inside music functions explodes when used twice

Janek Warchoł writes: > Thanks David and Paul - that's helpful. However, while the situation > improved the output is still not what i want: > \version "2.19.13" > > voiceDivisi = > #(define-music-function (parser location m1 m2) (ly:music? ly:music?) >#{ > \tag divI { $m1 } > \tag

Re: Double clef (canon)

Hi Harm, I don't really have a personal setup for mensural music. Recently I begun a project that involves a lot of mensural notation, therefore I am still learning and noticing . Usually I adjust flaws when they occur, just within the notation rather than on the layout level, but I guess this is

Re: recorder diagram and some woodwind-diagram bugs

ok here you go On Sun, Oct 12, 2014 at 2:31 AM, James wrote: > Erik, > > On 12/10/14 04:05, erik flister wrote: >> hi there- >> sorry for cross posting to all the lists, i'd rather not subscribe and >> this post seems to apply to all three. >> >> attached is a recorder diagram patch, would love f

Re: Contemporary Music Notation

Hi all, I'm a bit late to the party here but hope I can contribute something. About two years ago I made the switch to using Lilypond exclusively as I was getting tired of exporting pdfs with basic music notation and overlaying graphics in Illustrator or some such. This was a real pain when doing

Re: automatic fingering annotation

Hi Erik, On Sun, Oct 12, 2014 at 2:35 AM, erik flister wrote: > hi- > > i'm writing some software that generates .ly files and want to offer > the option to automatically add (woodwind) fingering chart annotations > to the engraving. the project is in haskell and i'd rather not learn > scheme o

Re: automatic fingering annotation

On Sun, Oct 12, 2014 at 9:34 AM, David Nalesnik wrote: > > > It is possible to create markups in the score through a Scheme engraver. > The one I've attached looks for a NoteHead that has had its > 'display-property property set to #t. > > I mean 'display-fingering... _

Re: Contemporary Music Notation

On Sun, Oct 12, 2014 at 7:06 AM, Piaras Hoban wrote: > > > I thought it might be interesting for those wondering what's possible in > lilypond to see some examples from the field. I've put together a page > collating those things I've done in the past year or so. > I'm speechless! --David _

Re: How to get the total length of Sequential Music

Hi Hans, On Sun, Oct 12, 2014 at 4:38 AM, Hans Sommer wrote: > Hello, > > I am relatively new to Lilypond. > I try to check the total length of a SequentialMusic part, i.e. > > > my_score_part = { c'4 d e f } > > I want to get the result 4 quarters (or any other numerical representation) > > and

Re: automatic fingering annotation

Hello David, Am 12.10.2014 um 16:34 schrieb David Nalesnik: Hi Erik, On Sun, Oct 12, 2014 at 2:35 AM, erik flister > wrote: hi- i'm writing some software that generates .ly files and want to offer the option to automatically add (woodwind) fingering

Re: Contemporary Music Notation

That's terrific! We should get in touch privately about the library stuff. Urs Am 12. Oktober 2014 14:06:17 MESZ, schrieb Piaras Hoban : >Hi all, > >I'm a bit late to the party here but hope I can contribute something. > >About two years ago I made the switch to using Lilypond exclusively as >I

Re: Feedback Request for Music Fonts

Hi Abraham, thanks for your reply. >> Does your machinery allow to take these numbers >> from Bravura for example and put it in a normal text font? > > By default, the tuplet numbers come from whatever is set to be the > \roman font. \version "2.19.14" \transpose c c' { % default (Century Sc

Re:Contemporary Music Notation

On 10/12/2014 11:35 AM, lilypond-user-requ...@gnu.org wrote: Message: 2 Date: Sun, 12 Oct 2014 09:52:50 -0500 From: David Nalesnik To: Piaras Hoban Cc: lilypond-user Subject: Re: Contemporary Music Notation Message-ID: Content-Type: text/plain; charset="utf-8" On Sun, Oct 12, 2014 a

Can I make a TextScript occupy no space, potentially colliding?

In this code I put a large letter A above the music. If I uncomment the tweak the letter A is moved elsewhere, but it still takes up space at the top of the score. If I uncomment the override, I don't get the space back. \version "2.18.0" \score { { %\override TextScript.Y-extent = #'(0 . 0)

Re: Can I make a TextScript occupy no space, potentially colliding?

Am 12.10.2014 um 18:21 schrieb Richard Shann: In this code I put a large letter A above the music. If I uncomment the tweak the letter A is moved elsewhere, but it still takes up space at the top of the score. If I uncomment the override, I don't get the space back. \version "2.18.0" \score {

Re: ly:pitch and string

Hello Paul, Thanks for your help in improving the helper functions; however, ‘inverting’ string-append and cond seems to be based on a misunderstanding. It needs to be %% \version "2.19.12" \language "deutsch" pitch-to-key-string-german = #(define-scheme-function (parser locat

Re: Can I make a TextScript occupy no space, potentially colliding?

Perfect! I've found that in the documentation as well... Thank you very much, Richard On Sun, 2014-10-12 at 18:40 +0200, Simon Albrecht wrote: > Am 12.10.2014 um 18:21 schrieb Richard Shann: > > In this code I put a large letter A above the music. > > If I uncomment the tweak the letter A is moved

Re: practice/volunteer opportunities

truthling wrote > Greetings, all! > > This is my first post and I would firstly like to express my gratitude and > enthusiasm for Lilypond. I have recently discovered it and it has been > immensely helpful and fun! > > My name is Andrew and I am a music theory/classical guitar student. > > I

Text alignment

Hi all, I can not reproduce the attached Sample1.png. The best result I obtained is the attached MySample1.png with the following code: e,1 \trill \p \< | b'1 \trill| 1 \trill ^\markup {\tiny \italic \halign #2 \raise #1.5 div.} ^\markup {\tiny "(both trill)"} <<

Re: Can I make a TextScript occupy no space, potentially colliding?

On Sun, 2014-10-12 at 17:49 +0100, Richard Shann wrote: > Perfect! hmm, I spoke a little too soon. It seems that \with-dimensions kills point-and-click. Understandable with 0 as the dimension, but actually this doesn't seem to be the issue: \version "2.18.0" \score { { a1 ^\markup \with-d

Re: Text alignment

2014-10-12 19:26 GMT+02:00 Marco Bagolin : > Hi all, > I can not reproduce the attached Sample1.png. > The best result I obtained is the attached MySample1.png with the > following code: Hi Marco, please always post a _compilable_ code, showing your problem and matching with images you post. -

Re: Automatic ottava handling

Hi, On Sat, Oct 11, 2014 at 9:05 PM, David Nalesnik > > > I'll look into fixing up build-new-elts so there won't be so much > duplication of code. Then it will be a lot cleaner to deals with bassas, > OK, now it will provide automatic bassas as well. The function \ottavate now takes two numbers

Re: Automatic ottava handling

That is amazing work! I don't have the time to experiment with it right now but I will do so tonight and let you know tomorrow the results. But based on your example this looks like it will be perfect. I think the negative numbers for the bassa is a good choice as that was what I was imagining in t

Re: Contemporary Music Notation

2014-10-12 14:06 GMT+02:00 Piaras Hoban : > I thought it might be interesting for those wondering what's possible in > lilypond to see some examples from the field. I've put together a page > collating those things I've done in the past year or so. > !! and then: !

Re: relative music inside music functions explodes when used twice

2014-10-12 12:45 GMT+02:00 David Kastrup : > I'm not even sure I understand _how_ you want the relativization to > happen. One after the other? If you mean \musicII should be relativized after \music, that's roughly what i want. > In that case, you can use > > voiceDivisi = > #(define-music-func

practice/volunteer opportunities

Greetings, all! This is my first post and I would firstly like to express my gratitude and enthusiasm for Lilypond. I have recently discovered it and it has been immensely helpful and fun! My name is Andrew and I am a music theory/classical guitar student. I am looking for opportunities to de

Re: Contemporary Music Notation

On Oct 12, 2014, at 3:06 PM, Piaras Hoban wrote: > Hi all, > > I'm a bit late to the party here but hope I can contribute something. > > About two years ago I made the switch to using Lilypond exclusively as I was > getting tired of exporting pdfs with basic music notation and overlaying > gr

Re: practice/volunteer opportunities

2014-10-12 18:03 GMT+02:00 truthling : > My name is Andrew and I am a music theory/classical guitar student. > > I am looking for opportunities to develop my Lilypond knowledge and, skills > and would love to take any opportunities to assist with your engraving > projects, as a way to hone my skil

Fwd: Re: practice/volunteer opportunities

Original-Nachricht Betreff:Re: practice/volunteer opportunities Datum: Sun, 12 Oct 2014 21:49:58 +0200 Von:Urs Liska An: SoundsFromSound Hello Andrew, I can propose you a project that would be happy about your collaboration. It is already under way but I

Re: How to get the total length of Sequential Music

David Nalesnik gmail.com> writes: > > Hi Hans, > On Sun, Oct 12, 2014 at 4:38 AM, Hans Sommer gmx.de> wrote:Hello, > I am relatively new to Lilypond. > I try to check the total length of a SequentialMusic part, i.e. > my_score_part = { c'4 d e f } > I want to get the result 4 quarters (or any

Re: How to get the total length of Sequential Music

On Sun, Oct 12, 2014 at 5:59 PM, Hans Sommer wrote: > > David Nalesnik gmail.com> writes: > > > > > Hi Hans, > > On Sun, Oct 12, 2014 at 4:38 AM, Hans Sommer gmx.de> > wrote:Hello, > > I am relatively new to Lilypond. > > I try to check the total length of a SequentialMusic part, i.e. > > my_sc

Tilde causes error message: "unrecognized string, not in text script or \lyricmode"

If I try to run the following (either directly or as part of a score): \relative c' { \key e \minor \time 4/4 r4 r8 e8 e fis g4 fis fis8 fis fis e dis e ~ e4 r8 e8 e fis g4 a a8 a a g a b~ b4 r8 b b b b4 c c8 c c b a b~ b4 r8 b8 b a g4 fis fis8 fis fis e dis e ~ e4 r8 } I get the error message

RE: Tilde causes error message: "unrecognized string, not in text script or \lyricmode"

Eyolf, Your snippet compiles without error message for me. I am using Lilypond under Windows. I notice that a space separates the two "e" from their "~." The space is not between the two "b" and theirs. Perhaps this is the source of the error message for you. Mark -Original Message- From

Re: Tilde causes error message: "unrecognized string, not in text script or \lyricmode"

On 13-10-2014 02:02, Mark Stephen Mrotek wrote: Eyolf, Your snippet compiles without error message for me. I am using Lilypond under Windows. Which version do you use? I notice that a space separates the two "e" from their "~." The space is not between the two "b" and theirs. I forgot to add t

Re: ly:pitch and string

Simon Albrecht-2 wrote > Thanks for your help in improving the helper functions; however, > ‘inverting’ string-append and cond seems to be based on a > misunderstanding. It needs to be Ah, I see now... I was "missing the forest for the trees." Cheers, -Paul -- View this message in context:

Re: Tilde causes error message: "unrecognized string, not in text script or \lyricmode"

Eyolf, Your snippet compiles perfectly for me on Ubuntu using LilyPond 2.18.2, so it probably is something with your installation? Sorry I can't help more than that. Regards, Abraham Sent from my iPhone > On Oct 12, 2014, at 6:23 PM, Eyolf Østrem wrote: > >> On 13-10-2014 02:02, Mark Steph

Re: Feedback Request for Music Fonts

Joram, On Sun, Oct 12, 2014 at 10:04 AM, Noeck wrote: Hi Abraham, thanks for your reply. \version "2.19.14" \transpose c c' { % default (Century Schoolbook) \tuplet 3/2 { a8 a a } % bold (Century Schoolbook) - closer to Bravura \override TupletNumber.font-series = #'bold \tuplet 3/