Hi Urs,
I updated the snippet in oll (master). It compiles with 2.9.15 (and
should with 2.9.16).
There was an old try to automatically insert a timesignature, when the
transposition changed. I tried with broadcast-stream-event (or thelike),
which didn't do the trick. That part is not essentially n
Dear Thomas,
Thnx so much. It works perfectly! I have been fiddling around with the problem
for over half a year. Really: Thanks a lot. Also to Knute and HTH!
Kai
---
kai.lautenschlae...@me.com
Am 5.10.2014 um 15:30 schrieb Thomas Morley :
> 2014-10-02 20:50 GMT+02:00 Kai Lautenschläger :
>>
Hi List,
In many of my scores for choral pieces I see an effect, that I could not make a
minimal example for. So my question is, if anyone has seen this and could point
me towards the usual suspects of reasons for this behaviour.
Often I see a expanded empty space at the beginning of measures.
Greetings, fellow users!
With the advent of the new music fonts and the accompanying website, I
just thought I'd open up this thread to any feedback anyone has about
the fonts and ANYTHING related to them. I think it would also be neat
for users to also share success stories from using them. I
Kai, you wrote Thursday, October 09, 2014 2:27 PM
> In many of my scores for choral pieces I see an effect, that I could
> not make a minimal example for. So my question is, if anyone has
> seen this and could point me towards the usual suspects of reasons for this
> behaviour.
> Often I see
Thanks Trevor,
Am 9.10.2014 um 15:44 schrieb Trevor Daniels :
>
> Kai, you wrote Thursday, October 09, 2014 2:27 PM
>
>> In many of my scores for choral pieces I see an effect, that I could
>> not make a minimal example for. So my question is, if anyone has
>> seen this and could point me tow
Hi Kai,
On Thu, Oct 9, 2014 at 11:05 AM, "Dr. med. Kai Lautenschläger" <
dr.lautenschlae...@gmx.net> wrote:
> Thanks Trevor,
>
> Am 9.10.2014 um 15:44 schrieb Trevor Daniels :
>
> >
> > Kai, you wrote Thursday, October 09, 2014 2:27 PM
> >
> >> In many of my scores for choral pieces I see an effe
2014-10-07 20:16 GMT+02:00 David Kastrup :
> Peter Crighton writes:
>
> > 2014-10-05 16:38 GMT+02:00 David Kastrup :
> >> >
> >> > Okay, thanks for explaining. For now I am content with using “\omit
> >> > Staff.KeySignature” and “\revert Staff.KeySignature.stencil”
> respectively
> >> > to get r
Hello Kai,
HTH would sure be one of the most active contributors to this list if he were
one, but it's only an abbreviation for 'hope that helps'... I also had to look
that one up when I first came across it :-)
Yours, Simon
Am 09-Oct-2014 14:21:57 +0200 schrieb kai.lautenschlae...@me.com:
De
(edit: forgot to reply to list)
I have had the chance to throw some different scores in front of a few
players. They all seemed to prefer the Profondo font, curiously enough
stating that it looked the most modern.
My favorite is the Scorlatti font which is just brilliant. Thank you for
your hard
I LOVE what you've done. I them installed on all of my
lilypond/Frescobaldi intallations (five in total). And you have a
compliment from a non-LP/Frescobaldi user. The director of my church's
chancel choir specifically mentioned the beauty and legibility of a
score I engraved with Haydn :-)
Y
Hello,
I was wondering if anyone had suggestions for a text formatting challenge
I've been unable to solve.
The format I like to use for header markup (for pages after page 1) is to
have the page number centered with em dashes around it, and then split the
title, with half on the left and half on
Hi,
I want to write a piece with a alla-breve time signature but with four
half notes in a measure (4/2).
Is it better to overwrite the time signature stencil and use \time 4/2
(if yes, how?) or do it like this:
\version "2.18.2"
\relative c'' \scaleDurations 1/2 {
\time 2/2
r2 g g g | f f
Hello David,
I attach a file which should do what you want, and add some comments below:
Am 09.10.2014 um 23:50 schrieb Flaming Hakama by Elaine:
Hello,
I was wondering if anyone had suggestions for a text formatting
challenge I've been unable to solve.
The format I like to use for header m
Hi,
this is the usual way I write a song (melody with lyrics):
\version "2.18.2"
<<
\new Staff \new Voice = sop { c' d' e' f' }
\new Lyrics \lyricsto sop \keepWithTag "A" \lyricmode {
An \tag "A" example \tag "B" text
}
>>
(The melody is usually a variable and the \lyricmode { … }, to
Noeck,
http://lists.gnu.org/archive/html/lilypond-user/2014-09/msg00603.html
might be of help.
Mark
-Original Message-
From: lilypond-user-bounces+carsonmark=ca.rr@gnu.org
[mailto:lilypond-user-bounces+carsonmark=ca.rr@gnu.org] On Behalf Of
Noeck
Sent: Thursday, October 09, 2014
Hi Paul,
> \version 2.19.15
> \addQuote cueName \transpose c c, \music
>
> This was broken for a while but has been fixed some time ago.
Thanks! I tried it a few versions ago, and it didn’t work, so I gave up on
there being an “easy solution".
Good to know it’s back to working.
Best,
Kieren.
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