Re: ANN: Frescobaldi 2.0.16 released

2014-06-11 Thread Janek Warchoł
Cool - thanks, Wilbert! Frescobaldi FTW! Janek 2014-06-09 21:37 GMT+02:00 Wilbert Berendsen : > Hi all, > > Frescobaldi 2.0.16 has been released. Frescobaldi is a text editor dedicated > to entering LilyPond music. > > Download: > http://www.frescobaldi.org/download > > Main new features: > - p

Re: Centered Paragraphs

2014-06-11 Thread Thomas Morley
2014-06-11 5:00 GMT+02:00 Jay Anderson : > My main goal is to have some simple indented paragraphs which don't > take the full width and are centered horizontally. With a syntax > something like this: > > \markuplist > { > \paragraph > { > Some text > } > \vspace #0.6 > > \paragraph >

New online music editor

2014-06-11 Thread Christ van Willegen
http://minghai.github.io/MarioSequencer/ Christ van Willegen -- 09 F9 11 02 9D 74 E3 5B D8 41 56 C5 63 56 88 C0 ___ lilypond-user mailing list lilypond-user@gnu.org https://lists.gnu.org/mailman/listinfo/lilypond-user

Re: More questions about using Lilypond for guitar music

2014-06-11 Thread James
Martyn, On 10/06/14 22:50, Martyn Quick wrote: Thank you for the kind person who helped me out the last time I was trying to get to grips with Lilypond and guitar music. I suspect these two are more challenging. ... 2. A common notation in guitar music is vibrato - is there any way to type

Re: More questions about using Lilypond for guitar music

2014-06-11 Thread Federico Bruni
2014-06-10 23:50 GMT+02:00 Martyn Quick : > Thank you for the kind person who helped me out the last time I was trying > to get to grips with Lilypond and guitar music. I suspect these two are > more challenging. > > 1. Is it possible at all to combine bends with hammer-on / pull-offs at > all?

Re: ANN: Frescobaldi 2.0.16 released

2014-06-11 Thread Jacques Menu
Hello Wilbert, I uninstalled frescobaldi-devel 2.0.15 and installed frescobaldi with MacPorts, but it’s frescobaldi 2.0.15 I obtain: r...@semac1.epfl.ch:~ > port installed frescobaldi The following ports are currently installed: frescobaldi @2.0.15_0+app+python27 (active) r...@semac1.epfl.ch:

Re: ANN: Frescobaldi 2.0.16 released

2014-06-11 Thread Davide Liessi
2014-06-11 14:10 GMT+02:00 Jacques Menu : > I uninstalled frescobaldi-devel 2.0.15 and installed frescobaldi with > MacPorts, but it’s frescobaldi 2.0.15 I obtain: This is expected since I haven't already updated the port for Frescobaldi to 2.0.16. I'll do it later today. I'll let you (and everyon

Re: ANN: Frescobaldi 2.0.16 released

2014-06-11 Thread Jacques Menu
Hello Davide, Thanks for your quick answer. I uninstalled -devel thinking that is was different of the the regular version as far as MacPorts is concerned, since upgrading didn’t install 2.0.16… Sorry for the disturbance, thanks to you too for the great job you do around LP, and a nice day!

Re: More questions about using Lilypond for guitar music

2014-06-11 Thread Martyn Quick
On 10/06/14 22:50, Martyn Quick wrote: Thank you for the kind person who helped me out the last time I was trying to get to grips with Lilypond and guitar music.  I suspect these two are more challenging. > > >... > > >2. A common notation in guitar music is vibrato - is there any way to types

Re: ANN: Frescobaldi 2.0.16 released

2014-06-11 Thread Thomas Scharkowski
Hi Davide, will there be a Frescobaldi-2.0.16.dmg too? Thomas Original-Nachricht 2014-06-11 14:10 GMT+02:00 Jacques Menu : I uninstalled frescobaldi-devel 2.0.15 and installed frescobaldi with MacPorts, but it’s frescobaldi 2.0.15 I obtain: This is expected since I haven'

Re: More questions about using Lilypond for guitar music

2014-06-11 Thread David Nalesnik
Hi Martyn, On Wed, Jun 11, 2014 at 8:36 AM, Martyn Quick wrote: > > > ... and that has vibrato as the last thing example of notation listed. > > A simple way to get the line for vibrato would be to adapt a TextSpanner object: \version "2.19.5" { \override TextSpanner.style = #'trill c'

Re: More questions about using Lilypond for guitar music

2014-06-11 Thread Pierre Perol-Schneider
2014-06-11 12:37 GMT+02:00 Federico Bruni : > I could not find anything in the documentation nor in the LSR. > But I found this function in the archives: > http://lists.gnu.org/archive/html/lilypond-user/2013-04/msg00793.html > > I haven't tested it because there's no example file and I don't ha

Re: More questions about using Lilypond for guitar music

2014-06-11 Thread Pierre Perol-Schneider
2014-06-11 15:36 GMT+02:00 Martyn Quick : > Err, good point - sorry. First link that I found was: > http://www.scenicnewengland.net/guitar/notate/symbols.htm > > ... and that has vibrato as the last thing example of notation listed. > Hi Martyn, Since the image you provide does not reflect Lil

Re: New online music editor

2014-06-11 Thread Urs Liska
Am 11.06.2014 12:18, schrieb Christ van Willegen: http://minghai.github.io/MarioSequencer/ Christ van Willegen Very nice :-) Particularly the "playback cursor". ROFL Urs ___ lilypond-user mailing list lilypond-user@gnu.org https://lists.gnu.org/ma

Ignoring note clash

2014-06-11 Thread Knute Snortum
This post is mostly for me to discover whether there's a better way to do what I'm doing. The following code produces the output I want, but it suppresses a warning: %% \version "2.18.2" \language "english" ignoreClash = \override NoteColumn.ignore-collision = ##t \relative

Re: Ignoring note clash

2014-06-11 Thread Urs Liska
Am 11.06.2014 16:56, schrieb Knute Snortum: This post is mostly for me to discover whether there's a better way to do what I'm doing. The following code produces the output I want, but it suppresses a warning: %% \version "2.18.2" \language "english" ignoreClash = \override

"avoid-slur" does not apply on a tie.

2014-06-11 Thread Pierre Perol-Schneider
Hi, I'd like to understand why "avoid-slur" does not work on this old style vibrato sign : %% \version "2.18.2" \markup\italic "avoid-slur works with slur:" { \override Script.avoid-slur = #'inside c''4^.^( c''^.) } \markup\italic "but not with tie:" { \overri

Re: Ignoring note clash

2014-06-11 Thread Kieren MacMillan
Hi Knute, > My questions are these: 1) is there a better way to do this other than > suppressing a warning Maybe use explicitly instantiated voices? %% \version "2.18.2" \language "english" \relative c { \clef bass \time 2/2 \acciaccatura { \stemUp 8 } <<

Re: ANN: Frescobaldi 2.0.16 released

2014-06-11 Thread Davide Liessi
2014-06-11 15:43 GMT+02:00 Thomas Scharkowski : > will there be a Frescobaldi-2.0.16.dmg too? I hoped to solve the problems of the application bundle before 2.0.16, but I had to stop working on it for a while (and what I had was not in a shape good enough to be shared). I'll get back to those prob

Re: Ignoring note clash

2014-06-11 Thread David Kastrup
Urs Liska writes: > Am 11.06.2014 16:56, schrieb Knute Snortum: >> This post is mostly for me to discover whether there's a better way to do >> what I'm doing. >> >> The following code produces the output I want, but it suppresses a warning: >> >> %% >> \version "2.18.2" >> \l

Re: [SPAM] Re: Ignoring note clash

2014-06-11 Thread Urs Liska
Am 11.06.2014 18:58, schrieb David Kastrup: Urs Liska writes: Am 11.06.2014 16:56, schrieb Knute Snortum: This post is mostly for me to discover whether there's a better way to do what I'm doing. The following code produces the output I want, but it suppresses a warning: %%%

Re: More questions about using Lilypond for guitar music

2014-06-11 Thread Martyn Quick
From: Federico Bruni 2014-06-10 23:50 GMT+02:00 Martyn Quick : Thank you for the kind person who helped me out the last time I was trying to get to grips with Lilypond and guitar music.  I suspect these two are more challenging. > > >1. Is it possible at all to combine bends with hammer-on /

Re: More questions about using Lilypond for guitar music

2014-06-11 Thread Knute Snortum
I don't have benddefs.ily so I couldn't test this, but I think it would look like this: (you can of course remove the comments to make the number of lines fewer) %%% \version "2.18.0" \include "benddefs.ily" \score { << \new Staff { \clef "treble_8" \bendOn a'4 ( b' )(

Re: More questions about using Lilypond for guitar music

2014-06-11 Thread Martyn Quick
Just a quick final message - thanks for all the help several of you gave.  I have managed to get to grips with the workaround for bends/pull-offs, etc., and also make the vibrato / textspanner thing work. Martyn___ lilypond-user mailing list lilypond-u

Re: Ignoring note clash

2014-06-11 Thread tisimst
Knute Snortum wrote > This post is mostly for me to discover whether there's a better way to do > what I'm doing. > ... > > My questions are these: 1) is there a better way to do this other than > suppressing a warning, and 2) since it doesn't look like there are > clashing > note columns, what is

Re: Mac testers needed for Frescobaldi!

2014-06-11 Thread jimmyg521
Davide, Know I'm late to this party, but I cannot run this application. My 10.6.8 MacOSX (a *old* MacBook which cannot be upgraded to a newer MacOSX version) tells me, for the application as you have compiled it: "You can’t open the application “Frescobaldi.app” because it’s not supported on t

acciaccatura leading to duplicated changed time signature

2014-06-11 Thread Dirk Cushenbery
When I delete the acciaccatura the time signature problem goes away. Any thoughts? mib4 r8 mib4 r8 mib4 r8 mib4 r8 mib [mib mib] mib [mib mib] sol ([fad mib]) \acciaccatura fad mib ([re do]) %adding the acciaccatura resulted in having 2 cut time signatures% r4 sol'8 ([mib]) re ([mib]) fad ([

Typesetting chord

2014-06-11 Thread Javier Ruiz-Alma
Need help with notation for a chord. Original typeset places the accidentals to the left of each notehead, while LP is bundling accidentals to one side and noteheads in other. See attached. Thank You ___ lilypond-user mailing list lilypond-user@gn

Re: Typesetting chord

2014-06-11 Thread Vaughan McAlley
On 12 June 2014 12:35, Javier Ruiz-Alma wrote: > Need help with notation for a chord. > > Original typeset places the accidentals to the left of each notehead, while > LP is bundling accidentals to one side and noteheads in other. > > See attached. > > Thank You > > > > >

RE: Typesetting chord

2014-06-11 Thread Mark Stephen Mrotek
Javier, Would you consider < ais! b >? Mark From: lilypond-user-bounces+carsonmark=ca.rr@gnu.org [mailto:lilypond-user-bounces+carsonmark=ca.rr@gnu.org] On Behalf Of Javier Ruiz-Alma Sent: Wednesday, June 11, 2014 7:36 PM To: 'LilyPond User Group' Subject: Typesetting chord

RE: Typesetting chord

2014-06-11 Thread Javier Ruiz-Alma
I dare not question Chopin. Attached is the same passage from a different edition of same piece. Same concept with yet more acrobatics, using a branched stem (!). Javier From: Mark Stephen Mrotek [mailto:carsonm...@ca.rr.com] Sent: Wednesday, June 11, 2014 8:35 PM To: 'Javier Ruiz-Alma'; 'L

RE: Typesetting chord

2014-06-11 Thread Mark Stephen Mrotek
Javier, Which piece by Chopin is it and what measure? Mark From: Javier Ruiz-Alma [mailto:jav...@ruiz-alma.com] Sent: Wednesday, June 11, 2014 8:43 PM To: 'Mark Stephen Mrotek'; 'LilyPond User Group' Subject: RE: Typesetting chord I dare not question Chopin. Attached is the same

Re: Typesetting chord

2014-06-11 Thread Javier Ruiz-Alma
This is from Chopin Ballade 1, measure 170 has and 171 has , both with accidentals and noteheads arranged in this fashion. On Wednesday, June 11, 2014 8:51 PM, Mark Stephen Mrotek wrote: > > >Javier, >  >Which piece by Chopin is it and what measure? >  >Mark >  >From:Javier Ruiz-Alma [ma

Re: Typesetting chord

2014-06-11 Thread Werner LEMBERG
> Which piece by Chopin is it and what measure? Hehe, if you have played it, you can recognize it immediately :-) It's ballade nr. 1, op. 23; in http://javanese.imslp.info/files/imglnks/usimg/5/54/IMSLP113137-PMLP01646-FChopin_Ballade_No.1__Op.23_BHBand1.pdf it's the last bar on page 7.

Re: Typesetting chord

2014-06-11 Thread Keith OHara
Vaughan McAlley mcalley.net.au> writes: > I prefer what Lilypond does. In some modern contexts there might be a > diagonal stem from the B natural to the stem of the B flat, but > leaving it out is definitely easier. There is an example of how to draw that diagonal stem at http://lsr.di.unimi.

Re: Typesetting chord

2014-06-11 Thread Malte Meyn
On 12.06.2014 05:43, Javier Ruiz-Alma wrote: I dare not question Chopin. Attached is the same passage from a different edition of same piece. That’s correct because Chopin is right: the b flat belongs to the C7 chord which is the dominant seventh chord of the following f minor (and similar,