Hi all,
tomorrow I will have a presentation meeting without a clear agenda. It
may be that I will have to ask questions, and then it would make a very
good impression if I'd get quick support from the list ;-)
So to all gurus on this list:
If I should post questions tomorrow after 13.30 CEST
Good morning list,
I would love to be able to make 'smart' automatic beam subdivision, so,
for example, it automatically subdivides 16th at the quarter, but 32nds
or 6/4* 16th etc at the eighths. Is there a way to accomplish that?
Btw, the current syntax to do ad-hoc subdivision by hand is uh
Am 01.04.2014 12:03, schrieb Rutger Hofman:
I wouldn't mind if the syntax would allow things like:
c32[[ c c c] c[ c c c]]
Seems like a good idea, but I think it would be preferrable to have a
distinct character for that to avoid confusion.
Maybe something like
c32[\[ c c c\] c\[ c c c\]]
- Original Message -
From: "Rutger Hofman"
To: "lilypond-user"
Sent: Tuesday, April 01, 2014 11:03 AM
Subject: Smarter automatic beam subdivision?
Good morning list,
I would love to be able to make 'smart' automatic beam subdivision, so,
for example, it automatically subdivides 16t
On 04/01/2014 12:23 PM, Phil Holmes wrote:
- Original Message - From: "Rutger Hofman"
To: "lilypond-user"
Sent: Tuesday, April 01, 2014 11:03 AM
Subject: Smarter automatic beam subdivision?
Good morning list,
I would love to be able to make 'smart' automatic beam subdivision,
so, for
Rutger Hofman wrote Tuesday, April 01, 2014 12:11 PM
> Yes, thanks, I looked at it quite often and I didn't find what I asked
> for. Did I miss that section? Let me summarize: I asked for smart
> *sub*division, not division. I would like to have an automatic
> subdivision scheme that results i
Am 01.04.2014 09:43, schrieb Jacques Menu:
Hello Simon,
With:
\layout { ragged-right = ##t }
\new Staff
\with {
\consists "Custos_engraver"
\override Custos.stencil = ##f
}
\relative c' {
g'1 \override Staff.Custos.style = #'mensural
\break
1
b1
\once\override Staff.Cus
Hello Lilypond aficionados,
some days ago I sat in a regional train, two young guys opposite me
talking about computer games they were playing. At which I found an
answer to the question why I find it worthwile investing many and often
tedious hours in music typesetting with LilyPond: It’s act
Where is the like-button?
Francois
2014-04-01 9:41 GMT-05:00, Simon Albrecht :
> Hello Lilypond aficionados,
>
> some days ago I sat in a regional train, two young guys opposite me
> talking about computer games they were playing. At which I found an
> answer to the question why I find it worthwil
Simon Albrecht writes:
> Hello Lilypond aficionados,
>
> some days ago I sat in a regional train, two young guys opposite me
> talking about computer games they were playing. At which I found an
> answer to the question why I find it worthwile investing many and
> often tedious hours in music typ
Am 01.04.2014 16:41, schrieb Simon Albrecht:
> It’s like a mixture of a logical puzzle and a strategy game, with the
> pleasant side effect that it is not just for fun, but you get a result
> which can be ported to real life and has an actual use for other people!
+1
IMO it is not only lilypond, bu
David Kastrup wrote
> Simon Albrecht <
> simon.albrecht@
> > writes:
>
>> Hello Lilypond aficionados,
>>
>> some days ago I sat in a regional train, two young guys opposite me
>> talking about computer games they were playing. At which I found an
>> answer to the question why I find it worthwile
On Tue, Apr 1, 2014 at 7:41 AM, Simon Albrecht wrote:
> It’s like a mixture of a logical puzzle and a
> strategy game, with the pleasant side effect that it is not just for fun,
> but you get a result which can be ported to real life and has an actual use
> for other people!
Complex contemporary
\markup + \note, \rest ...
Many thanks that was it.
(still finding my way around :-)
Cheers.
On 1/04/2014 15:46, Thomas Morley wrote:
> 2014-04-01 2:33 GMT+02:00 Harald Christiansen :
>> Hello all,
>>
>> Here's my problem:
>>
>> In a PianoStaff, I want to add some notes symbols (e.g. a quarter n
In a vocal score (SATB on separate staves + keyboard), it is useful to
suppress empty staves when all the singers are silent, using:
\score { \layout { \context { \RemoveEmptyStaffContext }}}
Is there a way to suppress this behaviour selectively, when one singer
happens to have a few bars rest? I
2014-04-02 0:42 GMT+02:00 Graham King :
> In a vocal score (SATB on separate staves + keyboard), it is useful to
> suppress empty staves when all the singers are silent, using:
> \score { \layout { \context { \RemoveEmptyStaffContext }}}
>
> Is there a way to suppress this behaviour selectively, wh
Dear All,
I am having a heck of a time getting a bibliography to display in a
LilyPond-Book document. I have a separate .bib file, and the .tex file, but
they are not finding each other. I am not satisfied that I’ve found a good
explanation of how to implement the bibliography, so I am includ
when I use,
#(define RH rightHandFinger)
and then later,
\RH #3, for example.. it works..
but I want to further enhance this so I tried:
#(define RHm rightHandFinger #3)
and then,
\RHm, but that does not work..
What should I do to make that shortcut work? Thanks.
_
On 02/04/14 13:22, Branko wrote:
when I use,
#(define RH rightHandFinger)
and then later,
\RH #3, for example.. it works..
but I want to further enhance this so I tried:
#(define RHm rightHandFinger #3)
and then,
\RHm, but that does not work..
What should I do to make that shortcut work? Th
Am 2014-04-02 um 03:41 schrieb Nathan Ho :
> Complex contemporary scores are especially fun to engrave. I guess
> this explains why I sometimes typeset Brian Ferneyhough or George
> Crumb just to kill time.
Amazing. My patience doesn’t last so long, I’m happy with one or two song
sheets :-)
G
That is something that, legal issues aside, I would love to see.
On Apr 1, 2014, at 4:41 PM, Nathan Ho wrote:
> On Tue, Apr 1, 2014 at 7:41 AM, Simon Albrecht wrote:
>> It’s like a mixture of a logical puzzle and a
>> strategy game, with the pleasant side effect that it is not just for fun,
>>
Any by legal issues, I think I just mean the issues of my being able to see
them.
On Apr 1, 2014, at 10:27 PM, Conor Cook wrote:
> That is something that, legal issues aside, I would love to see.
>
> On Apr 1, 2014, at 4:41 PM, Nathan Ho wrote:
>
>> On Tue, Apr 1, 2014 at 7:41 AM, Simon Albr
I noticed this recently but did not have time to post to the list. Now I
do so here 'tis.
I checked the docs and in the section on TPC
(http://www.lilypond.org/doc/v2.18/Documentation/notation/multiple-voices#single_002dstaff-polyphony)
I see no note or warning that what I see is "expected". W
Hi Graham,
you will most likely have a PianoStaff for the keys and a ChoirStaff or
StaffGroup (or the like) for the choir. You can consist a grouping
context (ChoirStaff,StaffGroup,...) with:
\consists "Keep_alive_together_engraver"
That way the whole group disappears only, if all child-cont
On 02/04/14 16:22, Guy Stalnaker wrote:
\version "2.16.0"
\language "english"
\header {
title = "Rest placement error?"
subtitle = "After Temporary Polyphonic Context"
subsubtitle = "Rests appear as if for upper voice"
}
global = {
\key c \major
\time 3/4
}
sopranoVoice = {
\global
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