On Wed, Mar 12, 2014 at 3:19 AM, brentboylan wrote:
> Hey, I came to the forum to find some answers to a few challenges I'm having.
> Some of the responses I've come across link to different pages at
> http://lsr.di.unimi.it/LSR/
The LSR was discussed yesterday, so it's not gone. But, indeed, the
2014-03-12 3:19 GMT+01:00 brentboylan :
Hey,
Hi Brent,
Is the server just down temporarily?
Yep. Sebastiano's working hard to fix that.
I can't find the specific snippet I am looking for when I
> browse through its files.
>
I can send you the one you're looking for.
Cheers,
Pierre
___
Am 12.03.2014 09:07, schrieb Pierre Perol-Schneider:
2014-03-12 3:19 GMT+01:00 brentboylan :
Hey,
Hi Brent,
Is the server just down temporarily?
Yep. Sebastiano's working hard to fix that.
I can't find the specific snippet I am looking for when I
browse through its files.
I can send
No. If you read the links I posted, you'll see it's the way font handling
happens, and the need is to test code on Windows.
--
Phil Holmes
- Original Message -
From: Joshua Nichols
To: Phil Holmes
Cc: Mailinglist lilypond-user
Sent: Wednesday, March 12, 2014 5:32 AM
Sub
Am 12.03.2014 04:51, schrieb Paul Morris:
(I'd say a ponding is in order!)
Not really, as there is a news item present by now.
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Am 11.03.2014 17:57, schrieb Federico Bruni:
Congratulations! I'm very glad to see that your hard work has been rewarded.
I'll do my best to support the liberation of the book. This is a succesful
campaign which might inspire you:
http://debian-handbook.info/liberation/
Inspiring story, inde
Am 05.03.2014 19:38, schrieb Paul Morris:
Hi Urs,
You might take a look at these as examples, if you haven't already:
https://www.kickstarter.com/projects/opengoldberg/open-goldberg-variations-setting-bach-free
https://www.kickstarter.com/projects/opengoldberg/open-well-tempered-clavier-bah-to-
2014-03-12 10:17 GMT+01:00 Urs Liska :
> Am 05.03.2014 19:38, schrieb Paul Morris:
>
>> Hi Urs,
>> You might take a look at these as examples, if you haven't already:
>>
>> https://www.kickstarter.com/projects/opengoldberg/open-
>> goldberg-variations-setting-bach-free
>>
>> https://www.kickstarte
Am 12.03.2014 10:23, schrieb Jan Warchoł:
2014-03-12 10:17 GMT+01:00 Urs Liska :
I'd be really interested in such a project, but I have to say that I could
only really consider it if it is sufficiently crowdfunded beforehand. And I
think it would be expensive.
I'd be interested, too! Actua
Everything should be fine now.
~Pierre
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2014-03-12 10:28 GMT+01:00 Urs Liska :
> Am 12.03.2014 10:23, schrieb Jan Warchoł:
>
>> 2014-03-12 10:17 GMT+01:00 Urs Liska :
>>
>>
>>> I'd be really interested in such a project, but I have to say that I
>>> could
>>> only really consider it if it is sufficiently crowdfunded beforehand.
>>> And
Am 12.03.2014 10:28, schrieb Urs Liska:
Am 12.03.2014 10:23, schrieb Jan Warchoł:
2014-03-12 10:17 GMT+01:00 Urs Liska :
I'd be really interested in such a project, but I have to say that I
could
only really consider it if it is sufficiently crowdfunded
beforehand. And I
think it would be
Urs Liska writes:
> But while we're at it I had an idea about a project that could become
> similar to the Bach projects: We could try to prepare a crowd funded
> edition of Schubert's "Winterreise".
>
> This is not only something pulled out of the corner because it's a
> prominent piece. There r
Zitat von Simon Albrecht :
Am 12.03.2014 10:28, schrieb Urs Liska:
Am 12.03.2014 10:23, schrieb Jan Warchoł:
2014-03-12 10:17 GMT+01:00 Urs Liska :
I'd be really interested in such a project, but I have to say that I could
only really consider it if it is sufficiently crowdfunded
beforeh
Zitat von Peter Crighton :
2014-03-12 10:28 GMT+01:00 Urs Liska :
Am 12.03.2014 10:23, schrieb Jan Warchoł:
2014-03-12 10:17 GMT+01:00 Urs Liska :
I'd be really interested in such a project, but I have to say that I
could
only really consider it if it is sufficiently crowdfunded beforeha
Simon Albrecht writes:
> – For all the great achievements that have been made in creating
> lilypond, I think you will all consent that it is still far from
> reaching the quality level represented by hand-engraving from the end
> of 19th to the middle of 20th century.
Fortunately, the competiti
Well, now you ask, I did find it difficult to figure out what
\markuplist actually does. As the command overviews in NR A.10 and A.11
are separated, I thought \markuplist and \markup were actually different
things and somehow incompatible. As I now take it, it’s rather like
\markuplist splits t
In regards to this snippet: "Transposing pitches with minimum accidentals
("Smart" transpose)
Ole Schmidt wrote
> Maybe this could help too?
>
> http://lsr.dsi.unimi.it/LSR/Item?id=266
>
> best
>
> ole
How do I get something like this to work for chordnames? I am doing a
similar project to th
Simon Albrecht writes:
> Well, now you ask, I did find it difficult to figure out what
> \markuplist actually does. As the command overviews in NR A.10 and
> A.11 are separated, I thought \markuplist and \markup were actually
> different things and somehow incompatible. As I now take it, it’s
> r
Urs Liska writes:
> Our edition of Oskar Fried's songs was elected "BEST EDITION 2014" by
> the German Music Publishers' Association, and we'll receive the award
> at the Frankfurt Musikmesse on Friday!
Congratulations! This is a beautiful accomplishment.
I am very pleased to see that you have
I’m stuck as to how to correct the placement of the dot in the code and attached example. Changing stem direction leaves the dot under the line, rather than above. I’d be grateful for a suggestion.version "2.19.3"\language "english"global = { \key f \major \time 4/4}fHSr = { \once \ov
[Cci] Sebastiano.
Dear All,
Dear Sebastiano,
Now that the LSR spring cleaning is done, i'd like to throw some ideas to
enrich, to simplify, to develop the users participation.
The LilyPond Snippet Repository is a wonderful data bank - and we all use
it to find ideas, solution, scheme code, etc. b
On Mar 12, 2014, at 4:18 PM, Pierre Perol-Schneider
wrote:
> 2014-03-12 21:46 GMT+01:00 Stan Sanderson :
>
> I’m stuck as to how to correct the placement of the dot in the code and
> attached example.
>
> \once\dotsUp c2.
>
> HTH,
> Pierre
Thank you!
Aggh, it was so simple. I tried the n
Janek and I have made some fuzz recently about that secret March 11, and
now's the time to disclose the great news:
Our edition of Oskar Fried's songs was elected "BEST EDITION 2014" by
the German Music Publishers' Association, and we'll receive the award at
the Frankfurt Musikmesse on Friday!
On 03/11/2014 01:07 PM, Urs Liska wrote:
Hi all,
Janek and I have made some fuzz recently about that secret March 11, and
now's the time to disclose the great news:
Our edition of Oskar Fried's songs was elected "BEST EDITION 2014" by
the German Music Publishers' Association, and we'll receive
Is there way to get footnotes to break into columns after a certain
number of them is hit?
Shane
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2014-03-12 21:46 GMT+01:00 Stan Sanderson :
I’m stuck as to how to correct the placement of the dot in the code and
> attached example.
>
\once\dotsUp c2.
HTH,
Pierre
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Hi Stan,
> I’m stuck as to how to correct the placement of the dot in the code and
> attached example.
You should use Lilypond’s built-in voicing commands to your advantage, e.g.
\version "2.19.3"
\language "english"
global = {
\key f \major
\time 4/4
}
rightOne = \relative c' {
r2 r4 f
Thanks, it's working fine now.
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In a piano concerto I need to make an ossia that remains next to the
piano staff. The temporary \new Staff method forces the ossia to the
bottom of the score below the string section. Adding a completely
independent staff for the Ossia also won't work as removing empty
staves is counter to the need
Hello Everyone,
I have a measure written below, the top staff of the piano has three beamed
grace notes and it seems to be affecting the spacing of the sixteenth notes
in the bottom staff. Is there anything I could do so that the unsightly
space in the middle of those sixteenth notes goes away?
Shane,
It can be done without invoking "\newStaff." Look at the second example
here:
http://lilypond.org/doc/v2.18/Documentation/notation/modifying-single-staves
#ossia-staves
Mark
-Original Message-
From: lilypond-user-bounces+carsonmark=ca.rr@gnu.org
[mailto:lilypond-user-bounces+c
Mark
Thanks for the advice! It lead me to a solution. It can be done the
other way too. I just needed this to push it back where it belonged
using the following.
alignBelowContext = #"contextname"
That was a real headache since the context name in this case is not
the same as the voice name since
carltesta wrote
> Hello Everyone,
>
> I have a measure written below, the top staff of the piano has three
> beamed grace notes and it seems to be affecting the spacing of the
> sixteenth notes in the bottom staff. Is there anything I could do so that
> the unsightly space in the middle of those
Sorry, it's late tonight and I misunderstood what you were asking. Disregard
if it was of no help :)
(You are talking about the other stave, not the top one, oops!)
-
composer | sound designer
LilyPond Tutorials (for beginners) --> http://bit.ly/bcl-lilypond
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View this message in contex
Shane Brandes writes:
> Is there way to get footnotes to break into columns after a certain
> number of them is hit?
No. The page builder has the inclusion and arrangement of footnotes
hardwired into the C++ core. There is no technical necessity for that,
but that's the current state of the co
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