Greetings David,
> Following the problem I was having with dynamics in a flute part and a
> piano part not lining up, on the advice of the list I upgraded my
> LilyPond from v2.14.2 to 2.18.0.
>
> Problem of non-alignment solved.
>
> But I still find that dynamics often contact or even cross a bar
> Found another worthwhile optimization making a difference
> (basically, not discarding and regenerating a blob that is going to
> get analyzed next anyway). In your use case where almost all
> changes happen in the same large file, this does make a bit of a
> difference, in particular regarding
Hi,
searching the docs and the lilypond-user archive I couldn't find any
relevant information.
I am looking for a custom \accidentalStyle. Actually I think this is
quite commonly used, so it would also seem like a useful addition to
LilyPond proper.
a)
Every note gets an explicit accidenta
2014-02-01, Antara-Prabhat :
Just a nitpick, it's not related to your question, but
> \version "2.18.0-1"
is that a valid number in a version statement? 2.18.0-1 is certainly
what the download link text states and it may be a package version in
a distribution repository, but does the convert-ly
[CC'ing to -devel]
Am 03.02.2014 00:44, schrieb Eluze:
Marc Hohl wrote
Hi list,
I want the tempo indication to appear at the leftmost edge of the piece
(I know that Gould has a different opinion about this, but I am using
LilyJAZZ, and the Realbook style does not care about these typographic
c
It is possible to access/reshape a Metronome Mark like this:
\override MetronomeMark #'stencil =
#(lambda (grob)
(ly:stencil-scale (lyric-text::print grob) 0.78 1))
(which will squeeze the font to a width of 0.78 (which surprisingly
matches the font of the printed model very well).
Marc Hohl wrote:
But why does LilyPond seem to ignore '(left-edge)?
It seems it is not "visible".
The first left edge doesn't arise via a line break,
so for pedantic Lilypond the _unbroken_ case applies.
Try
\once \override Score.LeftEdge.break-visibility = #all-visible
Cheers,
Robin
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Am 03.02.2014 10:43, schrieb Urs Liska:
It is possible to access/reshape a Metronome Mark like this:
\override MetronomeMark #'stencil =
#(lambda (grob)
(ly:stencil-scale (lyric-text::print grob) 0.78 1))
(which will squeeze the font to a width of 0.78 (which surprisingly
matches t
Marc Hohl wrote
>>>
>>> melLeftEdge = {
>>> \override Score.MetronomeMark.break-align-symbols = #'(left-edge)
>>> \tempo "Slowly" 4 = 60
>>> c'4
>>> }
sometimes we're searching for too complicated things... it seems that adding
\override Score.MetronomeMark.self-alignment-X =#1
is
Dear LilyPond users,
I am trying to make a markup function that will take a list as an
argument. Some of the members of the list will be treated as markup
and some will be treated as numbers. Is there a way to convert one
type to the other? Or am I going about this all the wrong way (I have
no id
Am 03.02.2014 10:45, schrieb Robin Bannister:
Marc Hohl wrote:
But why does LilyPond seem to ignore '(left-edge)?
It seems it is not "visible".
The first left edge doesn't arise via a line break,
so for pedantic Lilypond the _unbroken_ case applies.
Try
\once \override Score.LeftEdge.break-v
Am 03.02.2014 11:47, schrieb Kevin Patrick Barry:
Dear LilyPond users,
I am trying to make a markup function that will take a list as an
argument. Some of the members of the list will be treated as markup
and some will be treated as numbers. Is there a way to convert one
type to the other? Or a
Marc Hohl wrote:
Try
\once \override Score.LeftEdge.break-visibility = #all-visible
Thanks, sounds plausible, but it doesn't work either:
Umm ... and with MetronomeMark ?
Cheers,
Robin
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Hi All
To add some harp-symbols I have defined some lines like this:
ziehenI = \markup { \finger \circle \override #'(font-size . 1) "1" }
ziehenII = \markup { \finger \circle \override #'(font-size . 1) "2" }
ziehenIII = \markup { \finger \circle \override #'(font-size . 1) "3" }
...
blasenI = \
- Original Message -
From:
To:
Sent: Monday, February 03, 2014 3:39 PM
Subject: Harp-Symbols in LilyPond
Hi All
To add some harp-symbols I have defined some lines like this:
An other idea is to use the symbols like lyrics:
Oben = \lyricmode {
\blasenI \ziehenI
}
This works fin
Hello all :)
I wanted to try again to find a solution to adapt the length of a
lyric extender in order to take into account all voices in a SATB
hymn, as I described sometimes ago in
http://lists.gnu.org/archive/html/lilypond-user/2013-11/msg00810.html
and following messages.
So I read some secti
Hi Yann,
On Mon, Feb 3, 2014 at 10:35 AM, Yann wrote:
> Hello all :)
>
> I wanted to try again to find a solution to adapt the length of a
> lyric extender in order to take into account all voices in a SATB
> hymn, as I described sometimes ago in
> http://lists.gnu.org/archive/html/lilypond-use
> -Is there a way to display (to console for example) the value of a
> given property ?
> I tried with #(Lyrics.LyricExtender.minimum-length) or \display
> Lyrics.LyricExtender.minimum-length but I don't know where to place
> such directive, should it be correct.
> It would be
Thanks for your reply - it solves the problem of bar-line/dynamic
collisions (or rather, it side-steps the problem). Actually it also
begins to answer what might well have been my next question, because
generally I prefer the left edge of dynamics to be related to the note
position. But I should
Am 03.02.2014 15:15, schrieb Robin Bannister:
Marc Hohl wrote:
Try
\once \override Score.LeftEdge.break-visibility = #all-visible
Thanks, sounds plausible, but it doesn't work either:
Umm ... and with MetronomeMark ?
D'Oh...
Works significantly better ;-)
Sorry for mixing up MetronomeMa
That works very well and is easy. It appears to add a little space on
the sides but it's something I can live with. Thank you very much!
On Sun, Feb 2, 2014 at 11:41 PM, TaoCG wrote:
> David Bellows wrote
>> Hello all,
>>
>> I'm writing a kind of minimalist piece that has a lot of repeated
>> mea
Hello, I am trying to design a simple chord sheet in LilyPond - just chords
and bar lines. I found this snippet at the repository, that enables me to do
that without creating any staves: (http://lsr.dsi.unimi.it/LSR/Item?id=460)
\new ChordNames \with {
\override BarLine #'bar-extent = #'(-2 . 2)
Hello,
I have a part for voice where both hands should play glissandi
alternatively for some measures. So when one glissando stops the other just
started. It looks like as Lilypond avoids a line break in a glissando. The
composer added a lot of thes measures. Unfortunately \break doesn't cause a
l
Hi Helge,
On Mon, Feb 3, 2014 at 1:44 PM, Helge Kruse wrote:
> Hello,
>
> I have a part for voice where both hands should play glissandi
> alternatively for some measures. So when one glissando stops the other just
> started. It looks like as Lilypond avoids a line break in a glissando. The
> c
Hi Piotr,
I think this could help you.
Cheers,
Joram
\new ChordNames \with {
\override BarLine #'bar-extent = #'(-2 . 2)
\consists "Bar_engraver"
}
\chordmode {
f1:maj7 f:7 bes:7 f:7 \break
f1:maj7 f:7 bes:7 f:7
}
% This reduces the distance between the lines to a minimum.
% Please adj
Noeck gmx.de> writes:
> Hi Piotr,
>
> I think this could help you.
This is exactly what I needed, thank you so much!
Piotr
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>>
>> For example, there are several answers to
>>
-Is there a way to display (to console for example) the value of a
given property ?
>>
>> but I hesitate to write a treatise :)
>
> I think this is a not working example for what he asked for:
>
> \version "2.18.0"
> {
> a a a a
> }
> \ad
Hey everyone,
I'm sorry if this is a stupid question. I have never used MuseScore before
and I've looked into it quickly tonight. I'm confused about one aspect of it
- does it actually /use /LilyPond for it's engraving? Or is it a completely
separate and stand-alone engraving software that outputs
Hi Ben.
It's stand-alone (like Sibelius/Finale).
I used it before I knew better, I mean, knew about Lilypond.
Graeme
On 4-Feb 13:08, SoundsFromSound wrote:
Hey everyone,
I'm sorry if this is a stupid question. I have never used MuseScore before
and I've looked into it quickly tonight. I'm c
Graeme Lee wrote
> Hi Ben.
>
> It's stand-alone (like Sibelius/Finale).
>
> I used it before I knew better, I mean, knew about Lilypond.
>
> Graeme
>
>
> On 4-Feb 13:08, SoundsFromSound wrote:
>> Hey everyone,
>>
>> I'm sorry if this is a stupid question. I have never used MuseScore
>> before
Hi Graeme,
Oh ok thanks! I couldn't quite tell for sure because at a /quick /glance
MuseScore output looks a little like Lilypond, but then again once you
/really /look, not really at all. My eyes were clearly playing tricks on me
I guess.
Ben
Musescore uses the feta font (slightly modified)
Graeme Lee wrote
>> Hi Graeme,
>>
>> Oh ok thanks! I couldn't quite tell for sure because at a /quick /glance
>> MuseScore output looks a little like Lilypond, but then again once you
>> /really /look, not really at all. My eyes were clearly playing tricks on
>> me
>> I guess.
>>
>> Ben
>>
>
> Mus
Il 04/feb/2014 03:09 "SoundsFromSound" ha
scritto:
>
> Hey everyone,
>
> I'm sorry if this is a stupid question. I have never used MuseScore before
> and I've looked into it quickly tonight. I'm confused about one aspect of
it
> - does it actually /use /LilyPond for it's engraving? Or is it a
comp
Thanks, works fine.
I must admit that reading the fine manual would have easier than producing
the stripped down example.
Regards
Helge
2014-02-03 David Nalesnik :
> Hi Helge,
>
>
> On Mon, Feb 3, 2014 at 1:44 PM, Helge Kruse wrote:
>
>> Hello,
>>
>> I have a part for voice where both hands s
Federico Bruni writes:
> Some weeks ago it's been reported here a tweet saying that MuseScore
> developers will drop the lilypond export and focus on musicxml export.
Yes, I had a chat about that with Thomas Bonte. LilyPond export was
in dire need of some love and the best thing to do with code
I relay this question :
The Git repository seems unpleasant. Couldn't there be an imslp work page
to submit our "candidate scores"?"
Cheers,
Pierre
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