On Wed, Oct 16, 2013 at 11:05 PM, Daniel Rosen wrote:
> \version "2.17.27"
> \figures { <6+> <[6+]> }
>
> The above produces "#6 [#6]". Is there a way for me to have JUST the sharp
> symbol in brackets, "[#]6"?
>
> (This exact question was asked on the list a while ago
> (http://thread.gmane.org
Here is an example of tweaking the example given by Simon:
\figuremode {
\set figuredBassAlterationDirection = #1
\set figuredBassPlusDirection = #1
\override FiguredBass.BassFigure #'font-size = #-1
%figures follow
\set Staff.implicitBassFigures = #'(0)
< \markup {
\translate #'(-0.6 . 0
richard,
On Thu, Oct 17, 2013 at 10:05 AM, Richard Shann wrote:
> < \markup {
> \translate #'(-0.6 . 0)
> \right-align
> \bracket { \raise #0.7 { \fontsize #-5 \sharp } }
> \translate #'(-2 . 0) \tiny \number 6
> } 5 7>4
just out of interest, what is this se
The layout could be improved indeed:-)
--
Wilbert Berendsen (www.wilbertberendsen.nl)
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David Kastrup writes:
> Thomas Morley writes:
>
>> Hi,
>>
>> I tried to create a function which should accept a pitch _or_ music.
>> So I defined a pitch-or-music? predicate:
>>
>> #(define (pitch-or-music? x)
>> (or (ly:pitch? x) (ly:music? x)))
>>
>> Calling the function, I have to use ##{ .
Hi Peter,
- Original Message -
From: "Peter Gentry"
To:
Sent: Thursday, October 17, 2013 10:08 AM
Subject: FW: Frescobaldi 2.0.11
Phil
Don't forget that strange error messages can derive from hidden
overlooked mistakes in the .ly file. Blank spaces in the file name
could have w
Is there a way to get the "crossed-o" notation for a half-diminished
seventh chord (m7♭5)? I don't see it in
http://lilypond.org/doc/v2.16/Documentation/notation/displaying-chords.
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On 17.10.2013, at 13:04, Xavier Noria wrote:
> Is there a way to get the "crossed-o" notation for a half-diminished seventh
> chord (m7♭5)? I don't see it in
> http://lilypond.org/doc/v2.16/Documentation/notation/displaying-chords.
\chords {
c:1.3-.5-.7
c:m7.5-
}
hth
patrick
> __
Awesome!
On Thu, Oct 17, 2013 at 1:12 PM, pls wrote:
>
> On 17.10.2013, at 13:04, Xavier Noria wrote:
>
> Is there a way to get the "crossed-o" notation for a half-diminished
> seventh chord (m7♭5)? I don't see it in
> http://lilypond.org/doc/v2.16/Documentation/notation/displaying-chords.
>
>
I'm afraid I don't understand the distinction you make between page and
sheet. Apparently \pageBreak doesn't do what you want, so please clarify
how what you want differs.
On 17 October 2013 06:12, Ben Beeson wrote:
> Hi,
>
> I use LilyPond for bagpipe music. I find LilyPond and the included
>
Peter, could you please sent your emails to the list.
- Original Message -
From: "Peter Gentry"
To: "'Phil Burfitt'"
Sent: Thursday, October 17, 2013 11:53 AM
Subject: RE: Frescobaldi 2.0.11
Lilypond does recognise the directive but in my experience things can go
astray in the
Hi Peter,
- Original Message -
From: "Peter Gentry"
To: "'Phil Burfitt'"
Sent: Thursday, October 17, 2013 11:53 AM
Subject: RE: Frescobaldi 2.0.11
Lilypond does recognise the directive but in my experience things can go
astray in the inner workings, temp files registry etc.
T
Forwarding to the list.
Peter, could you please send your emails to the list.
- Original Message -
From: "Peter Gentry"
To:
Sent: Thursday, October 17, 2013 1:49 PM
Subject: FW: Frescobaldi 2.0.11
Phil
This works OK
Microsoft Windows [Version 6.0.6002]
Copyright (c) 2006 Microso
Am 17.10.2013 14:51, schrieb Phil Burfitt:
Hi Peter,
- Original Message - From: "Peter Gentry"
To: "'Phil Burfitt'"
Sent: Thursday, October 17, 2013 11:53 AM
Subject: RE: Frescobaldi 2.0.11
Lilypond does recognise the directive but in my experience things can
go astray in the
Urs Liska writes:
>> I have just installed 2.17.28 and the problem for me remains.
>
> Here (Ubuntu derivate linux) it works as expected.
> So it's not a problem with your files, nor with LilyPond itself, but
> something between LilyPond and your computer.
"Nor with LilyPond itself" is too optim
Hi Urs,
Well I was half suspecting
Its only a minor problem (though a curious one). I can just give the full path
in the \version statement.
Anyway, thanks for testing.
BTW, Frescobaldi is not saving session for me (option checked in preferences)??
Phil.
- Original Message -
Am 17.10.2013 15:19, schrieb Phil Burfitt:
Hi Urs,
Well I was half suspecting
Its only a minor problem (though a curious one). I can just give the
full path in the \version statement.
OK, even if David tells us that it _can be_ a LilyPond issue I'm out of
discussion nevertheless ;-)
An
On Thu, 2013-10-17 at 10:20 +0200, Simon Bailey wrote:
> richard,
>
> On Thu, Oct 17, 2013 at 10:05 AM, Richard Shann
> wrote:
> > < \markup {
> > \translate #'(-0.6 . 0)
> > \right-align
> > \bracket { \raise #0.7 { \fontsize #-5 \sharp } }
> > \translate #'(-2 . 0)
Hi David,
lilypond -l DEBUG -I "c:/trial" test.ly 2> output.txt
Phil.
- Original Message -
From: "David Kastrup"
To:
Sent: Thursday, October 17, 2013 2:14 PM
Subject: Re: Frescobaldi 2.0.11
Urs Liska writes:
I have just installed 2.17.28 and the problem for me remains.
Here
At 14:31 17/10/2013 +0200, Sven Axelsson wrote:
On 17 October 2013 06:12, Ben Beeson wrote:
I use LilyPond for bagpipe music. I find LilyPond and the included
bagpipe.ly file to work very well for that task. Thanks!
I looked in the documents and in other places online for help and
did not f
On Thu, Oct 17, 2013 at 3:28 PM, Richard Shann wrote:
>> On Thu, Oct 17, 2013 at 10:05 AM, Richard Shann
>> wrote:
>> > < \markup {
>> > \translate #'(-0.6 . 0)
>> > \right-align
>> > \bracket { \raise #0.7 { \fontsize #-5 \sharp } }
>> > \translate #'(-2 . 0) \ti
"Phil Burfitt" writes:
> Hi David,
>
> lilypond -l DEBUG -I "c:/trial" test.ly 2> output.txt
Any difference if you get upper/lowercase of "c:/trial" exactly
corresponding to what DIR C:\ shows?
--
David Kastrup
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lilypon
Hi Urs,
>>Anyway, thanks for testing.
>>BTW, Frescobaldi is not saving session for me (option checked in
>>preferences)??
>>
>Did you carefully read the third paragraph in the help page
>Preferences->General Preferences?
>I updated this paragraph just recently because I didn't see how that actua
- Original Message -
From: "David Kastrup"
To: "Phil Burfitt"
Cc:
Sent: Thursday, October 17, 2013 2:47 PM
Subject: Re: Frescobaldi 2.0.11
"Phil Burfitt" writes:
Hi David,
lilypond -l DEBUG -I "c:/trial" test.ly 2> output.txt
Any difference if you get upper/lowercase of "c:/tr
Am 17.10.2013 16:02, schrieb Phil Burfitt:
Hi Urs,
>>Anyway, thanks for testing.
>>BTW, Frescobaldi is not saving session for me (option checked in
preferences)??
>>
>Did you carefully read the third paragraph in the help page
Preferences->GeneralPreferences?
>I updated this paragraph just rec
op 17-10-13 10:23, Wilbert Berendsen schreef:
The layout could be improved indeed:-)
I'm sorry, I see that my phone breaks the threads and also is preventing
me from proper quoting...
--
Wilbert Berendsen
http://www.wilbertberendsen.nl/
___
lily
"Phil Holmes" writes:
> - Original Message -
> From: "David Kastrup"
> To: "Phil Burfitt"
> Cc:
> Sent: Thursday, October 17, 2013 2:47 PM
> Subject: Re: Frescobaldi 2.0.11
>
>
>> "Phil Burfitt" writes:
>>
>>> Hi David,
>>>
>>> lilypond -l DEBUG -I "c:/trial" test.ly 2> output.txt
>>
Peter, please, please, please send emails to the list. Use Reply All and
_not_ Reply! argh!
- Original Message -
From: "Peter Gentry"
To: "'Phil Burfitt'"
Sent: Thursday, October 17, 2013 3:00 PM
Subject: RE: Frescobaldi 2.0.11
Phil
I can compile your files without error -
- Original Message -
From: "David Kastrup"
To: "Phil Holmes"
Cc: "Phil Burfitt" ;
Sent: Thursday, October 17, 2013 3:06 PM
Subject: Re: Frescobaldi 2.0.11
"Phil Holmes" writes:
- Original Message -
From: "David Kastrup"
To: "Phil Burfitt"
Cc:
Sent: Thursday, October
- Original Message -
From: "David Kastrup"
To: "Phil Holmes"
Cc: "Phil Burfitt" ;
Sent: Thursday, October 17, 2013 3:06 PM
Subject: Re: Frescobaldi 2.0.11
"Phil Holmes" writes:
- Original Message -
From: "David Kastrup"
To: "Phil Burfitt"
Cc:
Sent: Thursday, October 1
"Phil Burfitt" writes:
> Peter, please, please, please send emails to the list. Use Reply All
> and _not_ Reply! argh!
Yes, that helps focusing energies and avoids problems only being solved
for one person. It's not always clear that people want to reply to the
list nevertheless. I have m
"Phil Burfitt" writes:
> The directory "trial" is lowercase.
>
> However I've tried with...
>
> c:\trial
> c:/trial
> C:\trial
> C:/trial
> C:\TRIAL
> C:/TRIAL
>
> all treated the same and same output. Under Windows/DOS you can use
> "\" or "/" for paths and changing directories etc.
Ok ok, this
Hi Sven,
Thanks for asking about what I am trying to do. Perhaps I
could explain this a bit differently. Let me know if this
is not clear and I will try again. You asked about why
\pageBreak doesn't do what I want. \pageBreak splits a
tune across a sheet dividing a top from a bottom. You
David David
How was that bad mouthing you? Certainly not the intention. I know you are a
major player in LilyPond and very very much appreciate
the work you do.
I was confused by small parts of the manuals (I guess one is for Windows and
one for Unix, but that took a while to sink in)
Cheer u
Ben Beeson wrote:
I'd like to do this without splitting the notes
into a left and right score in a ly file if possible.
That's probably the best way (easiest to maintain),
provided you can force them to stay in sync vertically.
For a cheap hack, have a look at LSR502
http://lsr.dsi.unimi
"Peter Gentry" writes:
> David David
>
> How was that bad mouthing you? Certainly not the intention.
>>> I do not know, David K does but he is very short with lesser mortals.
implies that I can't be bothered to share my knowledge and treat other
people as my inferiors.
If you think I would con
Ah, ok. Thanks Brian Barker, now I understand. Ben Beeson, as has already
been stated, there probably isn't a good way to do that automatically (well
maybe with Scheme scripting). And, disregarding how to produce the correct
output, wouldn't it be hard to get a decent layout for the music? It would
Hello Ben,
Maybe use the \extractMusic function(s) to "jigsaw" the music across multiple
pages?
Hope this helps!
Kieren.
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2013/10/17 David Kastrup :
> David Kastrup writes:
>
>> Thomas Morley writes:
>>
>>> Hi,
>>>
>>> I tried to create a function which should accept a pitch _or_ music.
>>> So I defined a pitch-or-music? predicate:
>>>
>>> #(define (pitch-or-music? x)
>>> (or (ly:pitch? x) (ly:music? x)))
>>>
>>>
Janek Warchoł writes:
> 2013/10/17 David Kastrup :
>
>> Verified that this works, but you wrote Pitch-or-music once instead of
>> pitch-or-music in your example. After lower-casing this, it appears to
>> do the trick with the patch from the above issue applied.
>
> thank you!
Well, looks like I
Sometimes I want to protect a short passage of music from being
broken onto separate systems. Are there better ways of writing:
\repeat unfold 6 { c1 | \noBreak }
\break
\repeat unfold 6 { c1 | \noBreak }
for passages that one wishes to keep all on one system?
Would there be any community need
Hi Jim,
> A technique like this might also be workable, but IMO a little
> less elegant syntactically:
>
> \set unbreakableMusic = ##t
> \repeat unfold 6 c1
> \break
> \repeat unfold 6 c1
> \revert unbreakableMusic
>
> This is not a huge priority, just a curiousity.
I use these macros:
pageBre
From: David Kastrup
To: lilypond-user@gnu.org
Subject: Re: Frescobaldi 2.0.11
Message-ID: <87iowvzx02@fencepost.gnu.org>
Content-Type: text/plain
"Peter Gentry" writes:
> David David
>
> How was that bad mouthing you? Certainly not the intention.
>>> I do not know, David K does but he is v
Am 17.10.2013 21:08, schrieb Peter Gentry:
DK: No, either spelling of the option will work under either system.
PG: Oh but why is the second more complex? Does it include greater scope for
specification?
Just the usual convention with short and long versions of command line
options.
"Peter Gentry" writes:
>>> I was confused by small parts of the manuals (I guess one is for
>>> Windows and one for Unix, but that took a while to sink in)
>
>> No, either spelling of the option will work under either system.
>
> PG: Oh but why is the second more complex? Does it include greater
Kieren, Sven, and Robin,
Thanks each of you for your great ideas. I will try those
tonight after band practice and see what happens.
Thanks again,
Ben
On Thu, 17 Oct 2013 13:06:57 -0400
Kieren MacMillan wrote:
Hello Ben,
Maybe use the \extractMusic function(s) to "jigsaw" the
music acr
Kieren MacMillan writes:
> Hi Jim,
>
>> A technique like this might also be workable, but IMO a little
>> less elegant syntactically:
>>
>> \set unbreakableMusic = ##t
>> \repeat unfold 6 c1
>> \break
>> \repeat unfold 6 c1
>> \revert unbreakableMusic
>>
>> This is not a huge priority, just a c
On Oct 12, 2013, at 10:25 PM, Carl Peterson wrote:
> So this would be your basic setup:
>
> \score {
>\new Staff = "top" {
> << \new Voice = "sopVerse" { } % voice for verse melody and combined alto
> \new Voice = "altoVerse" { } % voice for verse alto lines that
> require sepa
2013/10/17 David Kastrup :
> David Kastrup writes:
>
>> Thomas Morley writes:
>>
>>> Hi,
>>>
>>> I tried to create a function which should accept a pitch _or_ music.
>>> So I defined a pitch-or-music? predicate:
>>>
>>> #(define (pitch-or-music? x)
>>> (or (ly:pitch? x) (ly:music? x)))
>>>
>>>
Hi all,
\shape is an awesome function, indispensable for creating
publication-quality slurs. However, after using it 1107 times in a
recent project (this number is not a joke!), i came to the conclusion
that it's not perfect yet and it could use some improvements ;-)
After several days of work i'
Whaouh, what a powerfull tool. It'll go in my "favourite" in a minute.
Looks amazing too me
Brilliant job Janek. Thanks much.
Cheers
Pierre
2013/10/18 Janek Warchoł
> Hi all,
>
> \shape is an awesome function, indispensable for creating
> publication-quality slurs. However, after using it 1107
2013/10/17 Garrett McGilvray :
>
> On Oct 12, 2013, at 10:25 PM, Carl Peterson wrote:
>
> So this would be your basic setup:
>
> \score {
>\new Staff = "top" {
> << \new Voice = "sopVerse" { } % voice for verse melody and combined
> alto
> \new Voice = "altoVerse" { } % voice for
The polar coordinates \shape looks absolutely amazing, I will give it a try
as soon as I have some free time! Thank you so much for sharing this.
--
View this message in context:
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Sent from the User mai
Janek & David N:
Fantastic effort and a solid expansion idea for how to make a great function
even better.
I can't speak to how this new version of \shape will fit into the LilyPond
language/code (i.e. if it will break or harm anything by adding it), but
from an end-user standpoint I think this
Hi Janek,
> \shape is an awesome function, indispensable for creating
> publication-quality slurs.
Is there any way that Lilypond could create "publication-quality slurs" without
\shape? ;)
> After several days of work i'm proud to present:
> - ability to use input shorthands when specifying o
Am 18.10.2013 00:03, schrieb Janek Warchoł:
Hi all,
\shape is an awesome function, indispensable for creating
publication-quality slurs. However, after using it 1107 times in a
recent project (this number is not a joke!),
How do you come up with than number?
When I run
grep -r \shape * | wc -l
Thomas Morley-2 wrote
> don't put \new Lyrics _into_ the Staff.
fully agree!
> Here two possibilities, depends on what you want:
>
> \score {
> <<
> \new Staff = "top" \relative c' {
> <<
> \new Voice = "sopVerse" { \sopVerse }
> \new Voice = "altoVerse" { \altoVerse }
> >>
On Thu, Oct 17, 2013 at 5:55 PM, Garrett McGilvray <
garrett.mcgilv...@gmail.com> wrote:
>
> On Oct 12, 2013, at 10:25 PM, Carl Peterson
> wrote:
>
> So this would be your basic setup:
>
> \score {
>\new Staff = "top" {
> << \new Voice = "sopVerse" { } % voice for verse melody and combine
Hi Folks. I thank you all for your continued help.
Thomas Morley-2 wrote
> don't put \new Lyrics _into_ the Staff.
This one line showed me the essence of my error, so I am able to work from
there. Now that I look at it, it does look like a newbie error, but I just
wasn't seeing it before.
Elu
Hi Janek,
On Thu, Oct 17, 2013 at 5:03 PM, Janek Warchoł wrote:
> After several days of work i'm proud to present:
> - ability to use input shorthands when specifying offsets with \shape,
- a version of \shape using polar coordinates.
>
> You can see the code in the attachment, and the output he
Congrats on the release! Props, kudos, and thanks to everyone who
contributes to Frescobaldi, and while I'm at it, LilyPond as well.
The new features look great. I know my eyes are really going to appreciate
the new scheme highlighting! :-) The mac app bundle is a nice bonus.
Cheers,
-Paul
Davide, Thanks for the portfile and the easy to follow guide for it! I
successfully upgraded to the new Frescobaldi 2.0.11 using your portfile for
the first time. It all went smoothly. A big improvement over doing it
manually as I had done it before.
The app bundle is a nice bonus. I just r
Janek Warchoł wrote
> I'd like to hear your opinions. Do you like it? Should it be added
> to official LilyPond distribution?
Looks good to me! Nice work. I'd say yes and yes.
What other "modes of specifying control-points position" do you have in
mind?
Thanks!
-Paul
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View this message
On 10/17/2013 11:17 AM, Robin Bannister wrote:
> Ben Beeson wrote:
>> I'd like to do this without splitting the notes into a left and
>> right score in a ly file if possible.
IMO: don’t try to do this in LilyPond. Horses for courses; this is not
the right tool.
Engrave the score for a double-si
On Thu, Oct 17, 2013 at 11:37:04PM +0200, David Kastrup wrote:
> Kieren MacMillan writes:
>
> > Hi Jim,
> >
> >> A technique like this might also be workable, but IMO a little
> >> less elegant syntactically:
> >>
> >> \set unbreakableMusic = ##t
> >> \repeat unfold 6 c1
> >> \break
> >> \repeat
Hi,
2013/10/18 Urs Liska :
> Am 18.10.2013 00:03, schrieb Janek Warchoł:
>
>> Hi all,
>>
>> \shape is an awesome function, indispensable for creating
>> publication-quality slurs. However, after using it 1107 times in a
>> recent project (this number is not a joke!),
>
> How do you come up with th
Janek Warchoł writes:
> Hi all,
>
> \shape is an awesome function, indispensable for creating
> publication-quality slurs. However, after using it 1107 times in a
> recent project (this number is not a joke!),
Well, it should be. It means that our slur shaping and quanting is
apparently not doi
David Kastrup schrieb:
>Janek Warchoł writes:
>
>> Hi all,
>>
>> \shape is an awesome function, indispensable for creating
>> publication-quality slurs. However, after using it 1107 times in a
>> recent project (this number is not a joke!),
>
>Well, it should be. It means that our slur shapi
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