Re: Unkown LilyPond community.

Am 02.07.2013 08:16, schrieb Johan Vromans: Pierre Perol-Schneider writes: While looking for some codes I just found this e-community few minutes ago: http://lilypond.media.mit.edu Hey! A LilyPond Wrist band. Now we can typeset music anytime anywhere...

Re: Manual barlines

Am 02.07.2013 02:26, schrieb Thomas Morley: > #(define (make-void-bar-line grob extent) empty-stencil) > > #(add-bar-glyph-print-procedure "v" make-void-bar-line) Thanks! I tought about how to do this (just out of curiosity) and I was quite close with the bar line definition, but these two lines

Re: Unkown LilyPond community.

Urs: > Am 02.07.2013 08:16, schrieb Johan Vromans: > > Pierre Perol-Schneider writes: > >> http://lilypond.media.mit.edu ... > Maybe develop a conductor's shirt with interactive score display? That would be a very fun project, the problem i that your arms wou

Re: Manual barlines

2013/7/2 Thomas Morley > > below you'll find my own approach. Though not wide tested. > > Congratulation Thomas. It's a kind of code I'd love to be able to produce. Plus there's a lot of information in your code that I wasn't aware of. Thanks to Pierre you saved me a lot of work. ;) > > You're w

More post-divisi oddities

All, Attached is a 12-measure LP file snippet with four treble-clef parts plus piano reduction. The piano reduction works perfectly until it encounters a temporary polyphonic passage (TPP). There are two in the example, at mm.3-4 in the upper two voices and mm. 8-9 in the lower two voices. A

Re: More post-divisi oddities

On 03/07/13 07:57, Guy Stalnaker wrote: Attached is a 12-measure LP file snippet with four treble-clef parts plus piano reduction. The piano reduction works perfectly until it encounters a temporary polyphonic passage (TPP). There are two in the example, at mm.3-4 in the upper two voices and mm