Hello,
Don't know Fraise, but if that may help : you menu entry should run:
/Applications/LilyPond.app/Contents/Resources/bin/lilypond
be that textually placed there or in shell script of yours.
JM
Le 27 juin 2013 à 11:56:03, "Alexander Deubelbeiss" a écrit :
>> Date: Wed, 26 Jun 201
Phil,
In addition to the comments from Kieren and David, I should point out that the
"8" sign is ambiguous. Some composers use it to add the lower octave (as here),
others to play an octave lower (Debussy's Cathedrale Engloutie is an example),
and you have to work out which one is meant, usuall
From: Peter Toye
To: lilypond-user@gnu.org
Cc: Phil Holmes
Sent: Friday, June 28, 2013 9:42 AM
Subject: Re:8 marking on piano piece
Phil,
In addition to the comments from Kieren and David, I should
point out that the "8" sign is ambiguous. Some composers use
it to add the lower octave (as here)
> the accidental is repeated because we are in a new measure and the natural
> sign avoids the accidental of the top voice.
>
> when the notes are tied the accidental is not repeated but it seems like
> LilyPond still reserves some space for it.
>
> I tried to set the Accidental stencil to false
James Harkins-2 wrote
> Ah, ok, I didn't do enough to reduce my example.
… and this led to your conclusions above
a manual workaround to reposition the natural sign more correctly is
\once {
\override Accidental.font-size = #-20
\override Accidental.Y-offset = #1
}
in the up
Greetings List,
The contemporary piece I am setting uses barlines right after every
change of time signature, before any notes. I am unable to see how to do
this. If I manually place a barline in this location lilypond ignores
the instruction. Can this be done?
Using version 2.17.20.
Andrew
2013/6/28 Andrew Bernard :
> The contemporary piece I am setting uses barlines right after every change
> of time signature, before any notes. I am unable to see how to do this. If I
> manually place a barline in this location lilypond ignores the instruction.
> Can this be done?
I remember that s
Am 28.06.2013 15:10, schrieb Janek Warchoł:
2013/6/28 Andrew Bernard :
The contemporary piece I am setting uses barlines right after every change
of time signature, before any notes. I am unable to see how to do this. If I
manually place a barline in this location lilypond ignores the instructio
On 28 Jun 2013, at 10:42, Peter Toye wrote:
> But I'm a bit worried that you're setting the Songs of Travel at all. RVW
> died in 1958 and is still in copyright, at least in the UK (I don't know
> where you are).
It varies: the US did not extend this rule retroactively.
Hans
_
2013/6/28 Andrew Bernard
>
> The contemporary piece I am setting uses barlines right after every change
> of time signature, before any notes. I am unable to see how to do this. If
> I manually place a barline in this location lilypond ignores the
> instruction. Can this be done?
>
>
Hight Andre
>
> What I'd try first is _moving_ the time signature with its x-offset. But
> I don't know if that will lead anywhere.
>
> Urs
The part of your question involving the shift of the time signature
might be solved by something like this:
\relative c' { c d e f
\override Score.BreakAlignment #'bre
"Phil Holmes" writes:
> "David Kastrup" wrote:
>
>
>> "Phil Holmes" writes:
>>
>>> I've got a piece of music that has a dotted bar and a (hidden) time
>>> signature change at a place where the bar number is not incremented.
>>> I know I could explicitly set the bar number to the new correct num
- Original Message -
From: "David Kastrup"
To: "Phil Holmes"
Cc:
Sent: Wednesday, June 26, 2013 5:23 PM
Subject: Re: Subtracting one from the measure number
"Phil Holmes" writes:
"David Kastrup" wrote:
"Phil Holmes" writes:
I've got a piece of music that has a dotted bar a
"Phil Holmes" writes:
> - Original Message -
>>
>> Well, judging from your picture, you have the magic of changing the
>> meter silently pat. So instead of making a real mess in order to get
>> two bars of \time 4/4 count as one, why don't you just make a single bar
>> of \compoundTime
- Original Message -
From: "David Kastrup"
To:
Sent: Friday, June 28, 2013 4:48 PM
Subject: Re: Subtracting one from the measure number
"Phil Holmes" writes:
- Original Message -
Well, judging from your picture, you have the magic of changing the
meter silently pat. So
Phil Holmes wrote:
> Secondly, I may sing them for my college recital and so I create
> computerised versions so I can learn the notes. That said, I would use
> these versions for the accompanist, but that's allowed for in the copyright
> regulations.
Why do you think so? As a frequent chora
I have a score I did some time in the previous century in Passport
Rhapsody. Now, I need to make some changes. I cannot find out a way to
read these files. Is anyone here aware of any path to get from Rhapsody
to anything that can be eventually turned into Lilypond, short of
retyping it from the
Tim Roberts writes:
> I have a score I did some time in the previous century in Passport
> Rhapsody. Now, I need to make some changes. I cannot find out a way to
> read these files. Is anyone here aware of any path to get from
> Rhapsody to anything that can be eventually turned into Lilypond,
>
On 2013-06-28 21:45, David Kastrup wrote:
Tim Roberts writes:
I have a score I did some time in the previous century in Passport
Rhapsody. Now, I need to make some changes. I cannot find out a way to
read these files. Is anyone here aware of any path to get from
Rhapsody to anything that can b
Jacques Menu writes:
> Hello,
>
> Don't know Fraise, but if that may help : you menu entry should run:
>
> /Applications/LilyPond.app/Contents/Resources/bin/lilypond
>
> be that textually placed there or in shell script of yours.
I neglected this point in my hasty instructions; when you u
On 29 June 2013 05:49, and...@andis59.se wrote:
> From MakeMusics web site
>
> "Please note that support for Encore, Rhapsody, SCORE, MIDI Scan, and
> SmartScore .fin file types was removed in Finale 2010."
> http://makemusic.custhelp.com/app/answers/detail/a_id/136/kw/Rhapsody
>
> So maybe someo
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