James Harkins-2 wrote
> Is this a known bug?
>
> It looks like LP is trying to avoid a collision between the natural sign
> in the top staff's voiceTwo and the sharp sign in the bottom staff. But of
> course they are nowhere near touching, so there should be no need for
> collision avoidance.
red
Hi,
2013/6/27 Eluze :
> James Harkins-2 wrote
>> Is this a known bug?
>>
>> It looks like LP is trying to avoid a collision between the natural sign
>> in the top staff's voiceTwo and the sharp sign in the bottom staff. But of
>> course they are nowhere near touching, so there should be no need fo
> Date: Wed, 26 Jun 2013 21:44:38 +0200
> From: Philippe de Rochambeau
> To: "lilypond-user@gnu.org"
> Subject: Running Lilypond from Fraise
> Message-ID: <5c5b1de6-6212-4321-88bb-92b368b04...@free.fr>
> Content-Type: text/plain; charset=us-ascii
>
>
> Hello,
>
> could someone please explain h
Janek Warchoł-2 wrote
> Hi,
>
> 2013/6/27 Eluze <
> eluzew@
> >:
>> James Harkins-2 wrote
>>> Is this a known bug?
>>>
>>> It looks like LP is trying to avoid a collision between the natural sign
>>> in the top staff's voiceTwo and the sharp sign in the bottom staff. But
>>> of
>>> course they a
Eluze writes:
> the only workaround I could find is to tweak manually where necessary:
>
> \tweak Accidental #'extra-offset #'(1 . 0) b
If a line break occurs at the bar-line, this will not look good.
--
David Kastrup
___
lilypond-user mailing lis
on 2013-06-27 at 11:56 Alexander Deubelbeiss wrote:
> > From: Philippe de Rochambeau
> >
> > could someone please explain how to run Lilypond from Fraise?
> >
>
> In my experience Lilypond does not interact usefully with fruit; so
> presumably you mean some sort of software product?
i think
Hi Phil,
> It looks like an ottava marking, but doesn't make much sense as that if you
> follow the 3rd and 4th bars of the image supplied. I've also listened to
> recordings and they definitely do not drop by an octave here. I'm also
> rather confused as to how this would be played
Usually
Hi Phil,
On Thu, Jun 27, 2013 at 6:54 AM, Phil Holmes wrote:
> I'm setting the Vagabond so that I can practice singing it, and I'm
> confused by a marking on the piano piece - see the attached image. It
> looks like an ottava marking, but doesn't make much sense as that if you
> follow the 3rd
On Jun 27, 2013, at 6:51 AM, luis jure wrote:
>
> on 2013-06-27 at 11:56 Alexander Deubelbeiss wrote:
>
>>> From: Philippe de Rochambeau
>>>
>>> could someone please explain how to run Lilypond from Fraise?
>>>
>>
>> In my experience Lilypond does not interact usefully with fruit; so
>> p
David Kastrup wrote
> Eluze <
> eluzew@
> > writes:
>
>> the only workaround I could find is to tweak manually where necessary:
>>
>> \tweak Accidental #'extra-offset #'(1 . 0) b
>
> If a line break occurs at the bar-line, this will not look good.
that's what I mean with "where necessary" - of
On Thu, Jun 27, 2013 at 12:08 AM, David Kastrup wrote:
> Thomas Morley writes:
>
> > Hi Rachael,
> >
> > per default, LilyPond prints _one_slur between legato-chords. This is
> > common praxis in nearly all printed editions.
> > LilyPond provides the possibility to tweak the slurs via their
> >
Rachael Thomas writes:
> for now you are stuck with
>
> \new Voice { c-\withMusicProperty #'spanner-id #"g"
> \tweak #'extra-offset #'(0 . -1) ((
> c-\withMusicProperty #'spanner-id #"g" )) c }
>
> How would you use the \withMusicProperty identifier within a chord
> structure
On Thu, Jun 27, 2013 at 11:13 AM, David Kastrup wrote:
> Rachael Thomas writes:
>
> > for now you are stuck with
> >
> > \new Voice { c-\withMusicProperty #'spanner-id #"g"
> > \tweak #'extra-offset #'(0 . -1) ((
> > c-\withMusicProperty #'spanner-id #"g" )) c }
> >
> > How would
Hi all,
2013/6/26 Janek Warchoł
> \finger means "use that funny time-signature-like font for these
> glyphs".
I'd like to rectify one thing: "funny" above was used tongue-in-cheek.
The font in itself is by no means funny! It is beautiful and an
excellent example of LilyPond's attention to hand-
On Thu, Jun 27, 2013 at 12:45 PM, Rachael Thomas <
rachael.thomas.carl...@gmail.com> wrote:
>
>
>
> On Thu, Jun 27, 2013 at 11:13 AM, David Kastrup wrote:
>
>> Rachael Thomas writes:
>>
>> > for now you are stuck with
>> >
>> > \new Voice { c-\withMusicProperty #'spanner-id #"g"
>> >
Philippe de Rochambeau writes:
> Hello,
>
> could someone please explain how to run Lilypond from Fraise?
I haven't used Fraise. I did use Smultron a little bit a long time ago.
There may be an elegant way, eliminating the use of the terminal
emulator and making steps 2 through 4 of my descript
Hi again Philippe...
If (when) Frescobaldi becomes easy to install on a Mac, definitely use
it instead of Fraise - because Frescobaldi is made for Lilypond, it
provides a lot of nice functions that Fraise will never have.
--
David R
___
lilypond-user
On Thu, Jun 27, 2013 at 2:47 PM, Rachael Thomas <
rachael.thomas.carl...@gmail.com> wrote:
>
>
>
> On Thu, Jun 27, 2013 at 12:45 PM, Rachael Thomas <
> rachael.thomas.carl...@gmail.com> wrote:
>
>>
>>
>>
>> On Thu, Jun 27, 2013 at 11:13 AM, David Kastrup wrote:
>>
>>> Rachael Thomas writes:
>>>
2013/6/27 Rachael Thomas :
> I think I found the correct syntax. Thank you for your help!
>
> \new TabVoice {
> \tabFullNotation
> \stemDown
>
> 8\2\4\5\6\repeatTie-\withMusicProperty #'spanner-id #"g" \tweak
> #'extra-offset #'(0 . -2.5) (( -\withMusicProperty #'spanner-id #"g" ))
> \1\3
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