Il 23/02/2013 20:19, Felix Janda ha scritto:
Glen Larsen has described a workflow
for updating pieces in the wiki.
https://github.com/chrissawer/The-Mutopia-Project/wiki
I asked him to announce it when ready but I guess he didn't because it's
still a work in progress.
I'll try to add some fe
On 24/02/13 17:37, Nathan wrote:
On Sat, Feb 23, 2013 at 8:25 PM, Nick Payne
mailto:nick.pa...@internode.on.net>> wrote:
I had a couple of instances where I wanted two eighth notes not to
be beamed. As a quick attempt to avoid having to use \autoBeamOff
and \autoBeamOn for a couple
Am 24.02.2013 00:00, schrieb Nathan:
Nathan
Oops, sorry for the duplicate answer. Somehow I missed the others...
At least our answers are consistent :-)
Regards,
Nathan
___
lilypond-user mailing list
lilypond-user@gnu.org
https://lists.gnu.o
I just figured it out, I made a staff just for pedal sustainOn and offs.
Sweet! Thanks for the help
--
View this message in context:
http://lilypond.1069038.n5.nabble.com/sustain-pedal-warnings-tp141351p141367.html
Sent from the User mailing list archive at Nabble.com.
[..] As opposed to a "file format",
however, the only reliable reader (not just interpreter) of LilyPond
files is LilyPond itself. That's a disadvantage for interfacing with
other programs.
Not really a fundamental problem I would think: Lilypond could be
instructed to lower its input into mus
Hello,
I mainly write music for the piano.
In the following snippet:
\header {
title = "dynamics in parallelMusic"
composer = "me"
}
\version "2.16.2"
{
\parallelMusic #'(righthand lefthand){
%bar1
d''2\mp b'2|
d'2 g'2|
}
\new PianoStaff<<
\new Staff << \righthan
- Original Message -
From:
To:
Sent: Sunday, February 24, 2013 12:35 PM
Subject: dynamics in \parallelMusic
Hello,
I mainly write music for the piano.
In the following snippet:
\header {
title = "dynamics in parallelMusic"
composer = "me"
}
\version "2.16.2"
{
\parallelMusic #
On Fri, Feb 22, 2013 at 1:33 AM, David Kastrup wrote:
> Hilary Snaden writes:
>
> > On 2013-02-21 23:10, David Kastrup wrote:
> >
> >> However, LilyPond indeed has a weakness in as far as it does not
> >> really have a "file format". It is an evolving input language.
> >
> > If that's a "weakne
> A dynamics context should do what you want:
>
> \version "2.16.2"
> {
> \parallelMusic #'(righthand lefthand dynam){
>%bar1
>d''2 b'2|
>d'2 g'2|
>s2 \mp s2 |
>
> }
> \new PianoStaff<<
>\new Staff { \righthand }
>\new Dynamics { \dynam }\new Staff { \leftha
On Sun, 2013-02-24 at 13:56 +0100, Olivier Biot wrote:
> And what if we could use a small USB keyboard to input notes and have
> a simplified graphical interface displaying what you just entered for
> a quick visual first inspection of the music just entered.
I guess you are aware that Denemo does
On Feb 23, 2013, at 5:29 PM, Noeck wrote:
> Hi Alex,
>
> In general, you won't find much help with that attitude:
>> because I don't have the time to learn this by myself using the manual
> The LilyPond manuals are helpful and you don't have to read everything
> to get started. For guitar music,
On Sun, Feb 24, 2013 at 2:31 PM, Richard Shann wrote:
> On Sun, 2013-02-24 at 13:56 +0100, Olivier Biot wrote:
> > And what if we could use a small USB keyboard to input notes and have
> > a simplified graphical interface displaying what you just entered for
> > a quick visual first inspection of
> Unfortunately, this doesn't give good results in general, since the
> Dynamics context corresponds to a straight horizontal line between
> the skylines. However, the `middle' between two piano staves is
> usually not a straight line, as the attached image demonstrates.
>
> I'll enter an enhanc
I have a manuscript with some repeats and a first and second time bar.
I want to arrange a drum line in my drum machine.
To line up the bars between the manuscript and the drum machine it helps to
have all the bars numbered. These commands work fine:
\set Score.currentBarNum
> A dynamics context should do what you want:
>
> \version "2.16.2"
> {
> \parallelMusic #'(righthand lefthand dynam){
>%bar1
>d''2 b'2|
>d'2 g'2|
>s2 \mp s2 |
>
> }
> \new PianoStaff<<
>\new Staff { \righthand }
>\new Dynamics { \dynam } \new Staff { \lefthand
- Original Message -
From: "Graham.Okely"
To:
Sent: Sunday, February 24, 2013 9:22 AM
Subject: Advice on bar numbers
I have a manuscript with some repeats and a first and second time bar.
I want to arrange a drum line in my drum machine.
To line up the bars between the manuscript
Hello all,
I'm working on a medium-sized score (chamber opera). I'm currently getting the
following output:
Drawing
systems.../Applications/Lilypond/LilyPond.app/Contents/Resources/share/lilypond/current/scm/bar-line.scm:926:28:
In procedure ly:grob-array-length in expression (ly:grob-array-le
Hi Arlin,A piece with 5 movements, one (solo-)part. I've stripped every movement to 2 bars. The file generates the transposed parts for a bass-clarinet, but with exactly the same input notes I also have a compiling file for the original Gamba. This is the way I do this, probably not perfect but for
Hi James,
> does using '--loglevel=DEBUG'
> get you anything more useful?
No -- same output.
Thanks,
Kieren.
___
lilypond-user mailing list
lilypond-user@gnu.org
https://lists.gnu.org/mailman/listinfo/lilypond-user
Keiren,
On 24 February 2013 19:01, Kieren MacMillan
wrote:
> Hello all,
>
> I'm working on a medium-sized score (chamber opera). I'm currently getting
> the following output:
>
> Drawing
> systems.../Applications/Lilypond/LilyPond.app/Contents/Resources/share/lilypond/current/scm/bar-line.scm:926
Trying to build the example below with 2.17.13 gets this error in the
console log:
Processing `/home/nick/lilypond/examples/test.ly'
Parsing.../usr/local/lilypond/usr/share/lilypond/current/ly/articulate.ly:446:13:
In procedure map in expression (map (lambda # #)):
/usr/local/lilypond/usr/share
Il 24/02/2013 23:03, Nick Payne ha scritto:
If I remove the call to \articulate then there is no error, or if I
leave the call to \articulate and remove the alternative block then
there is no error.
Thanks for adding this analysis.
Added here:
http://code.google.com/p/lilypond/issues/detail?id=
Hi,
I've been using Lilypond for over a year and I've always noticed it requires
a lot of CPU resources to engrave a score. This is especially noticeable
when working on big orchestral scores. I use a Macbook Pro and one single
engraving of an orchestral score, speeds up the fan and the left-hand
Antonio Gervasoni writes:
> I wonder if having a barcheck for every measure has something to do
> with this. The score I'm working on has 25 staves and is 220 bars
> long. Also, of those 25 staves, 9 are used for two instruments so in
> the end it's just like having 34 staves. Then, 34*220 makes
Hi Jan-Peter,
> I darkly remember a scheme engraver, that did something, whenever a
> time-sig-schange happens. IIRC it is based on snippet from you David.
> One might reduce it to the following:
This does exactly what I need it to do!
For the engraver itself — and also for the fact the conducto
Hi,
what's the common practice of setting MultiMeasureRest with longer bars?
I.e. which glyph should be used?
LilyPond chooses different ones depending on \time.
I naively expected that the code below would result in the same output
for the different settings of \time.
I didn't manage to find ex
2013/2/25 Thomas Morley :
> Hi,
>
> what's the common practice of setting MultiMeasureRest with longer bars?
>
> I.e. which glyph should be used?
> LilyPond chooses different ones depending on \time.
> I naively expected that the code below would result in the same output
> for the different settin
Hi,
You may upload them to www.cpdl.org (Choral Public Domain Library) and IMSLP.
In CPDL you can link the files in your server or directly upload to cpdl server.
Remember files should be in Public Domain (atleast in US)
Regards,
Eby
--- On Sat, 2/23/13, Noeck wrote:
> From: Noeck
> Subjec
Hi there,
I was just wondering if there are any options for doing cross voice slurs
like in this silly example
\version "2.16.2"
global = {
\key c \major
\time 4/4
}
violin = \relative c'' {
\global
% Music follows here.
<<{c2 \(e}\\{c,4 d e f}>>
c'2\) d4 c
}
\score {
\new Staff
Antonio Gervasoni gmail.com> writes:
> I've been using Lilypond for over a year and I've always noticed it requires
> a lot of CPU resources to engrave a score. This is especially noticeable
> when working on big orchestral scores. I use a Macbook Pro and one single
> engraving of an orchestral s
Derek wrote
> Hi there,
>
> I was just wondering if there are any options for doing cross voice slurs
> like in this silly example
I don't think it's possible to have slurs crossing voices but you can force
the slur to stay in the voice:
\relative c'' {
<<
\context Voice = "1" {c2 \(e}
Can I ask why this isn't something one would want implemented within
lilypond? Seems like it can happen in printed music quite a lot.
--
View this message in context:
http://lilypond.1069038.n5.nabble.com/Is-there-an-easy-solution-to-across-voice-slurs-tp141446p141450.html
Sent from the User m
Derek wrote
> Can I ask why this isn't something one would want implemented within
> lilypond? Seems like it can happen in printed music quite a lot.
>
>
> Hmmm, my actual music I am working on doesn't seem to work, more
> accurately I can't get it to work
>
> <<\context Voice = "1" { bes4\)~b
33 matches
Mail list logo
