Re: not so nice horizontal spacing

Dear Robert, thanks for Your proposals. I think a dotted quarter rest isn't a good solution. Musicians normally don't like them because they can easily be overlooked. And there is no keysignature, it's so called "atonal" music. 2012/9/14 Robert Schmaus > > Hi Stefan, > > as far as I can see, the

Re: Compress Full Bar Rests

Hugh Resnick writes: >> Consider lumping your measures together, so: s1*3 instead of s1 s1 s1 >> >> —Josiah > > Perfect. Thank you so much. I'd like to ask some more silly questions here * why is this [*3] necessary? and if it is necessary, then * why isn't it obvious? and if it isn't ob

Re: Compress Full Bar Rests

- Original Message - From: "Jan Nieuwenhuizen" To: "Hugh Resnick" Cc: Sent: Saturday, September 15, 2012 10:24 AM Subject: Re: Compress Full Bar Rests Hugh Resnick writes: Consider lumping your measures together, so: s1*3 instead of s1 s1 s1 —Josiah Perfect. Thank you so much.

Ambitus-Bug

Have a look at the attached source and the png, the problem is obvious. The first appearance dictates which of the two enharmonic equivalents is chosen for the ambitus. cu, Knut <>\version "2.16.0" \header { tagline = ##f} \layout{ \context { \Voice \consists "Ambitus_engraver" }} \score { \n

Re: Ambitus-Bug

Knut Petersen t-online.de> writes: > > Have a look at the attached source and the png, the problem is obvious. > The first appearance dictates which of the two enharmonic equivalents is > chosen for the ambitus. > Yes. The ambitus was formerly sorted in staff-position order, and there was a com

Re: Ambitus-Bug

On 15 Sep 2012, at 19:59, Keith OHara wrote: > If one sets the actual tuning in LilyPond, so that she knows that E-sharp > is a slightly higher pitch than F, she will make the ambitus consistently. > > Maybe not everyone agrees with me that E-sharp is a higher pitch than F. It depends on the tun

Re: Ambitus-Bug

Keith OHara wrote: Knut Petersen t-online.de> writes: Have a look at the attached source and the png, the problem is obvious. The first appearance dictates which of the two enharmonic equivalents is chosen for the ambitus. Yes. The ambitus was formerly sorted in staff-position order, and t

Re: Compress Full Bar Rests

On Sat, 15 Sep 2012 11:24:30 +0200 Jan Nieuwenhuizen wrote: > Hugh Resnick writes: > > >> Consider lumping your measures together, so: s1*3 instead of s1 s1 > >> s1 > >> > >> —Josiah > > > > Perfect. Thank you so much. > > I'd like to ask some more silly questions here > > * why is this [*3

Re: Ambitus-Bug

PMA aya.yale.edu> writes: > Keith OHara wrote: > > > > Maybe by default LilyPond could break the ties based on staff-position, > > Might \naturalizeMusic specifically target Ambitus? > I would think that the desired output is to show the versions that indicate the full range of staff-positions,

Re: Ambitus-Bug

Keith OHara oco.net> writes: > The actual request on the bug tracker, ___ lilypond-user mailing list lilypond-user@gnu.org https://lists.gnu.org/mailman/listinfo/lilypond-user

-dbackend=eps clips lowest beam

Hi all If I run this with no arguments (or have a tagline) everything's fine if run the file with -dbackend=eps the bottom stem is clipped any clues? thanks Damian \header{ tagline = "" } \version "2.16.0" musicRH = {<< { } \\ { \change Staff = "LH" b8[

Re: -dbackend=eps clips lowest beam

On 15 Sep 2012, at 22:35, Damian leGassick wrote: > Hi all > > If I run this with no arguments (or have a tagline) everything's fine > if run the file with -dbackend=eps the bottom stem is clipped > > any clues? > > thanks > > Damian > > \header{ tagline = "" } > \version "2.16.0" > musicRH

Re: -dbackend=eps clips lowest beam

Damian leGassick wrote > > Hi all > > If I run this with no arguments (or have a tagline) everything's fine > if run the file with -dbackend=eps the bottom stem is clipped > > any clues? > > how do you open the eps file? I use IrfanView and have no problem! Eluze -- View this message in