Hello Daniel,
I usually use \repeatTie/\repeatSlur and \laissezVibrer to create
half/broken slurs or ties.
So you end the first piece with (for example)
{ ... c1\laissezVibrer }
and start the next one with (for example)
{ c4\repeatTie ... }
Here's a tiny example with the new \shape (v 2.15.40)
On 20/08/12 18:19, Jan-Peter Voigt wrote:
Here's a tiny example with the new \shape (v 2.15.40) command, that
augments the (semi)ties a little bit:
Is this documented anywhere? When I look at the 2.15 NR section 5.5.4 on
modifying ties and slurs, it doesn't get a mention.
Nick
Hi,
Unfortunately my skills are not enough to install Frescobaldi on a Mac but I
observed exactly the same behavior using Lilypond via jEdit. IMHO this points
towards some cause within the software that Frescobaldi AND JEdit are dependent
on. Though I don't have any idea which one.
I thought
Hi Nick,
On Mon, Aug 20, 2012 at 3:26 AM, Nick Payne wrote:
> On 20/08/12 18:19, Jan-Peter Voigt wrote:
>>
>> Here's a tiny example with the new \shape (v 2.15.40) command, that
>> augments the (semi)ties a little bit:
>
>
> Is this documented anywhere? When I look at the 2.15 NR section 5.5.4 on
Hi,
I am not an experienced user of lilypond, but this seems to me
as bug in parser, or, I do not understand something...
==
\version "2.15.43"
Upper = \relative c' {
e2 g |
\repeat "volta" 2 {
c2 e |
}
\alternative {
{ r } |
{ g } |
}
}
At 13:20 on 20 Aug 2012, Zbyszek Loska wrote:
>I am not an experienced user of lilypond, but this seems to me
>as bug in parser, or, I do not understand something...
Move your bar checks inside the parentheses, viz:
>==
>\version "2.15.43"
>
>Upper = \relative
On 08/20/2012 01:27 PM, Mark Knoop wrote:
Move your bar checks inside the parentheses, viz:
==
\version "2.15.43"
Upper = \relative c' {
e2 g |
\repeat "volta" 2 {
c2 e |
}
\alternative {
{ r | }
{ g | }
}
}
Lower = \relat
Hi,
i want to write a piano score with melody, but i want the melody smaller!
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Hello,
I need to indicate that a note should be played with the right hand in a
two-voice piano texture. I'm using an L shape mark, like this:
\version "2.14.2"
noteText = {
\once \override TextScript #'Y-extent = #'(3 . -3)
\once \override TextScript #'padding = #-0.5
\once \override T
fabio wrote
>
> Hi,
> i want to write a piano score with melody, but i want the melody smaller!
>
>
hi
do you mean a melody with text?
can you provide a tiny example of your code so far, so we can show exactly
where to put modifying commands!?
Eluze
--
View this message in context:
http:
On Mon, Aug 20, 2012 at 5:12 AM, James Harkins wrote:
> First off, I've switched from Emacs LilyPond-mode to Frescobaldi 2.
> Amazing, incredible work! SO much easier to write. (And I love the ease of
> updating via git.)
>
> But... I'm not sure if this is the right place to report a small confus
Am 20.08.2012 um 16:34 schrieb Gerard McConnell :
> On Mon, Aug 20, 2012 at 11:02 AM, Kai Lautenschläger
> wrote:
> Hi,
>
> Unfortunately my skills are not enough to install Frescobaldi on a Mac but I
> observed exactly the same behavior using Lilypond via jEdit. IMHO this points
> towards so
On Sat, 18 Aug 2012 22:44:57 -0400
Mark Mathias wrote:
> The Wikipedia article on Frescobaldi says that it will work with more
> than one version of LilyPond installed. How do I install more than
> one version under Windows7? Is there something special needed in
> Frescobaldi as well to make it c
hi guys..
is it possible to make the staff lines thinner without effecting other
lines..?!
i tried \override StaffSymbol #'thickness = #3
but it affects all..
thanks..
--
*Nesmotren govori kao da mačem probada, a jezik je mudrih iscjeljenje.
Izreke 12:18*
___
Look at using something like:
\override StaffSymbol #'ledger-line-thickness = #'(0.2 . 0.2)
\override Stem #'thickness = #0.2
as well
--
Phil Holmes
- Original Message -
From: Stjepan Horvat
To: lilypond-user Mailinglist
Sent: Monday, August 20, 2012 5:12 PM
Subject: staff
I always love hearing about people using lilypond, especially when
there's some sheet music or videos to watch. Here's a nice story
of LilyPond use.
He's also made some nice instructional videos about
lilypond+Frescobaldi. It would be neat if somebody translated
those into English, or French, or
Thanks for the info!
The only thing is that I cannot use \repeatSlur, doesn't seem to be
available on version 2.15.39, so I'm trying to use \repeatTie.
Also, I didn't specify but what I have is something like:
*score 1*
c4 d *(* e | *% change ( for \laissezVibrer*
*---*
*score 2*
d4 *)* c b |
On Aug 20, 2012, at 5:34 AM, Daniel E. Moctezuma wrote:
> Hello,
>
> I was wondering if it's possible to put slurs between different \score
> sections (inside a \book).
> I have 2 movements of a work that are played one after another (attaca) with
> a slur between them.
> Thanks.
Given the co
On Mon, Aug 20, 2012 at 7:20 AM, Zbyszek Loska wrote:
> Hi,
> I am not an experienced user of lilypond, but this seems to me
> as bug in parser, or, I do not understand something...
> ==**
> \version "2.15.43"
>
> Upper = \relative c' {
> e2 g |
> \repeat "
On 20/08/2012 10:21 PM, fabio wrote:
Hi,
i want to write a piano score with melody, but i want the melody smaller!
Hi Fabio.
I had this exact same problem. Here's how I overcame it (with a
part-extraction for the violin):
violinSolo = \new Staff \with {
instrumentName = "Vl."
midi
At Mon, 20 Aug 2012 11:16:03 -0400,
lilypond-user-requ...@gnu.org wrote:
> From: Kai Lautenschl?ger
> In my case I never touched the PDF files and they are saved to the same
> directory as the .ly file. Above that, the strange thing is, that it does not
> always fail to show the PDF. But the bug
Thank you so much. However, because "rotate" performs its rotation around the
center of the character I need to make a small adjustment. There is a
"rotation" routine allowing rotation at an arbitrary point but it appears to be
solely for music not markups. I tried the following change using "trans
This is probably a historical issue after reading some older posts, but I can't
directly change the size of the notehead for "easyHeadsOn". I want the note
heads to be BIG so it is easy to read (and pronounce) the note. Below is my
attempt at adjusting the notehead size directly. Changing the value
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