errors are the following:
programming error: No spacing entry from KeySignature to `custos'
> continuing, cross fingers
> programming error: No spacing entry from KeyCancellation to `custos'
> continuing, cross fingers
here is the file:
http://pastebin.com/x6K9eJPK
lilypond version 2.15.40 (co
nevermind this, i've changed the whole layout, it works now.
2012/5/25 Wasil Sergejczyk
> sorry, here's a more readable file:
> http://pastebin.com/uNGLsZ1R
>
>
> 2012/5/25 Janek Warchoł
>
>> On Fri, May 25, 2012 at 9:30 AM, Wasil Sergejczyk
>> wrote:
>> > here is the file:
>> > http://pastebi
Hi Janek,
better don't talk too much about these things.
They give me an attention I don't deserve yet.
OK, I have plans to 'tweak' several projects to be explicit promotion
for LilyPond.
OK, I'm determined to do some heavy lobbying in an area that _could_
result in a significant boost of LilyP
On Fri, May 25, 2012 at 06:14:38AM +, Keith OHara wrote:
> Colin Hall gmail.com> writes:
> >
> > On Mon, May 21, 2012 at 01:40:04AM +0100, Colin Hall wrote:
> > > On Sun, May 20, 2012 at 12:08:44PM -0300, Marcos da Silva Sampaio wrote:
> > > >
> > > > I'm using a tremolo in a full bar. I use
On Fri, May 25, 2012 at 08:35:40AM +0200, Janek Warcho wrote:
> On Fri, May 25, 2012 at 8:14 AM, Keith OHara wrote:
> > Colin Hall gmail.com> writes:
> >> Have you had a chance to try your Lilypond source with an official binary
> >> release yet?
> >
> > So far, Eluze tried to reproduce the probl
Am 2012-05-25 um 02:07 schrieb Thomas Morley:
This is a long discussion. We had similar ones in the past. That's
useless.
I followed the development of 2.15. in every detail, that I understood
and I want to say that due to David's engagement and skill-ranks
LilyPond has improved in a way that
Hello Pete,
Am 25.05.2012 07:53, schrieb Pete Farmer:
Hi Marc,
I'm will try to extend your work on bend.ly to include a few new cases. I'm
in the process of laying out some material by The Hellecasters and as you
can imagine I'm encountering many instances which require rather exotic
represen
> Markus Schneider
> Wed, 19 Jul 2006 02:34:30 -0700
> I attach a example file you may find useful with some functions and
> variables I use regarding volta bracket / rehearsal mark placement.
> Cheers,
> Markus
Hi,
I realize, of course, that the above is an old post, and it seem
On Fri, May 25, 2012 at 4:07 PM, Philip Thomas wrote:
> I realize, of course, that the above is an old post, and it seems that
> Markus has not been active on the forum for a few years. I came across his
> post while searching for inspiration in addressing some problems with volta
> bracket alignm
David Kastrup wrote:
> Jeff Barnes writes:
>
>> I don't think that's necessarily applicable to Lily. The end
> product
>> being distributed is paper (or perhaps a pdf file). I don't think the
>> GPL extends to that, does it?
>
> Of course copyright extends to paper, but not to programmati
Jeff Barnes writes:
> David Kastrup wrote:
>
>> Jeff Barnes writes:
>
>>> But most forward thinking publishing companies
Forward thinking? Are we talking about the music publishing industry?
>>> would give the source code back. After all, their core business
>>> isn't LilyPond, it's publis
Hello,
I like the lilypond notation using \relative being concise and readable.
Entering on a computer keyboard is fairly quick, but still it feels
that playing a melody line would be so much quicker. In particular
if one does not have a typing c4 d e f g1 style but c4 d4. e8 f8. g16 c,1
What "be
Klaus Föhl writes:
> Hello,
>
> I like the lilypond notation using \relative being concise and readable.
> Entering on a computer keyboard is fairly quick, but still it feels
> that playing a melody line would be so much quicker. In particular
> if one does not have a typing c4 d e f g1 style but
This snippet illustrates a problem I'm having. The tie on the g is in the wrong
direction after I've finished with the voice split. How do I get the correct
tie direction? It looks like the \voices are still in scope wrt ties.
Also, why did I lose the \relative c' after the voice split?
\score
Write ^ or _ before the tilde to force the tie up or down.
Works also with articulations, slurs and many other things.
Best
Urs
--
Diese Nachricht wurde von meinem Android-Mobiltelefon mit K-9 Mail gesendet.
Jeff Barnes schrieb:
This snippet illustrates a problem I'm having. The tie on the g
Jeff Barnes writes:
> This snippet illustrates a problem I'm having. The tie on the g is in
> the wrong direction after I've finished with the voice split. How do I
> get the correct tie direction? It looks like the \voices are still in
> scope wrt ties.
>
> Also, why did I lose the \relative c'
Urs Liska-4 wrote:
>
> This is great!
>
> one question: How did you manage to create that endless, one-system
> layout?
>
> Best
> Urs
>
I'm using a very long paper size, something like "10 * width of video
resolution" (e.g. 10 * 1280, etc.)
Christopher R. Maden wrote:
>
> Looks great!
If you work a lot with postscript markups, you'll wish to have an easy method
to include 'postcript libaries' (usually prodecure sets) into the PS output,
which will be converted to PDF or other formats. Well, at least I do.
I tried to solve it in my 2.15.39 test installation.
I added to .../scm/
David Kastrup schrieb:
> The talk in Chemnitz was disturbing in that respect. I was rather
> straight about the need to finance my further contribution to LilyPond,
> and there was no shortage of listeners coming to me after the talk,
> letting some LilyPond problem getting solved by me (so it was
David Kastrup schrieb:
> The talk in Chemnitz was disturbing in that respect. I was rather
> straight about the need to finance my further contribution to LilyPond,
> and there was no shortage of listeners coming to me after the talk,
> letting some LilyPond problem getting solved by me (so it was
> From: Klaus Föhl
> I like the lilypond notation using \relative being concise and readable.
> Entering on a computer keyboard is fairly quick, but still it feels
> that playing a melody line would be so much quicker. In particular
> if one does not have a typing c4 d e f g1 style but c4 d4. e8
On Fri, May 25, 2012 at 11:28 AM, Colin Hall wrote:
> Thanks, Janek, but if there's confusion here it is due to me.
>
> The original report was to lilypond-user. Rather than get the user to
> go through the dance of posting the same material to bug-lilypond I
> just treated it as a bug report.
>
>
Janek Warchoł writes:
> On Fri, May 25, 2012 at 11:28 AM, Colin Hall wrote:
>> Thanks, Janek, but if there's confusion here it is due to me.
>>
>> The original report was to lilypond-user. Rather than get the user to
>> go through the dance of posting the same material to bug-lilypond I
>> just
On 5/25/12 3:03 AM, "ArnoldTheresius" wrote:
>
>If you work a lot with postscript markups, you'll wish to have an easy
>method
>to include 'postcript libaries' (usually prodecure sets) into the PS
>output,
>which will be converted to PDF or other formats. Well, at least I do.
>Finally my quest
Keith OHara oco.net> writes:
>
> Jeff Barnes yahoo.com> writes:
>
> > The following music doesn't compile on the mac and
> > causes a segfault on Linux.
>
> it is being tracked at
> http://code.google.com/p/lilypond/issues/detail?id=2562
>
I started cutting down the example, and recognize th
Hi,
I'd like to reduce the vertical spacing between the lines in this markup
column. How is this accomplished?
\markup {\column{
\line{Bla Bla Bla Bla}
\line{Ble Ble Ble Ble}
\line{Blo Blo Blo Blo}
}
}
Thank You, Javier___
lilypond
On 26 mai 2012, at 08:01, J Ruiz wrote:
> Hi,
> I'd like to reduce the vertical spacing between the lines in this markup
> column. How is this accomplished?
>
> \markup {\column{
> \line{Bla Bla Bla Bla}
> \line{Ble Ble Ble Ble}
> \line{Blo Blo Blo Blo}
> }
> }
>
> Thank Yo
J Ruiz writes:
> Hi,
> I'd like to reduce the vertical spacing between the lines in this
> markup column. How is this accomplished?
>
> \markup {\column{
> \line{Bla Bla Bla Bla}
> \line{Ble Ble Ble Ble}
> \line{Blo Blo Blo Blo}
> }
> }
\markup {\override #'(baseline-skip .
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