Reedmace Star wrote:
>
>
> The layout overrides may still be useful for scores where there is
> occasional small overlap between the voices, though.
>
>
I wonder how this would look like!
cheers
Eluze
--
View this message in context:
http://old.nabble.com/Combining-lyrics-lines-tp33510107
* 2012-03-17 08:47 +0100 -Eluze:
> Reedmace Star wrote:
> > The layout overrides may still be useful for scores where there is
> > occasional small overlap between the voices, though.
>
> I wonder how this would look like!
Well, like this:
\version "2.14.2"
\layout {
\context {
\Lyrics
- Original Message -
From: "Wilbert Berendsen"
To:
Sent: Friday, March 16, 2012 8:40 PM
Subject: LilyPond in/not in Windows PATH (Re: Point-and-click on
Frescobaldi?)
Op Thu, 15 Mar 2012 07:36:33 -0400
Father Gordon Gilbert schreef:
For whatever reason, Fresco was not showing th
Hello list,
What dynamic is in measure 3 after the repeat? p or f?
And yes, I know it is better to write something explicit than implicit.
I personally would write a new dynamic sign after ||: but how to
interpret it if somebody did it like in the picture?
Nils<>
- Original Message -
From: "Nils"
To:
Sent: Saturday, March 17, 2012 11:30 AM
Subject: musical logic: what dynamic after the repeat (picture attached)?
Hello list,
What dynamic is in measure 3 after the repeat? p or f?
And yes, I know it is better to write something explicit than
Dear List,
I have four horns playing in an orchestra like this:
\new GrandStaff <<
\set GrandStaff.instrumentName = #"Corni"
\set GrandStaff.shortInstrumentName = #"Cor."
\new Staff {
\set Staff.instrumentName = #"I"
\set Staff.shortInstrumentName = #"I"
\corI
On Sat, Mar 17, 2012 at 9:31 PM, Frank Steinmetzger wrote:
> The first one, lyrics.png, shows a page created by both 2.12 and 2.14. Thanks
> to the smaller space between a staff and its lyrics, the systems now become
> less high. This is often a good thing, as it allows to get more on a page.
>
Reedmace Star wrote:
>
> * 2012-03-17 08:47 +0100 -Eluze:
>> Reedmace Star wrote:
>> > The layout overrides may still be useful for scores where there is
>> > occasional small overlap between the voices, though.
>>
>> I wonder how this would look like!
>
> Well, like this:
> …
>
looks good!
At Thu, 15 Mar 2012 21:57:35 +0100,
Janek Warchoł wrote:
>
> On Thu, Mar 15, 2012 at 4:35 PM, James Harkins wrote:
> > I'm getting a bit confused about the use of variables to reflect the
> > structure of the music, or the distribution of notes between different
> > voices etc.
> >
> > After it
At Tue, 13 Mar 2012 11:33:30 -0500,
David Nalesnik wrote:
> Hi Mike,
>
> Excellent work!
>
> I'm glad you think so!
BTW, I didn't mention before, but it looks like I'm going to be using that
feathered-beam function, derived from work by David, and this box-notation
function, also coming fr
Frank Steinmetzger gmx.de> writes:
> [...] However, this is one of the cases where it leads to a lot of
> empty room between system. What would be a good way to make the
> overall appearance a bit lighter by un-squeezing the systems?
>
> Essentially, I would like to make the basic line height
11 matches
Mail list logo
