Hi Jim,
you should address the correct context. Try:
\version "2.14.2"
\paper {
% annotate-spacing = ##t
}
Rhythms = \relative c' { r4 a4 r4 a8 a8 ~ a2 r \break r4 a4 r4 a8 a8 ~ a2 r
}
Melody = \relative c'' { g4 c a f ~ f1 \break g4 c a f ~ f1}
chrds = \chordmode { s4 a s4 b8 c8 a2 s s4 a s4
Hi again,
I forgot to add:
My snippet shows two possibilities, choose one.
Harm
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On Sat, Nov 12, 2011 at 6:41 AM, Thomas Morley <
thomasmorle...@googlemail.com> wrote:
> Hi again,
>
> I forgot to add:
>
> My snippet shows two possibilities, choose one.
>
> Harm
>
Greetings, Harm -
I just noticed, at the end of your snippet, the comments on the closing
parentheses :
} % c
(ref Bug 1943)
Get Info on v. 2.15.18 reports v. 2.14-2 after expansion. It still does not
open under OS 10.5.8, x86.
Stan
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Ref bug 1943
On Mac OS 10.5.8 ppc (PowerBook G4), v.2.15.18 appears to be fully functional
and reports the correct version number under "Get Info." Files compile and
render as expected.
Stan
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https:
I have collision between a stem and a note. I would like to change the
length of the beamed stem. Unfortunately
\override Stem #'length = #0.5
only works for unbeamed stems. Here is the example to tweak:
\relative c, {
\key as \major
\time 3/8
\clef bass
<< { des'8 } \\
{ as8[
On Sat, Nov 12, 2011 at 12:35:00PM +0100, Thomas Morley wrote:
> Hi Jim,
>
> you should address the correct context. Try:
Excellent result, Thomas. Thank you.
Jim
\version "2.14.2"
\paper {
% annotate-spacing = ##t
}
#(set-global-staff-size 25)
Changes = \chordmode { s4 g:m s4 f8 d8:m7 d1
I have collision between a stem and a note. I would like to change the
length of the beamed stem. Unfortunately
\override Stem #'length = #0.5
only works for unbeamed stems. Here is the example to tweak:
\relative c, {
\key as \major
\time 3/8
\clef bass
<< { des'8 } \\
{ as8[ ges
Hi Helge,
2011/11/12 Helge Kruse
> I have collision between a stem and a note. I would like to change the
> length of the beamed stem. Unfortunately
>
> \override Stem #'length = #0.5
>
> only works for unbeamed stems. Here is the example to tweak:
>
> \relative c, {
>
> \key as \major
> \tim
There's a music function I use in virtually every guitar score I've done
with Lilypond, to move glissandi that I use to indicate that a finger
should be kept on a string when moving frets. I just downloaded and
installed 2.15.18 (Linux amd64 version running on Ubuntu 10.04), and the
parameters
Thanks again to those who helped with earlier questions.
This example snippet of some simple changes with implied rhythms
and complex changes with explicit rhythms looks great. The vertical
spacing of the chords and rhythm marks is tight but still legible:
\version "2.14.2"
SimpleChanges = \cho
As I know the majority of folks here are aware, Lilypond's
typesetting language lends itself to modularization of music, so
that a recurring theme or motif can be defined once as a music
identifier, and then inserted at several places in the layout by
referencing that identifier, possibly with tran
On 11/12/11 2:17 PM, "Nick Payne" wrote:
>There's a music function I use in virtually every guitar score I've done
>with Lilypond, to move glissandi that I use to indicate that a finger
>should be kept on a string when moving frets. I just downloaded and
>installed 2.15.18 (Linux amd64 version r
On 13/11/11 13:51, Carl Sorensen wrote:
On 11/12/11 2:17 PM, "Nick Payne" wrote:
There's a music function I use in virtually every guitar score I've done
with Lilypond, to move glissandi that I use to indicate that a finger
should be kept on a string when moving frets. I just downloaded and
in
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