On Fri, Apr 8, 2011 at 12:00 AM, Graham Percival
wrote:
> Yes, there's a short one on the main Vivi page:
> http://percival-music.ca/vivi.html
Erm, I'm pretty sure you don't care about video encoding but if you
ever do, please note that using HTML tags with WebM
compression is pretty awesome.
>
Hu Haipeng wrote:
this doesn't work at all.
The hidden breathe sign strangely leaves an apostrophe like sign
This apostrophe is the breathe glyph; so I suppose the #'transparent
override wasn't being effective. My workaround did work for your snippet
(as my attachment for sighted read
Hi Ivan,
Aside from reading the manuals -- especially the one called 'getting
started', there is something else I think you'll find handy. I
started with Lilypond way back in 2002 or '03 when the only way to use
it was with the command line. Nowadays there are a number of editors
and interfaces
Hi,
Can someone advise how to adjust this identifier to deal with a group of beamed
grace notes?
Many thanks
Peter
"
Mark Polesky wrote:
... with an identifier:
.. which can be adapted to cope with a group of grace notes:
mygrace = #(define-music-function (parser location music) (ly:musi
On 8 April 2011 13:12, Peter O'Doherty wrote:
>
> Hi,
> Can someone advise how to adjust this identifier to deal with a group of
> beamed grace notes?
You want slashed beamed grace notes?
There is a snippet for that: http://lsr.dsi.unimi.it/LSR/Item?id=721
Cheers,
Xavier
--
Xavier Scheuer
__
Hello Philippe, Bruys, Han-Wen and list,
thanks to you, making me look at this book, I ordered it from amazon. (If
someone is a good person and wants to order at his tiny local book-store ;-)
Elaine Gould, "Behind Bars", faber music, ISBN 978-0-571-51456-4, Jan 2011)
The book arrived, while I wa
Thanks to those of you who have replied.
I have been playing about with the various bits and pieces, and especially
the snippet numbers to letters. That snippet places the letter ON the line,
whereas English tablature places the letters BETWEEN the lines. I have
tried such tweaks as
\override
I'm sorry Icouldn't find the issue. I tweaked that in my personal french
tablature font by increasing the space below the letters :'( ... oh yes
I did that... :-[
If you're in total distress about lute tablature, I can send you my
template.
Best regards !
JM
northofscotland a écrit :
Than
Howdy!
Hope this isn't too OT, but can't get any info anywhere else..
What is the status of the mutopiaproject http://mutopiaproject.org ??
I have discovered errors in goldberg aria, reported them to
all contacts, even added corrected source files. Also just
recently tried to subscribe
2011/4/8 steve :
> Howdy!
>
> Hope this isn't too OT, but can't get any info anywhere else..
>
> What is the status of the mutopiaproject http://mutopiaproject.org ??
>
> I have discovered errors in goldberg aria, reported them to
> all contacts, even added corrected source files. Also just
>
2011/4/8 Francisco Vila
>
> 2011/4/8 steve :
> > Howdy!
> >
> > Hope this isn't too OT, but can't get any info anywhere else..
> >
> > What is the status of the mutopiaproject http://mutopiaproject.org ??
> >
> > I have discovered errors in goldberg aria, reported them to
> > all contacts, e
2011/4/8 Janek Warchoł :
.>
> Any Linux user has at least one more reason - finale doesn't run on Linux...
>
Actually it can run on wine (I`m not saying I prefer it!!)
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steve linuxsuite.org> writes:
>What is the status of the mutopiaproject ??
>
It needs people to take over from the one person who has done most of the
work for the past decade. You can see the recent history at the list archive
http://news.gmane.org/gmane.music.mutopia.discuss
where Chris
On 08/04/2011 19:02, Keith OHara wrote:
steve linuxsuite.org> writes:
What is the status of the mutopiaproject ??
As one of the few official mirrors (that is not updating properly, and
now I understand why Chris takes so much time to answer) am would be
happy to help on maintaining
Why not to setup a git repository with the ly files?
It would be also useful for test new releases of Lilypond?
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On 8 April 2011 15:16, northofscotland wrote:
> Is there a simple command to move each separate letter individually into the
> space above its line?
\override TabNoteHead #'Y-offset =
#(lambda (grob)
(+ (/ (ly:staff-symbol-staff-space grob) 2)
(ly:staff-symbol-referencer::callback grob)
I just installed 2.13.58 on Windows and when i run lilypond I get
C:\>lilypond
GNU LilyPond 2.13.54
Usage: lilypond [OPTION]... FILE...
Anyone else gets that?
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On 4/8/2011 5:21 PM, Marc Mouries wrote:
I just installed 2.13.58 on Windows and when i run lilypond I get
C:\>lilypond
GNU LilyPond 2.13.54
Usage: lilypond [OPTION]... FILE...
Anyone else gets that?
It seems that the uninstaller of lilypond 2.14.54 did not work well.
If i uninstall it 2.13.58
I am trying to convert an Irish Fiddle tune and abc2ly complains about
grace notes, repeat signs and text quotes.
Are the limitations of abc2ly documented anywhere? Any workaround to
import the file?
http://abcnotation.com/tunePage?a=trillian.mit.edu/~jc/music/abc/mirror/Perron-Miller/Dr_Gilbert
I have a repeated section that has a time change in the final bar. I asked a
composer friend about the proper notation, he was stumped. I'm figuring that
the change should be before the repeat bar line (maybe in paarentheses?). If
anyone can give some hints or links to discussions on how to
I hope this explains it...the piece starts in 4/4, and the last measure of the
repeat is in 5/4 (the continuation after the repeat stays in 5 for a few bars)
It just seems odd that going back to the beginning of the repeat, back in 4/4,
would not have any notification...
> Date: Fri,
Well that would look odd - the repeat is only 2 bars into the piece...thanks!
> Date: Fri, 8 Apr 2011 19:07:31 -0400
> Subject: Re: Old version (2.6.5) Time signature before bar line?
> From: sh...@grayskies.net
> To: ed_ardzin...@hotmail.com
>
> you should then at the beginning of the repeat
hello
James.
On 8 Apr 2011, at 23:53, "Ed Ardzinski" wrote:
> It just seems odd that going back to the beginning of the repeat, back in
> 4/4, would not have any notification...
>
I don't think so. If you are repeating the bar then you are repeating the bar,
I.e. play whatever it was suppo
hello
On 8 Apr 2011, at 22:34, "Marc Mouries" wrote:
> On 4/8/2011 5:21 PM, Marc Mouries wrote:
>> I just installed 2.13.58 on Windows and when i run lilypond I get
>> C:\>lilypond
>> GNU LilyPond 2.13.54
>> Usage: lilypond [OPTION]... FILE...
>>
>> Anyone else gets that?
>
> It seems that th
On Fri, Apr 08, 2011 at 11:46:34AM +0200, Valentin Villenave wrote:
> On Fri, Apr 8, 2011 at 12:00 AM, Graham Percival
> wrote:
> > Yes, there's a short one on the main Vivi page:
> > http://percival-music.ca/vivi.html
>
> Erm, I'm pretty sure you don't care about video encoding but if you
> ever
On Fri, Apr 08, 2011 at 06:02:01PM +, Keith OHara wrote:
> A recent stable LilyPond version would also help. I converted the scores I
> was working on from 2.12 to 2.13, to avoid difficulties with \partcombine,
> but then 2.13 kept changing so I've abandoned the 2.13 versions and now have
> pr
Hello folks,
Basically, I'm trying to create a library of Lilypond scores with some of my
collaborators and I'd like to automate the process. I've installed Lilypond on
my server and I've allowed each user to drop Lilypond source files via a Perl
script. The script then calls Lilypond and voila, a
The following minimal example generates the error "programming error:
cannot align on self: empty element" in the console log.
\version "2.13.58"
\relative c' {
\tempo 4 = 72
\override Score.MetronomeMark #'stencil = ##f
c4 c c c
}
Comment out either the \tempo indication or the ov
On Fri, 08 Apr 2011 19:34:05 -0700, Graham Percival
wrote:
On Fri, Apr 08, 2011 at 06:02:01PM +, Keith OHara wrote:
A recent stable LilyPond version would also help. I converted the scores I
was working on from 2.12 to 2.13, to avoid difficulties with \partcombine,
but then 2.13 kept cha
Hello again,
I'm sorry to have to make further enquiries, but I'm flailing around here.
It seems that I need to divide the arpeggiated chord into separate
parts, so I can apply tweaks to each part separately.
Sorry about the length of the following code. It is for only one
arpeggiated chord, and
Hello Again,
Part 2: If I put each part into a separate voice context, the ties are
in the right direction, but otherwise it's a real mess.
Thanks,
bruys
partOne = {
\voiceOne
\set tieWaitForNote = ##t % for arpeggiated ties
\once \override Beam #'positions = #'(5.0 . 5.0) % raise be
Hello,
I'm curious (and I'm using version 2.13), and I wondered if
\partcombine is supposed to work with more than two parts. The
documentation refers to combining "several" parts, but only shows
examples with two parts. I was unsuccessful trying to use more than
two parts (in my pathetic attempts
Hello Michael,
I know next to nothing about JEdit, except that it installed on my
(Windows) system without any difficulty. No-one else has replied, so I
thought I'd mention that a few more details are probably required
before anyone can help. It would appear that JEdit is not finding a
necessary fi
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