Janek Warchoł writes:
> Thanks for all replies.
> I'd use phrasing slur, however there's not much phrase to indicate with it...
> Look at the slurs marked in red in the attachment - a phrasing slur
> for 2 notes?
> In the first case Werner's guess may be correct (a slur would prohibit
> singers f
Frank Weichert wrote:
I'm looking for special symbols used for harp-notation
You could try following up Mario's "TabSymbols" font
http://www.lilypondforum.de/index.php?topic=252.0
And for a possible markup approach and some discussion, see
http://lists.gnu.org/archive/html/lilypond-user
On 02/19/2011 04:58 AM, frank.weich...@lpp-pfullingen.de wrote:
Hi All,
I'm looking for special symbols used for harp-notation (german: Mundharmonika).
Like
fingering for keybords, harps needs special symbols for "chanel-number" and
"blow" and
"reverse blow", "Shift" (chromatic one only).
Th
- Original Message -
From: "Janek Warchoł"
To: "lilypond-user"
Sent: Friday, February 18, 2011 8:00 PM
Subject: engraving question - temporary voices in vocal music
Hi,
i have a SATB choral piece and occasionally some voices are split in
two. If the rhythyms differ, a polyphonic not
2011/2/19 David Kastrup :
> Janek Warchoł writes:
>
>> Thanks for all replies.
>> I'd use phrasing slur, however there's not much phrase to indicate with it...
>> Look at the slurs marked in red in the attachment - a phrasing slur
>> for 2 notes?
>> In the first case Werner's guess may be correct
Am Samstag, 19. Februar 2011, um 16:31:36 schrieb Janek Warchoł:
> 2011/2/19 David Kastrup :
> > It is not unusual to have instruments double some vocal parts and the
> > slurs might be a playing instruction for them.
>
> Maybe, i must ask the composer.
> Should a dashed slur be used in such a cas
2011/2/19 Reinhold Kainhofer :
> Am Samstag, 19. Februar 2011, um 16:31:36 schrieb Janek Warchoł:
>> 2011/2/19 David Kastrup :
>> > It is not unusual to have instruments double some vocal parts and the
>> > slurs might be a playing instruction for them.
>>
>> Maybe, i must ask the composer.
>> Shou
- Original Message -
From: "Janek Warchoł"
Maybe, i must ask the composer.
Should a dashed slur be used in such a case?
Lo and behold, another example from the Gondoliers
--
Phil Holmes
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...
The only thing i can come up with is that he wants the notes to be
sung legato, so maybe it would be best to simply write "legato" above
notes?
...
Perhaps the composer wants portamento here, not simply legato. If so, I'd be
inclined (as others have suggested) to use phrasing slurs to encour
My wife has just asked and I don't know the answer. Why is LilyPond called
LilyPond?
--
Phil Holmes
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On Sat, Feb 19, 2011 at 04:47:01PM -, Phil Holmes wrote:
> My wife has just asked and I don't know the answer. Why is LilyPond
> called LilyPond?
It's on the old webpages, and one of the things I've had in the
back of my mind that we might want to integrate into the new
docs+web.
http://lilyp
On 2/19/11 9:47 AM, "Phil Holmes" wrote:
> My wife has just asked and I don't know the answer. Why is LilyPond called
> LilyPond?
>
http://lilypond.org/web/about/name
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> Lo and behold, another example from the Gondoliers
This slur has an exact meaning: It's a portato. You can find this
kind of notation in virtually all scores from the 19th century,
including both German (e.g. Wagner) and Italian (e.g. Verdi)
composers.
Werner
___
> I'd use phrasing slur, however there's not much phrase to indicate
> with it... Look at the slurs marked in red in the attachment - a
> phrasing slur for 2 notes?
Wearing my singers' coach hat, I'd say that the slurs have two
meanings:
. They indicate a long first note and a shorter second
2011/2/19 Carl Sorensen :
> On 2/19/11 9:47 AM, "Phil Holmes" wrote:
>
>> My wife has just asked and I don't know the answer. Why is LilyPond called
>> LilyPond?
>>
>
> http://lilypond.org/web/about/name
And the thread starting at
http://www.mail-archive.com/lilypond-devel@gnu.org/msg21147.html
On Sat, Feb 19, 2011 at 12:41 PM, Francisco Vila wrote:
> > On 2/19/11 9:47 AM, "Phil Holmes" wrote:
> >
> >> My wife has just asked and I don't know the answer. Why is LilyPond
> called
> >> LilyPond?
> >>
> >
> > http://lilypond.org/web/about/name
>
Telling your wife such a romantic story co
On Sat, Feb 19, 2011 at 12:11 PM, Graham Percival
wrote:
> On Sat, Feb 19, 2011 at 04:47:01PM -, Phil Holmes wrote:
>> My wife has just asked and I don't know the answer. Why is LilyPond
>> called LilyPond?
>
> It's on the old webpages, and one of the things I've had in the
> back of my mind
I'm attempting to use lilypond-book but have run into the following anomaly.
The latex file below demonstrates the problem. There is a line \input{test.ind}
to include the index file generated by the makeindex command. Normal procedure
is to start with an empty (0 byte) xxx.ind file, do several la
Werner LEMBERG gnu.org> writes:
>
>
> > Does anyone know how to create a full score and individual parts for
> > a concert band? This would be very helpful to me. There should be a
> > template for that in the documentation!
>
> `Should'? Boy, the documentation already has more than 1000 page
Brett McCoy gmail.com> writes:
>
> On Fri, Feb 18, 2011 at 4:07 PM, Thomas hotmail.com>
wrote:
>
> > Does anyone know how to create a full score and individual parts for a
concert
> > band? This would be very helpful to me. There should be a template for that
in
> > the documentation!
>
>
Where does TextSpanner hide its text? I'm trying to extract the
text (i.e. "II" or "IV") from a TextSpanner. I've realized that
it isn't part of the text-spanner-event (sob), but as far as I can
tell, it's not in the TextSpanner context either!
What am I missing? example attached and inline (it
On Sat, Feb 19, 2011 at 2:23 PM, Thomas wrote:
> Werner LEMBERG gnu.org> writes:
>
>>
>>
>> > Does anyone know how to create a full score and individual parts for
>> > a concert band? This would be very helpful to me. There should be a
>> > template for that in the documentation!
>>
>> `Should'?
Graham Percival-3 wrote:
>
> Where does TextSpanner hide its text? I'm trying to extract the
> text (i.e. "II" or "IV") from a TextSpanner. I've realized that
> it isn't part of the text-spanner-event (sob), but as far as I can
> tell, it's not in the TextSpanner context either!
>
i found it
Dear all,
thank you for your answers. I think i'll use explicit notation for
clarity's sake, especially because it doesn't take much space in this
case and composer asked for it.
2011/2/19 Phil Holmes :
> - Original Message - From: "Janek Warchoł"
>
> To: "lilypond-user"
> Sent: Friday,
On Sat, Feb 19, 2011 at 01:59:31PM -0800, -Eluze wrote:
>
> Graham Percival-3 wrote:
> >
> > Where does TextSpanner hide its text? I'm trying to extract the
>
> i found it int the Voice context:
Woah, thanks! That works! Thank you so much!
I'm even more puzzled, because I didn't need that fo
I am trying to create an ossia that is above a measure with repeats. Is it
possible to prevent the repeats from appearing in the ossia but at the same
time, preserve the bar lines and prevent the staves from extending past the
last bar?
Here is a a code snippet that demonstrates...
\version "2.12
Wow. Brilliant work here:
http://99-bottles-of-beer.net/language-lilypond-1351.html
(I was doing a google search for "lilypond music function",
because I couldn't remember the exact syntax, and this popped up)
Cheers,
- Graham
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Hello,
-Original Message-
From: Janek Warchoł
Date: Sat, 19 Feb 2011 23:06:12 +0100
To: Phil Holmes , ,
Trevor Daniels , Shane Brandes
, Francisco Vila
Cc: lilypond-user
Subject: Re: engraving question - temporary voices in vocal music
>Dear all,
>
>thank you for your answers. I think
On 11-02-18 01:00 PM, Janek Warchoł wrote:
Hi,
i have a SATB choral piece and occasionally some voices are split in
two. If the rhythyms differ, a polyphonic notation must be used -
that's obvious. But, what to do in the situation pictured in the
problem.png attachment? Is the notation used self-
On 11-02-19 02:45 AM, David Kastrup wrote:
Janek
Warchoł
writes:
Thanks for all replies.
I'd use phrasing slur, however there's not much phrase to indicate with
it...
Look at the slurs marked in red in the attachment - a phrasing slur
for 2 notes?
In the first case Werner's guess may be correct
On Sat, Feb 19, 2011 at 6:24 PM, Graham Percival
wrote:
>
> Wow. Brilliant work here:
> http://99-bottles-of-beer.net/language-lilypond-1351.html
Pretty cool! I wonder if the number lookups could be simplified with
the 'r' format spec?
(use-modules (ice-9 format))
(string-split (format #f "~
Graham Percival writes:
> Wow. Brilliant work here:
> http://99-bottles-of-beer.net/language-lilypond-1351.html
That is impressive. It's a good demonstration of LilyPond's support for
lyrics.
I wonder if it could be done with the verses under *the same staff*,
with alternative rhythms in the d
Shouldn't this example have the notes in the second bar beamed three
together and three together? What I'm getting is three, then one, then two:
\version "2.13.50"
\relative c' {
\time 3/4
c8 c c c c c
\set beamExceptions = #'((end . (((1 . 8) . (3 3)
c c c c c c
}
Nick
<>_
Any singers out there who know of a good song for Purim that can be
sung in four-part harmony?
Out-of-copyright is preferred.
I want to set it in Lilypond & sing with my group.
david olson
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Nick Payne internode.on.net> writes:
> Shouldn't this example have the notes in the second bar beamed three
> together and three together?
>
I think it should. For now, you can add a line
> \version "2.13.50"
[...]
\set Timing.beatStructure = #'(3)
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