Re: Specifying bezier curve for tie across line break collides withclef symbol

Nick, 2 questions: 1. How would you like the tie to behave? 2. Can you make this simpler, please? See http://lilypond.org/website/bug-reports.html and tiny examples. -- Phil Holmes - Original Message - From: Nick Payne To: lilypond-user@gnu.org Sent: Wednesday, December 15

Re: Specifying bezier curve for tie across line break collides withclef symbol

Nick When a spanner such as a tie crosses a line break, the grob is cloned into two grobs, one to be placed at the end of the first line and one to be placed at the beginning of the second. Overrides to properties made in the usual way are made to both of these cloned grobs, although the precise

Re: Specifying bezier curve for tie across line break collideswithclef symbol

Phil I've just posted a reply to this. This is not really a bug, as it is not possible to modify the second part of a cloned tie in this way. It might form the basis of an enhancement request though ... Trevor - Original Message - From: "Phil Holmes" To: "Nick Payne" ; Sent: Wedn

Re: Specifying bezier curve for tie across line break collides with clef symbol

On Wed 15 Dec 2010, 12:59 Nick Payne wrote: > Here's a small example that demonstrates the problem. The lower of > the two ties between bars 2 and 3 appears to go to the wrong note, > and if you uncomment the override for the tie control points to get > it correctly positioned vertically, the conti

Re: How to print 2 rehearsal marks above and below same bar line

On 14/12/2010 11:28, Phil Holmes wrote: And hello from me. - Original Message - From: "James Lowe" To: "Mats Bengtsson" ; Sent: Tuesday, December 14, 2010 10:34 AM Subject: RE: How to print 2 rehearsal marks above and below same bar line Hello -Original Message- From: lily

Re: How to print 2 rehearsal marks above and below same bar line

- Original Message - From: "James" However as a general question from all this regarding workarounds, while we don't document workarounds in the Notation Reference or the Learning manual and while we use Snippets and LSR for 'tweaks' like this; I wondered from the point of view of a

Re: dynamic alignment

Hi Jan-Peter, 2010/12/13 Jan-Peter Voigt > Hello list, > > I wrote a script to align dynamics centered on the corresponding note: > > --snip-- > \version "2.12.3" > > % calculate x-alignment based on attribute text + dynamic text > #(define-markup-command (center-dyn layout props atr-text dyn)(m

Re: How to print 2 rehearsal marks above and below same bar line

I have now added both methods to the LSR awaiting approval. Once they are published we can then link them to the LSR URLs instead of filling up the tracker with lots of different methods. James On 15/12/2010 12:56, Phil Holmes wrote: - Original Message - From: "James" However as a

Chords symbols for Function Theory (Riemann)

Hello, I would like to know if there is a way (i search quite a while whithout success) to write chords according to Riemann's Function Theory. In principle, math would do the trick, but there are some arguments for a own syntax (have a look at

Re: How to print 2 rehearsal marks above and below same bar line

- Original Message - From: "James" To: "Phil Holmes" Cc: "Mats Bengtsson" ; Sent: Wednesday, December 15, 2010 2:54 PM Subject: Re: How to print 2 rehearsal marks above and below same bar line I have now added both methods to the LSR awaiting approval. Once they are published we ca

Re: Mixing notation and lyric entry

Jan Warchol wrote "I don't know how it could be done, and i strongly recommend not doing this. Separating different types of content is in my opinion very beneficial" I agree that separating content is useful. As you point out, it allows one to easily recombine it in various formats. It's just t

Re: Mixing notation and lyric entry

2010/12/15 Michael Ellis > > Jan Warchol wrote "I don't know how it could be done, and i strongly > recommend not doing > this. Separating different types of content is in my opinion very > beneficial" > I agree that separating content is useful.  As you point out, it allows one > to easily recom

Re: How to print 2 rehearsal marks above and below same bar line

Hello On 15/12/2010 15:06, Phil Holmes wrote: > - Original Message - From: "James" > To: "Phil Holmes" > Cc: "Mats Bengtsson" ; > Sent: Wednesday, December 15, 2010 2:54 PM > Subject: Re: How to print 2 rehearsal marks above and below same bar line > > >> I have now added both methods

Re: How to print 2 rehearsal marks above and below same bar line

- Original Message - From: "James" To: "Phil Holmes" Cc: "Mats Bengtsson" ; Sent: Wednesday, December 15, 2010 3:38 PM Subject: Re: How to print 2 rehearsal marks above and below same bar line Hello On 15/12/2010 15:06, Phil Holmes wrote: > - Original Message - From: "James

Re: bar number printed above the phrase (slur) curve

Ming On 15/12/2010 16:09, Jan Warchoł wrote: You need to create a tiny example of your problem (see http://lilypond.org/tiny-examples.html), or else the chance of getting help is (very) small. In my case the file failed to compile at all (i'm running latest development version, 2.13.43) so i don

Re: bar number printed above the phrase (slur) curve

You need to create a tiny example of your problem (see http://lilypond.org/tiny-examples.html), or else the chance of getting help is (very) small. In my case the file failed to compile at all (i'm running latest development version, 2.13.43) so i don't even know if i can help you (i don't have the

How to define functions that generate music functions?

Is it possible to define functions that generate music functions in Lilypond? I'm looking something to this effect: - \version "2.12.3" musicA = #(define-music-function (parser location music) (ly:music?) #{ c4 d e f $music #}) \musicA { g4 a b a

Re: \change Staff and barchecks in LilyPondTool

On Mon, Dec 13, 2010 at 11:26 PM, George_ wrote: > I seem to be having a problem with \change Staff screwing up my barchecks. Thanks, I've added it to the LilyPondTool bug tracker: https://sourceforge.net/tracker/?func=detail&aid=3138066&group_id=91119&atid=596024 Cheers, Valentin. (P.S. -- Hi

Re: How to define functions that generate music functions?

On Wed, Dec 15, 2010 at 5:29 PM, Juha Erkkila wrote: > Is it possible to define functions that generate music functions > in Lilypond?  I'm looking something to this effect: It's a bit tricky. Here's what I use (but it's *very* hackish): http://git.savannah.gnu.org/cgit/opus-libre.git/tree/lib/40

Re: Mixing notation and lyric entry

The following does what I want but requires explicit variables that have to be manually concatenated. There's got to be a way to reduce the overhead. After all, Scheme is the most powerful language in the known universe, right? \include "english-solfa.ly" % english.ly modified to include solfa s

Re: Chord Names Between Piano Staff Treble and Bass Clefs

Hello, On 09/09/2010 09:32, Éditions IN NOMINE wrote: Hi. If you encapsulate right and left hand, I think this is not possible. I've tried this : \version "2.13" right = \relative c'' {c4 c c d e2 d c4 e d d c1 \bar "|."} left = \relative c {\clef bass c2. g4 c2 b c4 f, g g c1 \bar "|."} accor

Re: How to define functions that generate music functions?

On 12/15/10 9:29 AM, "Juha Erkkila" wrote: > Is it possible to define functions that generate music functions > in Lilypond? I'm looking something to this effect: > > - > \version "2.12.3" > > musicA = #(define-music-function (parser location music) > (l

Re: \change Staff and barchecks in LilyPondTool

Cheers. I didn't know where to put this, but I thought here was best, seeing as I seem to see many people here seem to work on LilypondTool as well. Thanks George Valentin Villenave wrote: > > On Mon, Dec 13, 2010 at 11:26 PM, George_ wrote: >> I seem to be having a problem with \change Staf

Re: ChordName Font [was: lilypond cameo]

Am 15.12.2010 00:36, schrieb Valentin Villenave: On Tue, Dec 14, 2010 at 8:39 PM, Marc Hohl wrote: Oh - thanks for the hint! I'll contact him... I'm available to do the go-between if needed. Thanks for your offer! I have no response until now, but when problems occur, I'll inform you. Regard

Modern notation for irregular gliss, lines, or vibrato

Has anyone found a way to draw the following in Penderecki's style? 1. irregular glissando lines or clusters 2. the symbols for bowing behind the bridge consisting of an arch and two or four vertical lines crossing through it 3. horizontal lines through the staff consisting of (a) dots only or (b)

Re: Mixing notation and lyric entry

Michael Ellis wrote: > > Is there a clean way to enter a phrase followed by the corresponding notes > in a \relative block? The example given in the docs, > > { > \time 3/4 > \relative c' { c2 e4 g2. } > \addlyrics { play the game } > } > > is fine for a small example, but it gets messy

Re: Mixing notation and lyric entry

Thanks, Eluze. The spreadsheet idea is clever! Since my last post, I've been playing with a python template substitution approach that, I think, will meet most of my needs. Here's a trivial example from mixlyrics import * ## -- ## Enter lyrics and notation he

Re: Mixing notation and lyric entry

Oops! You'll also need my english-solfa.ly file (attached) to run the example as is. Cheers, Mike On Wed, Dec 15, 2010 at 5:09 PM, Michael Ellis wrote: > Thanks, Eluze. The spreadsheet idea is clever! > > Since my last post, I've been playing with a python template substitution > approach that,

Re: How to print 2 rehearsal marks above and below same bar line

On 15 December 2010 16:06, Phil Holmes wrote: > And this is what the LSR preview shows.  By default, I believe the LSR only > outputs a single line, and so that may be why you see more than we get with > the LSR.  It can be set to give a whole page, but then this is a bit bigger > than optimal fo

Re: Beam settings in 2.13.29

On 10 August 2010 01:08, Carl Sorensen wrote: > On 8/9/10 5:22 PM, "Trevor Daniels" wrote: >> >> >> Neil Puttock wrote Monday, August 09, 2010 9:07 PM >> >> >>> On 6 August 2010 20:36, Trevor Daniels >>> wrote: >>> Second, this only seems to work in the Score context. I don't know if t

Re: Mixing notation and lyric entry

Michael Ellis wrote: > > Thanks, Eluze. The spreadsheet idea is clever! > > Since my last post, I've been playing with a python template substitution > approach that, I think, will meet most of my needs. > hi Mike what you are doing is in a way expanding parrallel input to lyrics. to be ho

Re: bar number printed above the phrase (slur) curve

Is it possible to line up all bar number just above the staff / bar line, especially bar 2, 4 and 5 which is on top of the phrase curve? Here is a simpler example. \version "2.13.40" \header { title = "Walking in Winter Wonderland" } #(set-global-staff-size 30) \include "english.ly" Time

The best way to structure multi-file projects?

Hello list Triggered by my recent problem with a strange notion of Lilypond, due to which it seems to prefer an even number of pages for a score in a multi-score work, I wanted to try and fix that in another document of mine. This work (namely Bach’s Mass in B minor, BWV 232) has 27 pieces, hen

Re: Beam settings in 2.13.29

On 12/15/10 3:43 PM, "Neil Puttock" wrote: > On 10 August 2010 01:08, Carl Sorensen wrote: >> On 8/9/10 5:22 PM, "Trevor Daniels" wrote: >>> >>> >>> Neil Puttock wrote Monday, August 09, 2010 9:07 PM >>> >>> On 6 August 2010 20:36, Trevor Daniels wrote: > Second, thi

Re: dynamic alignment

On 13 December 2010 11:21, Jan-Peter Voigt wrote: > Is it possible to set that value inside the make-dynamic-script or align it > some other way, so that I can simply use my defined \pocof (etc.) without > switching X-offset on and off? Sure, by overriding X-offset as a tweak: pocof = #(let ((d

Re: Beam settings in 2.13.29

On 16 December 2010 00:05, Carl Sorensen wrote: > I think the solution is a documentation change.  timeSignatureSettings can > only apply to the context containing the time signature, i.e. wherever the > Timing_translator is. OK, though does that mean you're leaving the context arg in the music

Re: Beam settings in 2.13.29

On 12/15/10 3:43 PM, "Neil Puttock" wrote: > On 10 August 2010 01:08, Carl Sorensen wrote: >> On 8/9/10 5:22 PM, "Trevor Daniels" wrote: >>> >>> >>> Neil Puttock wrote Monday, August 09, 2010 9:07 PM >>> >>> On 6 August 2010 20:36, Trevor Daniels wrote: > Second, thi

Re: Beam settings in 2.13.29

On Wed, Dec 15, 2010 at 05:19:27PM -0700, Carl Sorensen wrote: > > > It looks like a 2.14 release blocker to me. > > I agree. Could we get an issue number? You don't need to have a tiny example or image, but I'd like to see something in the tracker to show that we have more than one critical is

Re: Beam settings in 2.13.29

On 12/15/10 5:49 PM, "Graham Percival" wrote: > On Wed, Dec 15, 2010 at 05:19:27PM -0700, Carl Sorensen wrote: >> >>> It looks like a 2.14 release blocker to me. >> >> I agree. > > Could we get an issue number? You don't need to have a tiny > example or image, but I'd like to see something

Re: Specifying bezier curve for tie across line break collides withclef symbol

Trevor Thanks for the explanation and Scheme code. I tried to generalise it a bit by passing in the x and y offset values as parameters, using: #(define (tie2-extra-offset grob movex movey) (let* ( (orig (ly:grob-original grob)) (siblings (if (ly:grob? orig) (ly

Retrieve height of text spanner above stave in music function

I have a music function I use for barring indications in guitar music. I'd like to be able to add some code to it to drop a vertical line from the start of the TextSpanner to the position on the staff indicating how many strings to cover (see attached png for an example), but to do that I need

Re: Specifying bezier curve for tie across line break collides with clef symbol

On Wed 15 Dec 2010, 13:08 I wrote: > i've posted a function for shaping broken slurs (thanks to Neil and an > author of that snippet, see source attached), see here: > http://www.mail-archive.com/lilypond-user@gnu.org/msg57796.html [...] I am sorry, i should mention the author of that LSR snippet