Hello Ralph,
the \halign aligns all markups and stacks them. If you want to align the
whole dynamic expression, make it a single markup with \line or \concat:
d4_\markup {
% negative value to right align, so that the forte is near the
corresponding note
\halign #-0.5 {
\white
Hello list,
I wrote a script to align dynamics centered on the corresponding note:
--snip--
\version "2.12.3"
% calculate x-alignment based on attribute text + dynamic text
#(define-markup-command (center-dyn layout props atr-text dyn)(markup?
string?)
"x-align on center of dynamic"
(let*
On Mon, Dec 13, 2010 at 1:01 AM, Colin Campbell wrote:
> On Sun, 2010-12-12 at 10:46 -0500, Ralph Palmer wrote:
>
> >
> > %% Begin Snippet %%%
> >
> > \version "2.12.3"
> >
> > A =
> > \relative c' {
> > \key c \major
> > \clef treble
> > \time 4/4
> >
> > % Works as expecte
On Mon, 2010-12-13 at 07:49 -0500, Ralph Palmer wrote:
>
> Greetings and thanks, Colin -
>
> The second case is unexpected (to me) because I thought that \dynamic
> was a font command, as is \italic. Even if the \dynamic in the second
> case is attached to the d and then overwritten by the "meno
2010/12/10 James :
> Hello
>
> On 10/12/2010 07:43, Jan Warchoł wrote:
>>
>> Seriously though, have you considered changing the default font for
>> chords?
>
> Oh yes, but only to make it smaller, I prefer mine '12% smaller' than
> default, but the 'sans' font I think, is how chord names should be
On 13/12/2010 16:14, Jan Warchoł wrote:
I'd say that it's very interesting. Something distinctive, but not as
soulles as regular sans, might be the best choice for chords (i don't
want to say that it should be comic sans of course:) )
But if, for instance you were doing a Ukulele Cover of Bach
Nick, Matts and James (et al)
On 30/11/2010 01:12, Nick Payne wrote:
On 30/11/10 10:53, James Bailey wrote:
Hello, I asked this exact same question almost exactly two years ago!
Here is the response I got from Mats. It worked for me, even if it was
a bit fiddly:
*From: *Mats Bengtsson mailto:m
Hi,
I have a book of about 14 piano inventions I found that I wrote as a
young composer 23 years ago. Ah, the memories of youth! I have about
nine of them in lilypond code, inside a \book{}. It compiles to pdf
very slowly when I use min-systems-per-page = 5 and compiles very
quickly if I do no
Please note the bar number #2,4,8 is printed very far from the bar line. Is is
possible to have it printed close to the bar line?
Below is the lilypond code:
\version "2.13.40"
date = #(strftime "%d-%m-%Y" (localtime (current-time)))
% #(ly:set-option 'delete-intermediate-files #f)
\heade
(1) Where do I code the \set midiInstrument = ?
(2) I want to set each voice (S, A, T, B) with different midi -instrument. How
can I code it?
(3) How can I specify different sound volume for each voice? I was hoping to
empathize one particular voice for practise.
(4) How to turn off cres.
Hi,
2010/12/13 MING TSANG :
> (1) Where do I code the \set midiInstrument = ?
>
> (2) I want to set each voice (S, A, T, B) with different midi -instrument.
> How can I code it?
Take a look at this example:
\new ChoirStaff <<
\new Staff = soprano {
\new Voice = soprano
Hi,
this is in my \paper section
\paper
{
ragged-bottom = ##f
ragged-last = ##t
ragged-last-bottom = ##f
#(set-paper-size "letter")
bottom-margin = 1.5\cm
right-margin = 1.5\cm
left-margin = 1.5\cm
top-margin = 1.5\cm
min-systems-per-page = 4
max-systems-per
I am wondering if it is possible to write text inside the staff
close to the notes or without the notes like in the attached image
to show the name of the notes.
-Marc
___
lilypond-user mailing list
lilypond
I seem to be having a problem with \change Staff screwing up my barchecks.
For example:
e16 d c d e8 f
\change Staff = "LH"
gis, e r a |
for me produces a barcheck of 9/8.
bes8. a16 g f e d
\change Staff = "LH"
cis4 f8 \rest cis |
gives a barcheck of 17/16, and
\change Staff = "LH"
r8 a16 gis
On Mon, Dec 13, 2010 at 4:36 PM, Marc Mouries wrote:
> I am wondering if it is possible to write text inside the staff close to
> the notes or without the notes like in the attached image to show the name
> of the notes.
>
>
>
> -Marc
>
>
>
When putting fingerings inside the staff, I override th
Marc Mouries wrote:
> I am wondering if it is possible to write text inside the
> staff close to the notes or without the notes like in the
> attached image to show the name of the notes.
Have you tried \easyHeadsOn ? It's not exactly as you
describe, but perhaps it can suit your needs:
http://l
On 12/13/2010 5:54 PM, m...@apollinemike.com wrote:
Yup!
\version "2.13.43"
\relative c'' {
\override Stem #'transparent = ##t
\override NoteHead #'stencil = #ly:text-interface::print
\once \override NoteHead #'text = \markup { A }
a
\once \override NoteHead #'text = \mark
Kinda meh, but gets the job done.
Creating a music function would automate this sorta thing.
\score {
\relative c'' {
\time 7/2
%\easyHeadsOn
\override Stem #'transparent = ##t
\override NoteHead #'stencil = #ly:text-interface::print
\once \override NoteHead #'text = \markup
thanks, I added whiteout and adjusted the lower and the fontsize and
got something nice except the last A. :
On 12/13/2010 9:25 PM, Mike Solomon wrote:
Kinda meh, but gets the job done.
Creating a music function would automate this sorta thing.
From: Marc Mouries [m...@mouries.net]
Sent: Monday, December 13, 2010 8:30 PM
To: Mike Solomon
Cc: lilypond-user@gnu.org
Subject: Re: text inside the staff close to the notes
thanks, I added whiteout and adjusted the lower and the fontsize and got
something nice
This piece in several voices (Bach's WTC book 1 prelude 4
transcribed for guitar) has a tie between the F-sharps at the end of
bar 36 and at the beginning of bar 37, but because this tie is
across a line break, Lilypond repeats the sharp symbol (which
otherwise wouldn't
On Mon, 2010-12-13 at 07:49 -0500, Ralph Palmer wrote:
>
>
> Greetings and thanks, Colin -
>
> The second case is unexpected (to me) because I thought that \dynamic
> was a font command, as is \italic. Even if the \dynamic in the second
> case is attached to the d and then overwritten
On Dec 13, 2010, at 11:33 PM, Carl Sorensen wrote:
> Make your leger lines transparent and the final A should look great.
>
i am not sure i am following because if the ledger line is transparent it
defeats the purpose to show that the A is now on a line.
What is bizarre is that the ledger line
> What is bizarre is that the ledger line is thicker than the normal
> lines in the staff.
This is not bizarre, this is correct musical typography.
> Apparently this can be fixed but is this normal?
Yes. Just check any manually engraved older scores.
Werner
__
On 14/12/10 16:37, Marc Mouries wrote:
On Dec 13, 2010, at 11:33 PM, Carl Sorensen wrote:
Make your leger lines transparent and the final A should look great.
i am not sure i am following because if the ledger line is transparent it
defeats the purpose to show that the A is now on a line.
Wh
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