Hi,
I have found a way to merge rests when there are two voices on one stave,
but which evolve as one voice, to limit clutter on the score on this page :
http://lsr.dsi.unimi.it/LSR/Item?id=336 .
It is very usefull indeed, but isn't there a more general way to merge
rests. It's a lot of code for
Well, I'm completly amazed by scheme function, which I'm totally
unable to build. What I'd have done instead is :
\score {
\new Score <<
\new Staff <<
s4-\markup{LilyPond default, rests in both voices.}
\relative c'' { c4 d e r | r2 e4 g | R1 } \\
\relative c'' { c4 b
On Fri 10 Sep 2010, 22:58 Patrick Schmidt wrote:
> Hi all,
>
> when voices get very close to one another ledger lines and/or note
> heads seem to change their behavior. In the following example the
> note head of the c is too far to the right. The ledger lines of the
> notes on the left side of th
Am 13.09.2010 um 10:59 schrieb Dmytro O. Redchuk:
On Fri 10 Sep 2010, 22:58 Patrick Schmidt wrote:
Hi all,
when voices get very close to one another ledger lines and/or note
heads seem to change their behavior. In the following example the
note head of the c is too far to the right. The ledge
The last thing to do is to merge the R1/ You can do :
\new Staff <<
s4-\markup{Merge rests as per standard notation practice.}
\relative c'' { c4 d e b\rest | r2 e4 g | _*b,1\rest*_ } \\
\relative c'' { c4 b a b\rest | r a g2 | _*b1\rest *_}
>>
*but these are not centered.*
So you have to do
On 13/09/10 15:43, Mark Polesky wrote:
Jay Anderson wrote:
\new Staff \relative c'
{
<\stop c \stop e g>2.
}
You can also just turn off the warnings:
http://lilypond.org/doc/v2.12/input/lsr/lilypond-snippets/Simultaneous-notes#Suppressing-warnings-for-clashing-note-columns
O
Op maandag 13 september 2010 schreef bart:
> I have found a way to merge rests when there are two voices on one stave,
> but which evolve as one voice, to limit clutter on the score on this page :
> http://lsr.dsi.unimi.it/LSR/Item?id=336 .
>
> It is very usefull indeed, but isn't there a more ge
- Original Message -
From: "Nick Payne"
To:
Sent: Monday, September 13, 2010 11:30 AM
Subject: Re: Chords with unequal durations
On 13/09/10 15:43, Mark Polesky wrote:
Jay Anderson wrote:
\new Staff \relative c'
{
<\stop c \stop e g>2.
}
You can also just turn off the warning
On Sun, Sep 12, 2010 at 12:46 PM, Neil Puttock wrote:
> Add the Tweak_engraver to the Dynamics context.
Works fine. Thanks. This should probably be added to engraver-init.ly.
Are there any problems with doing this?
diff --git a/ly/engraver-init.ly b/ly/engraver-init.ly
index 6a94777..4992cf3 100
On 9/13/10 7:47 AM, "Phil Holmes" wrote:
> - Original Message -
> From: "Nick Payne"
> To:
> Sent: Monday, September 13, 2010 11:30 AM
> Subject: Re: Chords with unequal durations
>
>
>> One problem with turning off the clashing note column warning is that if
>> differently headed not
- Original Message -
From: "Carl Sorensen"
To: "Phil Holmes" ; "Nick Payne"
;
Sent: Monday, September 13, 2010 4:05 PM
Subject: Re: Chords with unequal durations
On 9/13/10 7:47 AM, "Phil Holmes" wrote:
- Original Message -
From: "Nick Payne"
To:
Sent: Monday, Septemb
On 13 September 2010 16:05, Carl Sorensen wrote:
> I don't believe it's a bug. The command says to merge differently headed
> notes. Merging a half note and a quarter note should result in a filled in
> note; it's the union of both notes.
That's an illegal merge, since it obscures the duration
- Original Message -
From: "Neil Puttock"
To: "Carl Sorensen"
Cc: "Phil Holmes" ; "Nick Payne"
;
Sent: Monday, September 13, 2010 4:48 PM
Subject: Re: Chords with unequal durations
On 13 September 2010 16:05, Carl Sorensen wrote:
> I don't believe it's a bug. The command says t
- Original Message -
From: "Phil Holmes"
To: "Carl Sorensen" ; "Nick Payne"
;
Sent: Monday, September 13, 2010 4:24 PM
Subject: Re: Chords with unequal durations
- Original Message -
From: "Carl Sorensen"
To: "Phil Holmes" ; "Nick Payne"
;
Sent: Monday, September 13, 201
Neil Puttock wrote Monday, September 13, 2010 4:48 PM
That's an illegal merge, since it obscures the duration of the
minim.
In Nick's example, setting
'ignore-collision allows the noteheads to be stuck on top of each
other with no regard for the individual durations: hence the
quaver
obsc
On 9/13/10 11:16 AM, "Trevor Daniels" wrote:
>
>
> Neil Puttock wrote Monday, September 13, 2010 4:48 PM
>
>> That's an illegal merge, since it obscures the duration of the
>> minim.
>
>> In Nick's example, setting
>> 'ignore-collision allows the noteheads to be stuck on top of each
>> other
Carl Sorensen wrote Monday, September 13, 2010 6:19 PM
What does 'merge-differently-headed mean, then?
To permit half-notes (open) to be merged with
eighth-notes and shorter (filled-in). The combined
notehead is open, but the flags show the duration
clearly.
Carl
Trevor
_
Hate to ask this here beause I know it's really a LaTeX question. But I'm
looking for a way to change the default font for text elements in
lilypond-book. I want to use the same OTF font I use for lyric text in
LilyPond. I presume this will require the use of a package but I know
virtually nothing
On 13 September 2010 19:37, Christopher Meredith wrote:
>
> Hate to ask this here beause I know it's really a LaTeX question.
> But I'm looking for a way to change the default font for text elements
> in lilypond-book. I want to use the same OTF font I use for lyric text
> in LilyPond. I presume
I've got a piece in Eb major with a section in E major. For the
instrumentation involved it will almost certainly be necessary to
transpose it all down a minor 3rd due to the range in some of the
parts. The Eb section comes out in C which is just fine but the E major
ends up in C# major whic
On Mon, 13 Sep 2010 19:58:03 +, David Bobroff
wrote:
> I've got a piece in Eb major with a section in E major. For the
> instrumentation involved it will almost certainly be necessary to
> transpose it all down a minor 3rd due to the range in some of the
> parts. The Eb section comes out
On 9/13/2010 8:56 PM, waterho...@ultrasw.com wrote:
On Mon, 13 Sep 2010 19:58:03 +, David Bobroff
wrote:
I've got a piece in Eb major with a section in E major. For the
instrumentation involved it will almost certainly be necessary to
transpose it all down a minor 3rd due to the range in s
Hi David,
> I've got a piece in Eb major with a section in E major. For the
> instrumentation involved it will almost certainly be necessary to transpose
> it all down a minor 3rd due to the range in some of the parts. The Eb
> section comes out in C which is just fine but the E major ends up
On Mon, Sep 13, 2010 at 1:08 PM, Xavier Scheuer wrote:
> On 13 September 2010 19:37, Christopher Meredith wrote:
>>
>> Hate to ask this here beause I know it's really a LaTeX question.
>> But I'm looking for a way to change the default font for text elements
>> in lilypond-book. I want to use th
I want to specify a duration (tie length) for \laissezVibrer as in:
a4\laissezVibrer{1}
meaning put a tie of duration whole-note on the 1/4 note "a". Knowing how long
to let a note ring seems essential to describe the music for a player. I
searched the web and found others asking a similar ques
On 14/09/10 10:57, Peter Buhr wrote:
I want to specify a duration (tie length) for \laissezVibrer as in:
a4\laissezVibrer{1}
meaning put a tie of duration whole-note on the 1/4 note "a". Knowing how long
to let a note ring seems essential to describe the music for a player. I
searched the we
Peter Buhr wrote:
> I want to specify a duration (tie length) for
> \laissezVibrer as in:
>
> a4\laissezVibrer{1}
>
> meaning put a tie of duration whole-note on the 1/4 note
> "a". Knowing how long to let a note ring seems essential
> to describe the music for a player.
Why not just write a wh
* Peter Buhr [2010-09-13 20:57]:
I want to specify a duration (tie length) for \laissezVibrer as in:
a4\laissezVibrer{1}
meaning put a tie of duration whole-note on the 1/4 note "a". Knowing how long
to let a note ring seems essential to describe the music for a player. I
searched the web an
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