Hi Sebastiano!
Sorry to disturb you, especially in this "holiday" season.
I complained a month ago on lilypond-user about the LSR search engine
that gives really *inconsistent* results.
http://lists.gnu.org/archive/html/lilypond-user/2010-07/msg00139.html
I did not get an answer but since I have
On 03/08/10 10:55, Antheo wrote:
Hi,
I write some Violin pieces and would like to implement a function to typeset
a commonly used fingering with the shift indicator (simply a "-" before the
finger number).
Ideally I'd like to have the following syntax: {f \shift a-1} where the
\shift command wo
Hi
I have seached for a solution without any luck. I hope some one could help me.
I cannot get the bar lines aligned as I want. What is wrong in the code?
I just need guitar chords like this
| G | C, D7 | G | C, D7 |
| G | C, D7 | G | C, D7 |
| G | Em | G | Em|
|
2010/8/3 Sebastiano Vigna :
> Fixed. I upgraded MG4J on the server and an option used in the index
> construction was no longer available, so the snippets were changing
> but the index was not. Let me know if you have other problems...
Great!
Thanks for this really quick fix.
Everything seems OK
Thanks for the suggestion Nick. But it is important that it does not look
like a glissando because a glissando is an audible transition between 2
notes while I am trying to indicate a silent shift.
Per the look also, a glissando looks like : "note1 - note2" and a shift
looks like "note1 -note2" wh
2010/8/2 Timo Virtaneva :
> Hi
>
> I have seached for a solution without any luck. I hope some one could
> help me.
>
> I cannot get the bar lines aligned as I want. What is wrong in the
> code?
>
> I just need guitar chords like this
>
> | G | C, D7 | G | C, D7 |
> | G | C, D7 | G
James Bailey-4 wrote:
>
> I realize it's not exactly what you want, but what about:
> \version "2.12.3"
> shiftTwo=\markup \finger "-2"
> { c''4-\shiftTwo }
>
Yep not exactly but could be a workaround. I'd like to replace the short "-"
by a middle one like with the character \char ##x2012. I t
you may have to use a monospace font.
http://kainhofer.com/~lilypond/ajax/user/lilypond/Fonts.html
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View this message in context:
http://old.nabble.com/Just-chords-tp29334907p29335782.html
Sent from the Gnu - Lilypond - User mailing list archive at Nabble.com.
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Is that them em or en dash? On a macintosh, I would just type them directly,
either – or —, if you absolutely have to use the unicode, I would do it:
\version "2.12.3"
shiftTwo=\markup \finger "–2"
shiftThree = \markup \concat {\char ##x2012 3}
{ a4-\shiftTwo g-\shiftThree}
On Aug 3, 2010,
great i added the \finger command to use the same font as the regular
fingering.
shiftII = \markup \finger \concat {\char ##x2012 2}
Now the dash moves the number way too far on the right. I tried to move it
back to the left by adding an override but i got an error
shiftIII = \once \override T
On Tuesday 03 August 2010 09:38:24 Antheo wrote:
> Thanks for the suggestion Nick. But it is important that it does not
> look like a glissando because a glissando is an audible transition
> between 2 notes while I am trying to indicate a silent shift.
> Per the look also, a glissando looks like :
you can left, center, or right align the markup. I'm pretty sure that the
default is to center-align it.
On Aug 3, 2010, at 6:02 PM, Antheo wrote:
>
> great i added the \finger command to use the same font as the regular
> fingering.
> shiftII = \markup \finger \concat {\char ##x2012 2}
>
> N
You probably want to center align it over the number, right? That's a bit more
complex.
On Aug 3, 2010, at 8:07 PM, James Bailey wrote:
> you can left, center, or right align the markup. I'm pretty sure that the
> default is to center-align it.
> On Aug 3, 2010, at 6:02 PM, Antheo wrote:
>
>>
(I'm new)
I wrote three parts of a song separately because they were becoming a little
overwhelming. I want to \include the three files into one but I'm doing
something wrong. It only includes the last file and uncommenting it only
includes the 2nd file and so on. Is it possible to include all
On Tue, Aug 3, 2010 at 3:11 PM, pwf100220 wrote:
> I wrote three parts of a song separately because they were becoming a little
> overwhelming. I want to \include the three files into one but I'm doing
> something wrong. It only includes the last file and uncommenting it only
> includes the 2nd
On 3 August 2010 01:55, Antheo wrote:
> Ideally I'd like to have the following syntax: {f \shift a-1} where the
> \shift command would add a dash and offset the finger number to be aligned
> with the note. Or it could be {f a\shift-1}.
The latter syntax is easier to implement (and more in keepin
On 8/3/2010 3:25 PM, Neil Puttock wrote:
c4-\shift -3
Thanks Neil. I just tried it and as you can see the number is too far
on the right. I inserted a call to "make-general-align-markup X LEFT"
but it did not help. Is there a way to move the "-" and the number
further on the left so tha
If I have a simple phrase likephrase = { a b c d e}How do I turn sustain on and off between phrases.The following illustrates what I want to do but of course gives a syntax error.{ \phrase \sustainOn \phrase \sustainOff}A more general question is how does one "attach" lilypond directives/command
On 03/08/10 23:38, Antheo wrote:
Thanks for the suggestion Nick. But it is important that it does not look
like a glissando because a glissando is an audible transition between 2
notes while I am trying to indicate a silent shift.
Per the look also, a glissando looks like : "note1 - note2" and a
Am 03.08.2010 21:11, schrieb pwf100220:
(I'm new)
I wrote three parts of a song separately because they were becoming a little
overwhelming. I want to \include the three files into one but I'm doing
something wrong. It only includes the last file and uncommenting it only
includes the 2nd file
2010/8/3 :
> If I have a simple phrase like
>
> phrase = { a b c d e}
>
> How do I turn sustain on and off between phrases.
>
> The following illustrates what I want to do but of course gives a
> syntax error.
>
> {
> \phrase \sustainOn \phrase \sustainOff
> }
>
> A more general question is how
Am 02.08.2010 17:27, schrieb David Rogers:
* Urs Liska [2010-08-02 10:46]:
Am 30.07.2010 11:57, schrieb Werner LEMBERG:
Is it possible to synchronize page breaks on facing pages of piano
duet music with primo on the right-hand side and secondo on the
left-hand side?
...
It might seem obv
Urs Liska-4 wrote:
>
> Am 03.08.2010 21:11, schrieb pwf100220:
>
> This very much depends on the real content of your files.
> If the files "used to stand alone" and you have some sort of
> "organization" I suspect you will have variables with the same name in
> your included files.
> In suc
I have been reviewing the online manuals and am having trouble finding
documentation that describes the overall architecture of the Lilypond
system. I am primarily talking about the interaction of .ly and .scm files
(how they are parsed by the C++ code would be welcome too). When I look at
the In
2010/8/4 jim.showalter :
> Xavier,
>
> Thank you! That is exactly what I was looking for. Sometimes the
> problem is not knowing how to search for the answer. After your email
> I looked in the notation manual to see exactly what was going on
> (I couldn't find it in the learning manual).
Yes,
2010/8/3 Timo Virtaneva :
> Thanks Xavier.
> Just what I hoped for.
You're welcome.
But be careful, there might be some drawbacks if you use it
simultaneously with some "normal" staves.
Cheers,
Xavier
--
Xavier Scheuer
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