oh sorry, I hadn't got it !
Here's my proposal. I let you solve the pb of clefs and time signature
positionning at the beginning of the two voices (I don't know how to do
it...). I have created 3 staves : up and down are the two staves in the
middle, and middle is the signle stave. Playing wit
Awesome! I didn't think of starting and stopping simply because the existing
music were there in two staves already and I didn't want to mess up the
format. I've just got some copy and pasting to do now.
cheers!
cc
--
View this message in context:
http://old.nabble.com/Position-Staff-between-two
On 28/07/10 18:21, Mike Solomon wrote:
> I'd recommend entering your lyrics like normal and using notes or
> spaces in the staff. Then, do massive amounts of transparency
> overrides and/or context removes. The internals reference should give
> you a lead on what to turn off. Also, check out:
>
Hi James,
I mainly thought the tempo command was too hard to find in the
documentation--too illogically placed for me to track down easily
navigating the notation reference headings (just tried it in the 2.13
doc's, had similar problems before with 2.12 doc's) and I actually
couldn't find the
Hi list.
I'm dealing with tablature these days ( >:o or :-) ?) and lots of
spacing stuff...
When you run this piece of code :
\version "2.13"
#(set-global-staff-size 24)
jenkinsI = #'(2 -3 -7 -10 -14 -19) %jenkins' scordatura
\layout {
\context {
\TabStaff
\override TabNoteH
... and it's me again with something that has already treated millions
of times, but I really can't manage with it...
This deals with : VerticalAxisGroup :-[ + TabStaff :-( , in order to
create a French tablature.
Here's my score :
\score{
<<
\new Staff {\hampesprelude} %a line with rythm i
I don't know the answer, but would remark that if the letters are not centred
vertically, they will have to cross the staff line. Is that what you want?
--
Phil Holmes
- Original Message -
From: Éditions IN NOMINE
To: Lilypond User
Sent: Thursday, July 29, 2010 2:47 PM
Sub
Well, the default option is : centered vertically on the line.
I have put the \override TabNoteHead #'extra-offset option to raise
all the letters so that they lie at a little distance to the line. Of
course, letters suche as f, g or y will cross the line, but it's OK. The
other ones just sta
Hey all,
Some of you may remember a waveform patch that I put out there a little
while ago. I've since expanded it for a particular project to make it work
with (almost) any vector graphic. I've posted an extract online. Lilypond
takes the following vector graphic:
http://www.apollinemike.c
Xavier Scheuer from the french list answered me something that works perfectly :
between-system-spacing = #'((minimum-distance . 8) (stretchability . 0))
in the \paper block. Strechability to 0 seems to avoid any fancy spacing by
Lilypond. Minimal-distance is quite convenient because it doesn'
This is really interesting! Could be useful for other things too, like
special vibratos/smorzatos etc.
2010/7/29, Mike Solomon :
> Hey all,
> Some of you may remember a waveform patch that I put out there a little
> while ago. I've since expanded it for a particular project to make it work
>
How is the woodwind fingerings project going on??
> 2010/7/29, Mike Solomon :
>> Hey all,
>> Some of you may remember a waveform patch that I put out there a
>> little
>> while ago. I've since expanded it for a particular project to make it
>> work
>> with (almost) any vector graphic. I've
Hey Bernardo,
The woodwind fingering is chugging along. All of the code is in the
current development version of lilypond, along with some regression tests
showing the functionality on all of the instruments. It just needs people
to write documentation for it - if any of you are interested, p
Em 29/07/10 11:28, Mike Solomon escreveu:
Hey all,
Some of you may remember a waveform patch that I put out there a little
while ago. I've since expanded it for a particular project to make it work
with (almost) any vector graphic. I've posted an extract online. Lilypond
takes the followi
On 29 July 2010 14:47, Éditions IN NOMINE wrote:
> If it is so, my question is : which trick could make all the letters align
> on the same line ?
You need to find the definition of `fret-letter-tablature-format'
(it's in scm/translation-functions.scm) and tweak it slightly so it
doesn't centre
Hi,
Sorry about the newbie question. I need to suppress all bar lines (except
those explicit with /bar). I have tried adding automaticBars, e.g.:
\version "2.12.3"
\score {
\new StaffGroup \relative c'' {
\set automaticBars = ##f
c4 d e c c d e c
c d e c c d e c c1
}
}
to a s
Well several issues :
1. \cadenzaOn, and you place the barlines where you want. But you'll
have to force the breaks too (don't do it, and your staff will jump out
of your page on the right !)
2. use \override BarLine #'transparent = ##t or ##f when you want
3. in the layout block, you can remo
Dan Wilckens wrote Thursday, July 29, 2010 2:47 PM
Hi James,
I mainly thought the tempo command was too hard to find in the
documentation--too illogically placed for me to track down easily
navigating the notation reference headings (just tried it in the
2.13 doc's, had similar problems be
I have searched the archives and cannot find why the following is happening.
They are contrived to demonstrate a larger problem.
This one works as expected
majorKey = #(define-music-function (parser location note ) (ly:music?)
#{
a $note g
#})
{
\majorKey g
}
But what I really want to
Hello, everybody!
I've got the problem with midi files generated from scores with
temporary second voice. The notes from second voice already being played
in first one are silently skipped in midi files. Snippet like in
following example:
<< { \voiceOne 2}
\new Voice {\voiceTwo a'8 b'8 a'8 g'8}>>
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