Graham Percival schrieb:
On Fri, Oct 16, 2009 at 10:33:01AM +0200, Federico Bruni wrote:
Graham Percival wrote:
I'll be honest: I'm a bit disappointed that nobody has stepped
forward with a "I love lilypond, I love making fancy stuff, I'll
make an awesome tablature/educational/orchestra
Ok, the following somewhat naive approach which treats music and markup
expressions sort of like cut&pasteable strings falls apart horribly.
How do I do this sort of thing properly?
The goal is to be able to write something like
\Discant #130
and get an accordion discant symbol with 1 dot at t
Graham Percival wrote:
> Anybody volunteers? For, say, making an orchestra example? I
> can't believe that nobody is capable of writing 3-4 bars of
> orchestra or opera music.
Previous attempt at replying to this seems to have got lost in the
ether, so I'm replying just with the .ly source attac
Ok, we have three contenders.
1) Original version, from Jonathan:
http://git.savannah.gnu.org/gitweb/?p=lilypond.git;a=blob;f=texinfo/images/orchestral-small.png;h=dc750e599326625f9853c602f970c9e5deffe1cf;hb=refs/heads/web-gop
2) Berlioz overture:
http://www.mail-archive.com/lilypond-user@gnu.o
Hello
I am trying to use after-title-space variable to get some extra space
between the 'meter' line and the 'lyrics' line that is appearing in the
top of the stave.
I tried to put
\paper {
after-title-space = 3\cm
}
but nothing changed.
Also, I tried to put that same line in the \layout s
2009/10/17 Alberto Simões :
> Hello
>
> I am trying to use after-title-space variable to get some extra space
> between the 'meter' line and the 'lyrics' line that is appearing in the
> top of the stave.
>
> I tried to put
>
> \paper {
> after-title-space = 3\cm
> }
>
> but nothing changed.
Wha
On Sat, Oct 17, 2009 at 3:36 PM, Graham Percival
wrote:
> ... ok, never mind. My vote definitely goes for the opera. Something
> like page 18. That has plenty of "wow" factor, although maybe
> Valentin can suggest a later section with even more stuff. Hmm...
Wow, I'm really flattered :-)
Pag
On Sat, Oct 17, 2009 at 1:51 PM, David Kastrup wrote:
> The goal is to be able to write something like
>
> \Discant #130
Greetings,
This is waaay beyond my knowledge, but you might want to have a look
at scm/harp-pedals.scm and see how the argument string is parsed.
I hope you'll get somewhere
David Kastrup writes:
> Ok, the following somewhat naive approach which treats music and markup
> expressions sort of like cut&pasteable strings falls apart horribly.
>
> How do I do this sort of thing properly?
>
> The goal is to be able to write something like
>
> \Discant #130
>
> and get an a
On Sat, Oct 17, 2009 at 06:09:20PM +0200, Valentin Villenave wrote:
> On Sat, Oct 17, 2009 at 3:36 PM, Graham Percival
> wrote:
> > ... ok, never mind. My vote definitely goes for the opera. Something
> > like page 18. That has plenty of "wow" factor, although maybe
> > Valentin can suggest a l
Has anyone made a symbol for playing behind the bridge? The only markings I
see in the snippets repository are harmonics, snap pizz, and up and down
bows.
Thanks.
Qian
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On Tue, Oct 13, 2009 at 11:21 PM, Werner LEMBERG wrote:
>
>> I was just referring to the gradient images being used for the
>> navbar.
>
> OK.
>
>>> Which URL shall I check?
>>
>> http://uoregon.edu/~pmccarty/test/
>>
>> Note that this is a single page, so none of the links work.
>
> Nice. Howe
Joseph Wakeling wrote:
Graham Percival wrote:
Anybody volunteers? For, say, making an orchestra example? I
can't believe that nobody is capable of writing 3-4 bars of
orchestra or opera music.
Previous attempt at replying to this seems to have got lost in the
ether, so I'm replying j
HI,
In the following snippet, I would like to have the rehearsal mark A on
the same line as the last volta bracket.
Any idea?
Frédéric
\relative c'' {
\repeat volta 2 { c1 }
\alternative { c c }
\mark \default c
}
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