TaoCG schrieb:
Carl Sorensen-3 wrote:
2) For each of the instances you identified in part 1), what do you call
the
resulting note?
I've never heard the term 'dead note' but 'ghost note' is very common.
Doesn't matter if it's a string or wind instrument. Neither is it limited to
woodwin
2009/7/21 Werner :
> \midi {
> \context {
> \Score
> % harmonies = ##f
> % (output all voices but no harmonies from chordNames!)
> }
> }
There's already a way to do it. Try something such as
\midi {
\context {
\type "Performer_group"
\name ChordNames
2009/7/21 Mark Polesky :
>> % midi-out all voices but not harmonies from ChordNames
> Commands that are too specific are not as useful. The syntax allows
> you to create as many score blocks as you like containing as many
> combinations of elements as you like. The user has control of many
> indiv
On Tuesday 21 July 2009, Mark Polesky wrote:
>
> "Trevor Daniels" wrote:
> > Given the wide variation in the use of the
> > x-shaped note head I think the only possible
> > name to use is one that reflects the shape of
> > the note head - crossNote, crossNoteHead or
> > similar - rather than tryin
David Raleigh Arnold schrieb:
On Tuesday 21 July 2009, Mark Polesky wrote:
"Trevor Daniels" wrote:
Given the wide variation in the use of the
x-shaped note head I think the only possible
name to use is one that reflects the shape of
the note head - crossNote, crossNoteHead or
similar -
Hi everyone,
I am trying to adjust the line width in a lilypond-book example, but
whatever I try, it always look like a ragged right style. What I want is
to stretch the line, in order to the chords places more distant one from
each other.
I searched in earlier messages and someone named Morton had
On 7/21/09 9:01 PM, "Mark Polesky" wrote:
>
>
> "Trevor Daniels" wrote:
>> Given the wide variation in the use of the
>> x-shaped note head I think the only possible
>> name to use is one that reflects the shape of
>> the note head - crossNote, crossNoteHead or
>> similar - rather than tryin
2009/7/22 Hugo Leonardo Ribeiro :
> Hi everyone,
> I am trying to adjust the line width in a lilypond-book example, but
> whatever I try, it always look like a ragged right style. What I want is
> to stretch the line, in order to the chords places more distant one from
> each other.
Try noragged-ri
To handle this problem on my own files, I make sure to use "false"
ragged-right setting inside the included lilypond file.
Jon
On Wed, Jul 22, 2009 at 9:11 AM, Hugo Leonardo Ribeiro
wrote:
> Hi everyone,
> I am trying to adjust the line width in a lilypond-book example, but
> whatever I try, it
Hi all,
Just adding my 2¢...
I might disagree. I'm big on semantics, and I would rather have a
lot of commands that create the same look but mean different
things, than have one command that creates a look which could mean
a lot of different things. I don't know how people will be using
LilyPon
On 7/22/09 8:11 AM, "Hugo Leonardo Ribeiro" wrote:
> Hi everyone,
> I am trying to adjust the line width in a lilypond-book example, but
> whatever I try, it always look like a ragged right style. What I want is
> to stretch the line, in order to the chords places more distant one from
> each
Mark Polesky wrote:
"Trevor Daniels" wrote:
Given the wide variation in the use of the
x-shaped note head I think the only possible
name to use is one that reflects the shape of
the note head - crossNote, crossNoteHead or
similar - rather than trying to find a suitable
generic name which adequat
Hello all,
Like many Lilyponders, I break down my code into variables, e.g.
global (for time signature changes, etc.), notes, dynamics, etc. The
main irritation with this (IMO) is that each variable requires a
complete set of skips in order to keep the timing accurate.
Would it be technic
Kieren MacMillan wrote:
> Like many Lilyponders, I break down my code into variables, e.g.
> global (for time signature changes, etc.), notes, dynamics, etc.
> The main irritation with this (IMO) is that each variable
> requires a complete set of skips in order to keep the timing
> accurate.
>
> W
Hi Mark,
Have you tried using the \tag command?
http://lilypond.org/doc/v2.12/Documentation/user/lilypond/Different-
editions-from-one-source#Using-tags
Certainly I've used \tag for filtering content, but I don't
understand how \tag could help with the problem I'm describing...
could you
Ian Hulin schrieb:
Mark Polesky wrote:
"Trevor Daniels" wrote:
Given the wide variation in the use of the
x-shaped note head I think the only possible
name to use is one that reflects the shape of
the note head - crossNote, crossNoteHead or
similar - rather than trying to find a suitable
generi
On Wed, Jul 22, 2009 at 9:05 AM, Kieren
MacMillan wrote:
> Hello all,
>
> Like many Lilyponders, I break down my code into variables, e.g. global (for
> time signature changes, etc.), notes, dynamics, etc. The main irritation
> with this (IMO) is that each variable requires a complete set of skips
Hi all,
I'm trying to add hammer-on and pull-off to a tablature.
These are not supported by tablature.ly, so I was told to use an .eps
file and \markup to get what I want.
I need your help to understand how to do it actually.
Please direct me to a place of the manual where this issue is discus
Hans Aberg wrote:
On 21 Jul 2009, at 20:20, Carl Sorensen wrote:
... a question come up about the name for some notation.
In rock (and maybe jazz) guitar, there is a note described as a "dead
note"
that is notated in both tablature and staff notation with a cross-style
notehead. This note i
Hans Aberg wrote:
On 21 Jul 2009, at 20:20, Carl Sorensen wrote:
... a question come up about the name for some notation.
In rock (and maybe jazz) guitar, there is a note described as a "dead
note"
that is notated in both tablature and staff notation with a cross-style
notehead. This note i
Hi,
I'm resurrecting a laptop whose hard drive died. I'm trying to set up
Emacs lilypond-mode.
AU 2.2.1 tells me to do a 'make install' in the elisp directory. I
don't see a makefile and 'make install' doesn't find an install target
rule. Am I missing something or are the docs behind?
T
Sorry for the noise. I didn't think the first version of this email
had succeeded.
Paul
Paul Scott wrote:
Hans Aberg wrote:
On 21 Jul 2009, at 20:20, Carl Sorensen wrote:
... a question come up about the name for some notation.
In rock (and maybe jazz) guitar, there is a note described
hi, am a total newbie to lilypond, but way impressed, hope to use it a lot.
interested in outputting clips as png, so trying various combinations, all of
which are the same result.
file scale.ly:
\version "2.12.0" % necessary for upgrading to future LilyPond versions.
#(ly:set-option 'clip-sys
On 23.07.2009, at 04:20, Paul Scott wrote:
Hi,
I'm resurrecting a laptop whose hard drive died. I'm trying to set
up Emacs lilypond-mode.
AU 2.2.1 tells me to do a 'make install' in the elisp directory. I
don't see a makefile and 'make install' doesn't find an install
target rule. A
BODY { font-family:Arial, Helvetica, sans-serif;font-size:12px; }
I know nothing about tablature, but to use your EPS file in a markup
would be something like
markup { epsfile #X #8 #"hammer-pull.eps" }
where the first parameter is the axis and the second is the amount
to scale by.
Nick
On T
In my discussion with my jazz professional, we looked at complex chords, in
fact we deliberately looked for complex ones to find out how they were
expressed. We found, quite amazingly that the more complex the chord got the
more ambiguous its name became.
The other thing we noted is that frequent
James E. Bailey wrote:
On 23.07.2009, at 04:20, Paul Scott wrote:
Hi,
I'm resurrecting a laptop whose hard drive died. I'm trying to set
up Emacs lilypond-mode.
AU 2.2.1 tells me to do a 'make install' in the elisp directory. I
don't see a makefile and 'make install' doesn't find an ins
> Would it be technically feasible/possible to establish a system of
> "anchors" instead?
This would be indeed a great feature!
Werner
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Federico Bruni schrieb:
Hi all,
I'm trying to add hammer-on and pull-off to a tablature.
These are not supported by tablature.ly, so I was told to use an .eps
file and \markup to get what I want.
Hi Federico,
as long as you need simple slurs to indicate hammer-on and pull-off,
you'll have t
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